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Essay writing My Family
Essay writing My Family
Essay writing My Family
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I Promise I lean out of the train window saying final goodbyes to my mom and my little sister as they wait for my train to leave on the platform below. My sister clutches my mom’s hand, but while my mother’s clear blue eyes well up with tears, hers remain dry. She always was tough. The conductor lifts up the steps to the train and the whistle blows, piercing my ears, reminding me soon I’ll be gone. It seems like the more time you want, the less you have—I guess you only miss it when it’s gone, only realize it’s slipping through your fingers when your hands are empty. Ruthie looks up at me, and when she does her eyes are filled with trust—trust I’ll come back to her. I don’t deserve it. “Sarah,” she whispers. That single word shatters me. …show more content…
“Every second, Ruthie. Pinky promise.” I stick my finger out the window for good measure, even though she can’t reach. Her eyes narrow. “Pinky promises can’t be broken, you know. You have to really mean it, or else it won’t work.” Her voice is impossibly innocent. It brings me back to summers spent picking strawberries and bumblebees bumbling in the garden; of lying in the grass and the smell of apple blossoms when we’d climb high enough to forget about everything else. Ruthie stretching out her hand to drag me into the river. “It’s too cold,” I whine. She giggles. . . . The counters covered in dusting of flour, Ruthie in the middle of the kitchen, looking around. “I wanted to make a cake. . . ,” she …show more content…
“I love you, Sarah!” my mom yells as she and Ruthie chase after the train, her green dress flapping in the wind and her hat having blown after her. “Goodbye!” “Sarah!” Ruthie screams after me. “You’re coming back, aren’t you?” I’ve been trying to avoid that question for weeks, but I can’t now. She’s stopped running by now, but her eyes follow the train as it slowly moves out of the station. It’s true what they say, you know. Time really does slow down in your worst moments. When they’re all you’ve got, those final seconds last eternity. I know I should tell her the truth. She deserves that much. I open my mouth to speak the words that will break us both, but I can’t. I just can’t. Screaming in the middle of the night . . . “I had a bad dream,” she cries to me as I sit on the edge of her bed, stroking her head. “Can you stay with me?” I nod. “Of course I’ll stay,” I tell her. I should say the truth, but a lifetime of trust forces me back. Tell me honestly, would you sacrifice so much? Would you give up someone’s trust? Tell me honestly, would you? I look into her eyes as the train drifts away, as she moves far away from me. “Yes, Ruthie!” I shout out the window, as a single tear rolls down my cheek. “Of course I’m coming back to
“Take me to the next town. I don’t care where it is. Just take me there.” The girl whispered, shivering and sopping wet from the rain.
From the combination of enjambed and end-stopped lines, the reader almost physically feels the emphasis on certain lines, but also feels confusion where a line does not end. Although the poem lacks a rhyme scheme, lines like “…not long after the disaster / as our train was passing Astor” and “…my eyes and ears…I couldn't think or hear,” display internal rhyme. The tone of the narrator changes multiple times throughout the poem. It begins with a seemingly sad train ride, but quickly escalates when “a girl came flying down the aisle.” During the grand entrance, imagery helps show the importance of the girl and how her visit took place in a short period of time. After the girl’s entrance, the narrator describes the girl as a “spector,” or ghost-like figure in a calm, but confused tone. The turning point of the poem occurs when the girl “stopped for me [the narrator]” and then “we [the girl and the narrator] dove under the river.” The narrator speaks in a fast, hectic tone because the girl “squeez[ed] till the birds began to stir” and causes her to not “think or hear / or breathe or see.” Then, the tone dramatically changes, and becomes calm when the narrator says, “so silently I thanked her,” showing the moment of
“I envied the people in the train because they seemed to be going somewhere” (Lesley,7).
and starts to loose her words a bit. She says this quote in a way that
"Doth he love us?" said Pearl, looking up with acute intelligence into her mother's face. "Will he go back with us, hand in hand, we three together, into the town?"
We all hugged one last time before jumping I could not believe that this would be the last time I would ever see my family. Dominique and I went to the edge of the Freight car and we counted down, “1...2...3!” As we jumped the only thing I could hear was the shot of a rifle and a short cry from Dominique. Once I got up from the frigid snow I looked to my left and saw the dead corpse of my brother Dominique. I broke down crying
Terrible heartbreak plagues the reader: “And the mother’s shrieks of wild despair / Rise ...
“Diana, why aren’t you sleeping yet? The trip isn’t for a few days. You still have time,” my mother’s tired voice echoed from the room beside me.
“Then you’re going to have to trust me. I will work on your mother, I promise. You just have to promise me that you’ll play along for a little while. Just wait until your brother is married.”
We all enjoy the sun's company when Tammy feels raindrops on her nose. We slowly walk back inside, When I remember Margot. The teacher has to leave to the office for a minute. Me and Mark run to the closest to let her out. We open the door, and her eyes are puffy and red from crying.
I knew it was my Ma. Her hands were always warm, no matter how cold it got. I shifted to the side and she sat next to me. I could tell she hadn’t been sleeping well. Her dark blue eyes accentuated the gray circles around them, but she still maintained that soothing smile that had lulled me to sleep for years. Even after seventeen years of me existing on this earth, my mother still took care of me tirelessly. She did the same with my other siblings, which was no easy task. The thought of my siblings drove the smile away from my face and I looked down at my dangling legs. We had started off with six people; Ma, Pa, my two little brothers, and me. However, my little brothers died of cholera two months after we left home. I could still remember how much agony they endured before they died. I shut my eyes hard as I can as if that would help me erase the horrible images I saw inside my head. Ma rubbed my arm comfortingly, grounding
The train the are planning on catching will stop at the station in a few moments symbolizing the fact that she has a small amount of time left to change her
Although, this willingness is blind to the narrator as she fails to see this. As well as the narrator believes she is not able to be the person her mother wants her to be. It is not until we learn of the narrator's mother's passing that the narrator fully understands why the mother had done the things she did for all those years. This story also emphasizes that mothers are very courageous women who would do anything for their children even if it means moving halfway across the world just to give them the chances they never got to have growing up. However, the overall message to take away from this story is how much of a reflection it is regarding how far a mother's unconditional love for her child can
The phone fell from the woman's hand, landing with a loud crash on the tile floor and busting to pieces. No matter how hard she'd try, she couldn't help the sobs that escaped from her mouth. They became louder and louder, until suddenly they came to a stop. All emotion flooded from her body, and she lay there motionless on the tile. Her two young children hovering over her, fear evident in their eyes. She sat up, grabbing her two young children into her arms, hugging them tighter than she ever had.
“It will be okay,” she had said. My sister never lies, but that day she did, taking a rather large part of me with her, leaving behind an empty shell that searches for a glimpse of her in the busy marketplace. I grasp the shoebox tightly, suddenly coming to a realization. It was never her harbouring hope of a family from the photographs, rather me hoping it would be enough to anchor her to me. I close my tired eyes, vision growing fainter, body becoming paralyzed, and the busy voices of the flea market muting to a dull throb. And slowly I fall, fall into the dark abyss of my mind, memories blurring out the present for the past, until all that remains (of us) is a shoebox filled with photographs.