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Religion and identity
Religion and identity
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Jhumpa Lahiri’s short story Unaccustomed Earth is a beautifully written, heartfelt story that depicts the complicated relationship between a woman, Ruma, and her widowed father as they attempt to renegotiate their relationship after the death of Ruma’s mother. A second generation Bengali immigrant, Ruma is experiencing a cultural identity crisis. She has grown distant from her Bengali roots, which has significantly impacted her relationship with her father. This story is centered around a crisis of family responsibility. The understandings of family responsibility that Ruma has inherited from her parents shifts for both her and her father. This shift in notions of family responsibility/duty, which is connected to their immigration to the United States, has a profound impact on their lives. Ruma’s disconnection from her cultural roots is made very explicit. There are many instances where shows just how detached Ruma is from her heritage. One way this is shown is through food. The narrator mentions how when Ruma’s mother used to visit she would always bring homemade mishi with her, a dish that “Ruma had never learned to make” (26). Also, Ruma does not often cook Indian food for her family, but when she does “she could afford to be lazy”, to cut corners (22). This was something that upset Ruma’s mother to hear, which made Ruma realize “how different her experience of being a wife was” from that of her mother’s (22). This contrast in her wifehood and her mother’s reflects the cultural contrast of their lives. It shows how Ruma’s notions of family responsibility have shifted in certain ways, which her mother clearly views as a kind of failure on Ruma’s part. On a final note on food, there is ‘failure’ to propery intr... ... middle of paper ... ...e. Additionally, his sense of family responsibility for himself has changed. Lahiri paints the picture of a man who truly loves his daughter and wants her to maintain ties to their cultural heritage, but who now sees it fit that he and his daughter continue to live their individual lives, to not have to sacrifice their freedom to family responsibility. Though this story deals with issues associated with immigration, it is not an immigration novel (or rather diaspora literature). In illustrating the experiences of one family’s encounter with the complex, tangled web of issues centered on immigration (generational gaps, acculturation/assimilation, family responsibility, etc.) Lahiri is able to get at one important human universality that goes beyond any sort of cultural context. What this story really works to reveal is the fluidity of human relationships.
A misconception that we often have about family is that every member is treated equally. This fallacy is substantially portrayed in Alistair Macleod’s short story, “In The Fall”. Typically speaking, in a family, the Mother is the backbone for kindness and provides love and support with no unfair judgements. However, when we relate to the portrait of the Mother in Macleod’s short story, we perceive the portrait as a self-centered woman whose affection is only shown upon what interests her. The Mother’s unsympathetic persona is apparent throughout the story as she criticizes all that holds sentimental value to her husband and children.
Both grandmothers took different approaches when taking care of their grandchildren. Abuela Evila obviously favored one over the others. “ She spent half an hour running the comb through Elida’s long hair while we watched”(24). She placed one grandchild on a pedestal while
The Mother is very critical of the strategy that Waverly uses to defeat her opponents. When Waverly
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
was raised by an upper-class family who resented her and did not want her, therefore
Whenever Sira, Aminata’s mother went to help women deliver their babies, Aminata would go along too. She would watch and help her mother, eventually le...
...e treated his family. The kids were raised in an environment of fear and punishment. This affected every relationship, even with other children, they had established. Being bound to one’s culture is not necessarily a bad thing. The kids are disciplined and respectful, at least in the presence of other adults. The problem with the father was not understanding that some values are expired and do not fit society's norms. Traditions that bring families together should be kept not the opposite. Since society's norms are constantly changing, we have to keep traditions alive that correlate. Good traditions and cultural values should be passed on from generation to generation not the traditions that bring children down.
The protagonist, Mama, shows two distinct traits throughout the story. She possesses a hard working demeanor and rugged features, leading to her insecurities shown throughout the story. She raised two children without the assistance of a man in her life, forcing her to take on both roles, and further transforming her into a coarse, tough, and burly woman. Mama portrays this through her own account of herself, saying “[i]n real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man”(Walker 1312). It is very difficult for Mama to raise her kids on her own, but she does whatever
Mariam’s strength is immediately tested from birth and throughout her whole childhood. She has been through a lot more than other children of her age, and one of those challenges is the hope for acceptance. She is looked at as an illegitimate child by her parents, and they say there’s no need to attend school. We learn right away what the word “harami” means when Nana uses that to describe her own daughter. She says, “You are a clumsy little harami. This is my reward for everything I’ve endured. An heirloom-breaking, clumsy little harami” (Hosseini 4). Nana especially pushed Mariam away from pursuing her goals. She said there was no need for education and men always find a way to blame it on a woman. This pushed Mariam away from her mom and closer to Jalil, but he refuses to acknowledge her and his wives look at her with cold stares of disgust. Mariam only feels loved by Jalil through all of this, mainly because he brings her things and shows her some love. She asks him to do something with her outside of the kolboa and he first agrees, but never brings her because of his fear with his wives and the structures of Afghan culture that frown upon it. He starts to act as if she was a burden to him and Mariam’s hope for acceptance is crushed. She realizes the truth, especially once she reaches adulthood. In Afghanistan, marriage is not all about love for eachother, it is about traditional role...
...ontradicting herself, and pointing the finger. Although she most likely has experienced these acts of unjust treatment, she seems to put the reader in the position to doubt the credibility of what she has to say time and again.
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Eva’s lack of value for motherhood shaped the lives of her family as well as her own. Because of her negative feelings toward motherhood, many of the people surrounding her have similar values. Eva reflects her community’s negative perception of motherhood by being straightforward about it and passing it down through her family
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
All decisions are made in regard to her future and life is influenced by men. The fact that the father is deceased does not diminish his power. In fact, his status as her late father may enhance the perceived impact of his authority.... ... middle of paper ... ...:
Marjane’s mother was one of the most influential people in her life, her mother taught her to be strong and independent. By introducing her mother through the story of her