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Essays on independent women
Essays on independent women
Essays on independent women
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Pluto Shits on the Universe is a strong and defiant poem that expresses the rejection of rules, rules placed upon others by those who cannot even begin to control them. After being discredited as a planet for her uncharted and chaotic movements, Pluto reacts. She expresses her freedom from the rules of documented science, from our sense of time, from our titles and competition. This poem has tones of defiance, confidence and independence created through its syntax, diction, and repetition.
The first tone the reader may easily sense is defiance. With just the first line – “Today, I broke your solar system. Oops.” – Pluto (the speaker) instantly establishes an unsympathetic and unapologetic stance on her removal from the list of planets which make up our solar system. The syntax in this sentence alone tells readers that she couldn’t care less for her ‘dilemma’. Pluto, without a second thought – considering the inclusion of “Oops” in the first line rather than following a line break – immediately feels no remorse for the disruption caused. This, along with the rest of the first and second stanza, defines the
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initial tone of defiance that can be found throughout the poem. The defiance is then intensified with diction such as “chaos”, “ain’t” and escaped”. Repetition in some diction had the same effect, e.g. the repeated use of “fuck” in lines like, “Fuck your moon … Fuck your rules … Fuck your order” (9, 21-22, 28). The additional tones of confidence and independence are mainly sparked by diction and syntax.
The order of the following quote is interesting, as she states, “My name means hell, bitch,” before outright taking on that identity with “I am hell, bitch”. Concerning the arrangement, I first understood this line to be a realization, an epiphany on the page. As for the line herself, more so the words used, I took it as a declaration of Pluto’s sense of importance, of royalty – hell, though a Kingdom of the damned, is in fact a kingdom. Taking on the title of hell, hell being a kingdom of the damned, she is owning her ‘damnation’ from the list of recognized planets – a sort of “If the shoe fits” comment on her own existence. Therefore, with the aforementioned line, she is declaring dominion over herself and expressing her independence from the rules of our
science. With phrases like “I deserve” and I want”, and lines like “Your year ain’t/shit but a day to me”, and “Neptune is bitch-sobbing in my rearview, /and I got … all this sky that’s all mine”, she perpetuates her rejection of our “rules” and proclaims her ownership of the remaining sky, free for her to roam and wander, unlike the planets stuck in our solar system. She celebrates her freedom, she dismisses our rules, she disses her competition – Neptune, Jupiter and the other planets – and laughs in the face of it all. Although a lot of the diction is solar system-based, one can easily place themselves in Pluto’s shoes, relate with her situation and grow from the message of this poem. Others do not define us, not matter how ‘official’ their words may be. We cannot be placed in order of best to worst, greatest to least, etc., unless we allow ourselves to be. We should not apologies for leaving the standards or expectations of others unmet when we have not asked to be evaluated, researched and monitored. We own our freedom, we own our names, we our titles, and we own our worth. In short, be unapologetic when being yourself.
Imagine working with radioactive materials in a secret camp, and the government not telling you that this material is harmful to your body. In the book Plutopia: Nuclear Families, Atomic Cities, and the Great Soviet and American Plutonium Disasters by Kate Brown, she takes her readers on a journey to expose what happened in the first two cities that started producing plutonium. Brown is an Associate Professor of History at University of Maryland, Baltimore County. She has won a handful of prizes, such as the American Historical Association’s George Louis Beer Prize for the Best Book in International European History, and was also a 2009 Guggenheim Fellow. Brown wrote this book by looking through hundreds of archives and interviews with people,
For my recitation I chose the poem, “Monstrance Man," by Ricardo Pau-Llosa. I selected this poem from the Poetry Out Loud archive because I liked the way it was structured and written. As I first skimmed the poem my understanding of it was shallow, but as I began to practice it I gained a deeper knowledge of its story and meaning. I realized the depth of the protagonist and how greatly I empathized with him. Specifically, I learned the definition of the term “Monstrance” and that
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
In “Useless Boys” the writer, Barry Dempster, creates a strong feeling of disappointment and shame in himself and society as he looks back on his youth to when him and a friend made a promise to each other to “not be like their fathers”. Dempster expresses a sort of disgust for the capitalist society his world seems to be built around, a life where even if you’re doing something you initially enjoyed you end up feeling trapped in it. The poem is a reflective piece, where he thinks back on how he truly believed he would end up happy if he chose a different path than that of his parents. The author uses simple diction and syntax, but it’s evident that each idea has a much deeper meaning, which assisted in setting a reflective/introspective mood.
