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The role of the nineteenth-century female in literature
The role of the nineteenth-century female in literature
20th century gender roles in literature
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Robert Browning used his poetry as a way of self-determination as many of the ideas expressed in his poems go against the current of the Victorian era. His poetry should be included in the texts list for the HSC because they not only offer examples of classic poetry but also provide insights into the 19th century English society in terms of behaviour, gender roles and religion. Three poems that are fine examples of this are "Porphyria's Lover", "My Last Duchess" and "The Laboratory." "Porphyria's lover" presents a man who is so restricted by his society's traditions and mores that he is driven to murder and sees it as a just action. "My Last Duchess" introduces a Duke who becomes consumed by his need to feel superior and in complete control, which also leads him to murder. "The Laboratory" concerns a woman driven by jealousy, defying all morals to achieve her own wants. Porphyria's Lover, My Last Duchess and The Laboratory are all excellent examples of Browning's use of the dramatic monologue. This is a style of poem in which the narrator unwittingly reveals a dark secret or action of theirs whilst attempting to rationalise their actions to the audience and or their listener in the poem. The dramatic monologue allows the reader to enter the character's psyche and develop a deep understanding of their mindset. The poems are more about the state of mind of the speaker rather than the act they have, or plan to, commit. Nineteenth century England was a time of gender inequality. Women were seen as inferior to males and, as evidenced in "Porphyria's Lover" and "My Last Duchess", objects of desire. Browning seems to comment negatively on this view of women, as the crimes against them and those who committed them in these 2 poems ... ... middle of paper ... ...urch using the negative words "drear, empty church." This line shows the reader she has no faith in the authority of the Victorian church and that she finds no solace in it. She finds her justice in self-determination, using her own methods. The speaker dismisses the church. Also, her taking the matter of killing and death into her own hands and giving herself that right is her taking on a God-like role. "Let death be felt and the proof remain " she seeks the power that only God possess. Like in "Porphyria's Lover", Browning seems to be expressing his own disbelief in the church in "The Laboratory." Browning expressed his own thoughts on the paradigms of the Victorian era through "Porphyria's Lover", "My Last Duchess" and "The Laboratory" making them extremely valuable and insightful poems. All three texts have much to offer and thus must be included for HSC study.
The death of the female beloved is the only way deemed possible by the insecure, possessive male to seize her undivided attention. This beloved woman represents the "reflector and guarantor of male identity. Hence, the male anxiety about the woman's independence for her liberty puts his masculine self-estimation at risk" (Maxwell 29). The jealous and controlling males in Robert Browning's "Porphyria's Lover" and "My Last Duchess" possess a fervent desire to fix and monopolize their unconstrained female beloveds. Due to a fear of death, both speakers attempt to achieve control and deny object loss; by turning their lovers (once subjects) into objects, they ultimately attain the role of masterful subject.
Have you ever fallen in love? Have you ever developed strong feelings for another? If problems arose between the two of you, were you able to overcome them? Well certain men in Robert Browning’s works couldn’t seem to. . . “overcome” these differences with their women. Browning grew up learning from his father’s huge library. His wife was much more successful at writing than him. Eight years after her death, his career turned around for the last 20 years of his life. During this time, he wrote many short dramatic monologues such as My Last Duchess and Prophyria’s Lover. These two very intriguing and disturbing Monologues, My Last Duchess and Prophyria’s Lover, by Robert Browning, involve two very messed up men whose actions are both alike in their idea of immortalizing their woman, but different in why they chose to commit the act between the two stories, and a conclusion may be drawn from this observation.
As the reader examines "Prophyria's Lover" by Robert Browning, one recognizes the complete effort of the speaker to disguise his feelings toward the murder of his wife. The speaker goes through different thoughts in relation to the life he has with his wife. Many thoughts include the positive and negative parts about her and their relationship. Throughout the monologue, the speaker tells the readers of his struggles of coming to the conclusion of murdering his wife and the reasons to do so. In “Prophyria’s Lover”, the speaker is faced with many types of insanity before, during, and after the murder of his wife, Prophyria because of the love he has for her.
In contrast to Macbeth’s love for his wife, in Browning’s ‘My Last Duchess’ there is an absence of the romanticised emotion of love. The Duke refers to his wife as ‘My Last Duchess. Here the use of the possessive pronoun ‘my’ gives us the idea from the outset that the Duke saw his wife as merely a possession. The iambic pentameter of ten syllables per line used in the poem also emphasises possession by stressing ‘my’ further in the pattern. Browning’s portrayal of love is one that is absent of emotional attachment, but instead something by which he could possess and have power over her. It could be argued that there are similarities in the way that Lady Macbeth also uses the emotion of love. Being in the form of a dramatic monologue, use
In essence, Elizabeth Barrett Browning dramatic monologue proved a powerful medium for Barrett Browning. Taking her need to produce a public poem about slavery to her own developing poetics, Barrett Browning include rape and infanticide into the slave’s denunciation of patriarchy. She felt bound by women’s silence concerning their bodies and the belief that “ a man’s private life was beyond the pale of political scrutiny” (Cooper, 46).
