Amanda Fermin Fermin 1
Goodson
Seminar in the Arts
18 August, 2015
Play Critique- CITIZEN: An American Lyric
Claudia Rankine is a Jamaican woman born in 1963 raised in Kingston and New York City. Her early life traces back to when she studied at Williams College, where she then decided to pursue an MFA at Columbia University. Since completing her education, she has published collections of poetry, anthologies, and has received many awards and fellowships. She is currently the Henry G. Lee Professor of English at Pomona College as well as a chancellor in the Academy of American Poets. To say that Rankine has reached a bounty of success in her life is an understatement. In Citizen: An American Lyric she expresses the social struggles
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She refers to a friend who jokingly calls you a “nappy-headed hoe” when she shows up tardy to a date. Other reflections include when a stranger wonders why you care that “he has just referred to the boisterous teenagers in Starbucks as n***”. Or when you are standing outside a conference room before a meeting and one of your colleagues tells another that “being around black people is like watching a foreign film without translation.” Rankine describes these situations in a way in that initially shocks the viewer while you wait for the response from the flabbergasted victim of these heinous and backhanded remarks.
Rankine manages to show the dynamics of racial situations are not just present tense but also unconscious and historical. She writes “This is how you are a citizen. Come on. Let it go. Move on.” This poem brings hope that perhaps through it all we can all manage to be a bit more conscious as human beings and racism does not stem merely from blatant acts of hate, but rather unconscious ignorance and daily interactions. She challenges us in a way where we can think to stop and battle these situations rather than merely overlooking them as well as putting a stop to them when we experience others unconsciously acting in such a way as well. Rankine says, “All our fevered history won't instill insight, won't turn a body conscious, won't make that look in the eyes say
In the article, “A Letter My Son,” Ta-Nehisi Coates utilizes both ethical and pathetic appeal to address his audience in a personable manner. The purpose of this article is to enlighten the audience, and in particular his son, on what it looks like, feels like, and means to be encompassed in his black body through a series of personal anecdotes and self-reflection on what it means to be black. In comparison, Coates goes a step further and analyzes how a black body moves and is perceived in a world that is centered on whiteness. This is established in the first half of the text when the author states that,“white America’s progress, or rather the progress of those Americans who believe that they are white, was built on looting and violence,”
In addition, after WWI, there were many waves of Jamaican peoples that would come to America. This poem gives background information about the author’s mother and then moves into the authors opinion on
The female, adolescent speaker helps the audience realize the prejudice that is present in a “melting-pot” neighborhood in Queens during the year 1983. With the setting placed in the middle of the Civil Rights Movement, the poem allows the audience to examine the experience of a young immigrant girl, and the inequality that is present during this time. Julia Alvarez in “Queens, 1963” employs poetic tools such as diction, figurative language, and irony to teach the reader that even though America is a place founded upon people who were strangers to the land, it is now home to immigrants to claim intolerance for other foreigners, despite the roots of America’s founding.
Through the study of life and literature, one can tell that racism continues to be truly pervasive. In Nikky Finney’s “Dancing with Strom”, the reader can witness the tension that exists between the races in society today. Although the poem shows how as times progress, mentalites seem to change as well, it is evident that many African Americans, such as Nikky Finney, still live in fear of the racism that hides and lurks in the corners.
Words are commonly used to separate people by the color of their skin, but they can also be used to bring people together, no matter what their skin color was. Using words improperly was a common problem in America when our parents were our age, and even way long before that. People have written countless stories about racism, it’s affect of the world, or it’s effect on the person themselves. One of the more well known poems about racism is “‘Race’ Politics”, by Luis J. Rodriguez. The story the poem is based off of took place sometime in the mid 1960’s, so this gives us an insight of what the world was like back then.