From analyzing the text it’s obvious to the reader that the narrator is dissatisfied with where he’s at in life. The first stanza is an insight into the atmosphere of his high school, and the word choice and imagery play a role in depicting his disgruntled
Most all ethnicities and cultures have been prosecuted at one time or another from an oppressing source. In the case of the Native Americans, it was the English coming in and taking their land right from underneath them. As the new colonies of the cohesive United States of America expanded, they ran into the territories of the then referred to Indians. These people were settled down south on the east coast, for example Georgia, Tennessee, Florida and the Carolinas. America obtained this land through the Louisiana Purchase, where they bought it from France. The Native Americans were already there before anyone, yet the big power countries bargained with their land. The Native Americans did not live the way the American democracy did, and they
2. What is the effect of the exclamation mark used in the last line of the second stanza?
The poem On Girls Lending Pens that is written by Taylor Mali tells that a boy forgets to bring his pen for class, so he has to borrow one from a girl beside him. However, he does not expect that girl has too many pens to pick from. It seems that the girl cares too much about her stuff and makes the simplest thing more difficult to deal with. At the end, the boy decides that he would rather come unprepared than borrow a pen from the girl. It is a very humorous and rhymed poem. Through different poetic devices, it shows the theme of being prepared.
This is shown through the tone changing from being disappointed and critical to acceptance and appreciative. The speaker’s friend, who after listening to the speaker’s complaints, says that it seems like she was “a child who had been wanted” (line 12). This statement resonates with the speaker and slowly begins to change her thinking. This is apparent from the following line where the speaker states that “I took the wine against my lips as if my mouth were moving along that valved wall in my mother's body” (line 13 to line 15). The speaker is imagining her mother’s experience while creating her and giving birth to her. In the next several lines the speakers describe what she sees. She expresses that she can see her mother as “she was bearing down, and then breathing from the mask, and then bearing down, pressing me out into the world” (line 15 to line 18). The speaker can finally understand that to her mother the world and life she currently lived weren't enough for her. The imagery in the final lines of this poem list all the things that weren’t enough for the mother. They express that “the moon, the sun, Orion cartwheeling across the dark, not the earth, the sea” (line 19 to 21) none of those things matter to the mother. The only thing that matter was giving birth and having her child. Only then will she be satisfied with her life and
On the surface the poem seems to be a meditation on past events and actions, a contemplative reflection about what has gone on before. Research into the poem informs us that the poem is written with a sense of irony
Many issues have arisen from the debate whether or not Pluto is a planet. Some astronomers say that Pluto should be classified as a “minor planet” due to its size, physical characteristics, and other factors. On the other hand, some astronomers defend Pluto’s planet status, citing several key features.
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
The “Proverbs of Hell.” Poetry Foundation. Web. The Web. The Web. 2014
Although Pluto was discovered in 1930, limited information on the distant planet delayed a realistic understanding of its characteristics. Today Pluto remains the only planet that has not been visited by a spacecraft, yet an increasing amount of information is unfolding about this peculiar planet. The uniqueness of Pluto's orbit, rotational relationship with its satellite, spin axis, and light variations all give the planet a certain appeal.
Pluto is located 7.5 billion kilometers from Earth and is only over 2,000 km in diameter. Pluto has been labeled both a planet and a dwarf planet over the years. As said by USA Today, “a planet is a celestial body that: is in orbit around the sun, is round or nearly round, and has "cleared the neighborhood" around its orbit, meaning it is not surrounded by objects of similar size and characteristics.” Pluto only follows two of the three rules of a planet. Pluto crosses over Neptune’s orbit and is near other dwarf planets like it. Even though it breaks one rule it was officially named a dwarf planet in “August 2006”, as stated by the Library of Congress. After this event Pluto still only has one correct classification. Pluto is a planet because