It goes on to speak about sympathy in general and how Browning “delighted in making a case for the apparently immoral position”, how he found dramatic monologues the best form to do so, and how he went about it. It keeps going for a couple more pages on things which I will not go into because they have little relevance to any interpretation of “My Last Duchess”.
The overarching irony in Browning's "My Last Duchess" is that it really is not about the duchess, but instead about the controlling, jealous, and arrogant nature of the duke. In his monologue describing a painting of his former wife, the duke introduces us to his dark and sinister qualities. By giving us the Duke of Ferrara as an example, Robert Browning subtly condemns the nobility for their poor character.
Robert Browning wrote the two poems, "My Last Duchess" and "Porphyria's Lover. " Both poems convey a thoughtful, profound commentary on the concept of love. communicates two interpretations concerning Both poems describe the behavior of people who are in loving, romantic relationships. There are several aspects common to both poems. Using the literary technique of dramatic dialogue, the author reveals the plot and central idea of each poem.
My Last Duchess by Robert Browning is a dramatic monologue about a duke who is showing the portrait of his first wife, the duchess, to a servant of his future father-in-law, the Count. In a dramatic monologue, the speaker addresses a distinct but silent audience. Through his speech, the speaker unintentionally reveals his own personality. As such, in reading this poem, the reader finds the duke to be self-centered, arrogant, controlling, chauvinistic and a very jealous man. The more he attempted to conceal these traits, however, the more they became evident. There is situational irony (a discrepancy between what the character believes and what the reader knows to be true) in this because the duke does not realize this is what is happening. Instead, he thinks he appears as a powerful and noble aristocrat.
...time. The undying devotion from a woman to a man, still existed in Ellis, but with the feeling that it was to the religious salvation end. For Browning, these ends were simply obstacles that were lost to her as the wear of sickness ground on her. Within her deep relationship with Robert, was still a meaningful relationship that Ellis may argue with. But such arguments were frequently held over these ideas in the Victorian Era.
Browning’s works were the primary model for the basic form of the standard Victorian dramatic monologue which was based around a speaker, listener, and a reader. Browning’s poem “My Last Duchess” became a model for the dramatic monologue form primarily because of the strict approach he took while developing the poem. One of the aspects characteristic of this work is the authors level of consciousness. Each element in “My Last Duchess” is thoughtfully constructed with form and structure in mind. This poem is filled with dramatic principle that satisfied the Victorian period’s demand for an action and drama that were not overtly apparent in the work. In the case of “My Last Duchess” the drama of the poem is how his character, the Duke, is introduced. In dramatic monologues the character’s self is revealed through thoug...
Both of these poems can be used read from different points of view and they could also be used to show how society treated women in the Nineteenth Century: as assets, possessions. Both of these poems are what are known as a dramatic monologue as well as being written in the first person. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables. ‘My Last Duchess’ is about a member of the nobility talking to an ambassador concerning his last wife, who later on in the poem is revealed to have been murdered by the person speaking, who is about to marry his second wife. ‘Porphyria's Lover’ gives an insight into the mind of an exceptionally possessive lover, who kills his lover in order to capture that perfect moment of compassion. ‘Porphyria's Lover’ uses an alternating rhyme scheme during most of the poem except at the end. The whole poem is only one stanza long, and each line in the stanza comprises of eight syllables.
The Victorian period was in 1830-1901, this period was named after Queen Victoria; England’s longest reigning monarch. Britain was the most powerful nation in the world. This period was known for a rather stern morality. A huge changed happened in England; factories were polluting the air, cities were bursting at the seams, feminism was shaking up society, and Darwin’s theory of evolution was assaulting long established religious beliefs. The Victorians were proud of their accomplishments and optimistic about the future, but psychologically there was tension, doubt, and anxiety as people struggled to understand and deal with the great changes they were experiencing. One of the authors known for writing during the Victorian Period was Robert Browning. Robert Browning was a poet and playwright whose mastery of dramatic monologues, which made him one of the Victorian poets. Robert died in December 1889. His Poem “Porphyria’s Lover” was published in 1836. This essay will explore three elements of Victorianism in Porphyria’s Lover by Robert Brown...
"Porphyria's Lover" is an exhilarating love story given from a lunatic's point of view. It is the story of a man who is so obsessed with Porphyria that he decides to keep her for himself. The only way he feels he can keep her, though, is by killing her. Robert Browning's poem depicts the separation of social classes and describes the "triumph" of one man over an unjust society. As is often the case in fiction, the speaker of "Porphyria's Lover" does not give accurate information in the story.
For many of Browings fans and himself, poetry did not need to be a big extravagent piece of work, and for he critics who did not understand that aspect, Browning`s work would always “lacking something”. Although there was not understanding of that, there was still a light at the end of the tunnel for Browning in the respect of being appreciated by later critics. Of course, not all of Browning`s poetry reviews were pesimistic, and one literary scholar, William DeVane, considered the poet`s name to have increased as he had gotten older, along with the number of positive reviews. Although Browning was obviously not happy by the many negative reviews he received, but even some of the most brutal reviewers acknowledged his flat out raw talent, even if they did not agree with how he went about using it.