One of the recurring themes within Manyoshu, a collection of over 4,000 poems (Keene 1955, 33) written by a variety of authors—some of whom were emperors and their paramours—is love and the coping with the loss of one’s love. The very nature of the Manyoshu lends itself to this subject matter, particularly since many of the poetic works contained within are tankas that are highly symbolic and suggestive of association. As such, many of the poets found within this work utilized various literary devices to express their notions of love and its absence, some of the most important of which include diverse aspects of diction, anaphora, alliteration, and other forms of sentence structure. There is a definite proclivity of the structure of a poem influencing and coloring its content, particularly due to the utilitarian aspects of much of the literature that comprises Manyoshu. Many of these poems were also regarded as songs that would be stated or sung aloud during important rituals to utilize a spiritual aspect of the words and the sentiments they conveyed. Therefore, when discussing the topic of love and its loss within this compendium, it is important to understand that specific choices of words are highly influential in conveying the desires and feelings of both the poets and their poems.
Numerous examples abound in which one can see how the diction of a poem helps to impart a particular meaning, especially when the thematic issue of that poem has to do with love. Oftentimes, much of the poetry within Manyoshu—which is the oldest known work of poetry written in Japanese (Morrow 2004)—treats of unrequited feelings of passion between individuals, such as the verses composed by Empress Iwa no Hime, who was romantically involved with Em...
... middle of paper ...
...h is why so many of the poems in this volume deal with the haunting memory of a past relationship that a poet is clinging to through his or her writing.
Works Cited
Keene, Donald. Anthology of Japanese Literature, From the Earliest Era to the Mid-Nineteenth Century. New York: Grove Press. 1955 Print.
Keene, Donald. Sources of Japanese Tradition: Volume 1: From Earliest Times to 1600. New York: Columbia University Press. Print. 2002.
Morrow, Avery. “The Undecipherable Poem, No. 9 of the Manyoshu”. 2004. Web. http://avery.morrow.name/studies/manyoshu
Nakamura, Dr. Hisashi. “Ten Thousand Leaves”. Tanka Society. 2009. Web. http://www.tankasociety.com/Tanka%20booklet%20Final%202.pdf
Reiser, Gary. “FormForAll—Manyoshu Poetry”. Dversepoets.com 2011. Web. http://dversepoets.com/2011/11/03/formforall-manyoshu-poetry-hosted-today-by-jane-kohut-bartels-lady-nyo/
Love, partnership and commitment have been the subjects of a multitude of novels, plays poems, movies and great works of art. Throughout these works, the image of love and commitment in love have taken many different forms. Today, we easily recognize symbols of commitment in love to be items such as hearts, wedding bands, roses, etc. However, in literature, especially, more abstract and creative symbols of commitment to a loved one are often present. Additionally, the symbols of devotion that exist in literature do not always involve romantic love as opposed to many movies, painting and sculptures. For example, in the short story, “Saving Sourdi” by May-Lee Chai, symbols of loyalty to a loved one manifest between two sisters. In opposition to symbols of loyalty existing in a platonic manner as it does in “Saving Sourdi,” Peter Meinke’s “The Cranes,” provides symbols of commitment in an amorous relationship.
Junko Habu, Ancient Jomon of Japan: Case Studies in Early Societies (Cambridge University Press. 2004)
Fallows, James. "After Centuries of Japanese Isoation, a Fateful Meeting of East and West." {Smithsonian} July 1994: 20-33.
customs and traditions hidden in the roots of the Japanese empire. The Tang Dynasty displayed a
Literature shows us the changes of our society from time to time. It also gives us an idea about people, culture, politics, gender traditions, as well as an overall view of previous civilizations. As a part of literature, poetry introduces us to different cultures with different perspectives. Ancient Egypt and ancient China may differ in terms of culture, politics, economic stability, tradition, or even in religious belief. However, in poetry, especially in love lyrics both Egyptian and Chinese poems portray common area of describing women, social attitudes toward love, sexuality and the existence of romance or selfishness in relationships. . If we look at the Egyptian poem “My god, my Lotus” and the Chinese poem “Fishhawk”, we will see both poems have similarities in describing relationships. Also, they have the similarity of imagining the lovers and their expression of love toward each other. However, both poems have some significant differences in terms of representing female sexuality, gender disparity and the display of love.
Beginning with the poetry itself, the majority of the Manyoshu was made up of tanka, short poems, while the Kokinshu is also made up of a good number of tanka due to the decline of other older poetic forms. Concerning the topics of the poetry itself, love is a large category for both anthologies, with seasonal poetry being prominent in the Kokinshu and elegies being a main topic in the Manyoshu. The emphasis on the publication of poetry dedicated to romance indicates the importance pla...
21 Pitts, Forrest R., Japan. p. 113. -. 22. Davidson, Judith. Japan- Where East Meets West, p. 107.
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
Suzuki, Tomi. Narrating the Self: Fictions of Japanese Modernity. Palo Alto: Stanford University Press, 1996.
...to help express the theme of the poems by illustrating the role the subject matter played in the life of the persona during their grieving period. Furthermore, metaphors helped communicate the thoughts and feelings of the personas by providing the reader with insight into the relationships and emotions covert in the poem. All in all, the poetic devices incorporated in each individual poetic composition played vital roles in the emotional and dramatic impact of these poems. And who knows, the immaculate use of these fundamental literary devices could be the key to successful love poems all around the world.
Harootunian, Harry. Toward Restoration: The Growth of Political Consciousness in Tokugawa Japan. Los Angeles: University of California Press, 1970.
Roberts, Jeremy. Japanese Mythology A to Z (Mythology a to Z). New York: Facts on File, 2004.
Shirane Haruo. et al. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Colombia University Press, 2002. Print.
LaFleur, William R. The Karma of Words: Buddhism and the Literary Arts in Medieval Japan. 1983: University of California Press, Berkeley.
Deal, William E. 2006. Handbook to Life in Medieval and Early Modern Japan. Facts on File, Inc., 2006. eBook