In Audre Lorde’s bildungsroman essay “The Fourth of July” (1997), she recalls her family’s trip to the nation’s capital that represented the end of her childhood ignorance by being exposed to the harsh reality of racialization in the mid 1900s. Lorde explains that her parents are to blame for shaping her skewed perception of America by shamefully dismissing frequent acts of racism. Utilizing copious examples of her family being negatively affected by racism, Lorde expresses her anger towards her parents’ refusal to address the blatant, humiliating acts of discrimination in order to emphasize her confusion as to why objecting to racism is a taboo. Lorde’s use of a transformational tone of excitement to anger, and dramatic irony allows those
Sociologists often employ intersectionality theory to describe and explain facets of human interactions. This particular methodology operates on the notion that sociologically defining characteristics, such as that of race, gender, and class, are not independent of one another but function simultaneously to determine our individual social experiences. This is evident in poetry as well. The combination of one poet’s work that expresses issues on class with another poet’s work that voices issues on race, and so forth, can be analyzed through a literary lens, and collectively embody the sociological intersectionality theory.
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.
Thomas uses pathos in order to demonstrate the difficulties she had to endure while growing up as an interracial child. She goes in depth concerning the treatment she received from both racial spectrums. Thomas presents her first example of unfair treatment from a black person’s perspective by stating how whites reacted when they found out her true identity beyond her physical appearance. She states, “I have had friends never speak to me again, parents forbid their children to play with me, job offers suddenly evaporate…when people found out my father is black” (416). Thomas distinctly uses these examples mainly because they are synonymous with the racial boundaries that blacks endure in an everyday American society. Furthermore, these examples grab the emotions of the reader, especially if the reader is black. To further the influence of pathos in the essay, Thomas changes her direction by focusing on how the black community did not accept her, knowing of her mixture. She provides her second example of society’s ignorance by explaining her...
...ites a short 33-line poem that simply shows the barriers between races in the time period when racism was still openly practiced through segregation and discrimination. The poem captures the African American tenant’s frustrations towards the landlord as well as the racism shown by the landlord. The poem is a great illustration of the time period, and it shows how relevant discrimination was in everyday life in the nineteen-forties. It is important for the author to use the selected literary devices to help better illustrate his point. Each literary device in the poem helps exemplify the author’s intent: to increase awareness of the racism in the society in the time period.
This poem is written from the perspective of an African-American from a foreign country, who has come to America for the promise of equality, only to find out that at this time equality for blacks does not exist. It is written for fellow black men, in an effort to make them understand that the American dream is not something to abandon hope in, but something to fight for. The struggle of putting up with the racist mistreatment is evident even in the first four lines:
Racism dates back thousands and thousands of years back to the caveman times. In the short story “Desiree’s Baby”, Kate Chopin shows how discrimination by skin color can affect people. Desiree was abandoned and raised by Madame Valmonde. Armand, the father of the baby, was a member of the most notable families in Louisiana. He falls in love with Desiree and marries her. After they have a baby, their relationship quickly corrodes. A few months later, Armand realizes the baby’s skin has a darker tint than usual. He accuses Desiree of being black. Armand tells Desiree he wants her to leave so Desiree takes the baby and “disappears among the reeds and willows that grew thick along the banks of the deep, sluggish bayou” (Chopin 91) and never returns. Armand finds out that Desiree is black when he reads a letter that her mother sent her that read “she belongs to the race which is cursed with the brand of slavery” (Chopin 92). The story’s ironic ending has a connection with the story’s setting, imagery, and Chopin’s use of similies.
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
The poem "Incident," by Countee Cullen, deals with the effect racism has on a young black child vacationing in Baltimore. The child is mistreated by a white child and disturbed in his innocence so much that after spending seven months in Baltimore, this is all he remembers. A different poem, "Telephone Conversation, " by Wole Soyinka, also deals with this issue, but from a different perspective. In this poem a man is trying to rent an apartment but the owner of the complex doesn’t want him to move in because he is African. She asks him "How dark? Are you light / Or very dark?. " Each black person in their respective poems deals with the prejudice in the best way they know how. The way they handle it shines a light on the strength and wisdom gained, while casting a negative light on the ignorance broadcast from the racist people.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.