Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analyze the role of jealousy in Othello
Theme of jealousy in Othello
How does jealousy play a role in othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analyze the role of jealousy in Othello
due to Hughes, as a modern figure, writing about his own personal experiences; his bitter sadness is bound up with the bright side of love and positivity that has come in the wake of their relationship. ‘Pink Wool Knitted Dress’ references this happiness, as he recalls Sylvia “you sobbed with joy”. The use of the word ‘pink’ in the title is deliberate, denoting femininity, innocence, and happiness, things that are all destroyed eventually. There is contrasting motivation to write this text compared to the other two, as this appears to be Hughes way of dealing with his feelings of sadness following Plath’s suicide. The journey through their relationship from the happiness of their marriage in ‘Pink Wool Knitted Dress’ starkly contrasts some of the later poems. For example the poem ‘Epiphany’, with the title meaning sudden moment of realization, shows the deterioration of their relationship, as Hughes epiphany is that “our marriage had failed”. The use of the word ‘had’ shows the certainty that the marriage was finished, and they were no longer right for each other.
Within Birthday Letters, there is a rich dialectic that is not evident in the other texts. Dark melancholic thoughts such as in ‘The Dogs Are Eating Your Mother’ where Hughes says “I buried her where she fell” shows his bitter sadness. Thoughts such as these battle against bright love, as they both shape and affect each other, competing in a mutual and dynamic way. The poetry collection produced by Plath at the time. ‘Ariel’ may be a source allowing further understanding of the relationship. Within her poem ‘Lady Lazarus’, Plath presents herself as a “phoenix” stating “I eat men like air”. In this first meeting, she bites him and scars him. Evidently, this hints how th...
... middle of paper ...
...dark side of love has a common thread within all three texts, of jealousy and obsession, but it appears in different shades. For Birthday Letters, the mental turmoil of Plath that is ignited by her obsessive love for Hughes appears to have cast a dark shadow over him, and their relationship. The dark side of love in Rebecca, is not as psychologically deep as the others. The darkness instead is jealousy and obsession characterized by gothicism and the supernatural, made for dramatic entertainment. Above all, the dark side of Othello is the jealousy and obsession that he feels over his wife and her actions, of which Iago acts as a catalyst, only speeding up the destruction of their relationship, shownt through the dramatic superiority of Othello. All shares the common thread of obsession and jealousy, affecting the characters and bringing about negative repercussions.
Over the course of our country's history, social constructs have been dismantled to become less obtrusive to the groups they conflict and aim to negatively portray. However, this has not always been a truth of time, and although there exists less stereotyping and predispositions to minorities now than in in the past, the day in which we are free of it is not manifest. In Langston Hughes’ “Red Silk Stockings”, the portrayal of black women comes with a seemingly degrading essence, attached through the eyes of white males who are in a position of power and authority. Hughes paints an image of black women who use their bodies, specifically through prostitution, to further their social standing by allowing objectification by the atypical dominant
The first character we meet is Ruth Younger. Ruth is a hardworking mother who has had a thought life up until this point. The Writer opens up describing her by saying that “she was a pretty girl, even exceptionally so, but now it is apparent that life has been little that she expected, and disappointment has already begun to hang in her face.” (Pg. 1472) This description bears a strong resemblance to the line in Harlem, “Does it dry up, like a raison in the sun?” (Line 2) We immediately are thrown into the madness of her life. She wants desperately to have a happy family and is in constant disagreement with her husband’s ideas. We see how her living arrangements have made her believe that there will never be anything better in this world for her. The saddest part is that she believes that bringing another child into this sad existence is something she cannot do. When she makes the decision to visit the abortion doctor, it immediately brought me to the final line in the poem where Hughes states “Or does it explode?” (Line 11) There had to be an explosion of desperation for a w...
Shakespeare’s play, The Tragedy of Romeo and Juliet, depicts an ancient feud ended by a pair of star-crossed lovers’ deaths. A lord and lady from warring families seek a forbidden love with guidance from a friar and nurse. Due to a tragic course of mischances and fateful errors, their attempt of eloping led the lovers to a tragic end. Because of rash decisions, the four characters are torn apart by miscalculating events and misunderstandings. Ultimately, the four characters encounter a heartbreaking ending, as a result of their hastiness.
Before coming directly to the forming of the love-theme that differentiates Othello from other Shakespeare plays that utilize the same theme, I turn arbitrarily to Iago to inspect a distinguishing mark of his of which the relevance to thematic form in the play will appear a little later. When Iago with unperceived scoffing reminds Roderigo, who is drawn with merciless attraction to the unreachable Desdemona, that love effects an unwonted nobility in men, he states a doctrine which he “knows” is true but in which he may not “believe.” Ennoblement by love is a real possibility in men, but Iago has to view it with bitterness and to try to undermine it. (333-34)
The common thread of jealousy ties together the main plots in Much Ado About Nothing, Othello, and The Winter's Tale. In each of these plays, the main conflict is centered around some form of jealousy. While jealousy is the mutual, most prominent cause for turmoil in these plays, its effects on the characters, and ultimately the plots, is different in each case. This difference has much to do with the way in which the concept of jealousy is woven into each play, and what it is intended to accomplish.
In Othello, no "good" love exists between any of the characters. Shakespeare creates a cast of romantic and platonic couples whose affection is weak and unsustainable. Iago, not Othello, is master of this play; he establishes all the action. There is an underlying weakness and depravity in all the characters, or Iago would never have been able to ruin so many lives. But Iago is unswayed by the external; his black heart is his only guide.
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
She then had attended a party where she met Ted Hughes an English poet who immediately caught her eye at first glance. By the time Plath and Hughes had been together for 2 months they were discussing marriage and decided to get married secretly so it wouldn’t jeopardize Plath’s fellowship grant.
Lucinda lived a very long life of ninety-six years. From what Masters conveyed with his poem, it seemed like Lucinda enjoyed her life and was very satisfied with everything she had accomplished. In the first few lines of the poem she talks about going to different dances and how the frequently switched partners, until one day she met Davis. They were soon married and stayed together for seventy years. She and Davis had twelve children, but eight of them died. How the eight children died when never explained in the poem, but it could relate to the time period in which the poem was placed in. In the early 1900?s it was normal to have many children, but unless a family had the resources needed, some of the children may die. She also did many activities such as spinning, weaving, kept the house up and also nursed the sick, which could relate to the time period this poem is taking place in also. The intent that the author was trying to get across is one that, people could life happy lives in a very simplistic way, such as Lucinda did.
Despite the fact that both poems compare life and it’s obstacle, they both express their experience in different manners. In contrast towards Hughes's poem, Espada’s poem provides the reader with an expression of empathy as stating: “ Every open book was a pair of hands upturing and burning” (Espada) which
Five years later her father retired from his job to take care of all of the children and happened upon Lazarus’ poetry notebooks. After reading them and taking a great liking to them, he carried the poems off without Lazarus’ consent and had them published for private circulation. When Lazarus was informed, her poems had already received much praise so, adding t...
First, in accordance with the pessimistic approach, the prevailing themes in Othello were addressed from a negative point of view. Love, the main subject around which the play evolved (Heilman 94), was important to the characters: judging from Othello’s words, he “did thrive in this fair lady’s love, / And she in mine” [his] (Shakespeare, Othello 1.3.125). These words were confirmed by the lady herself, Desdemona, who dared to disobey her father for she “did love the Moor to live with him” (Othello 1.3.248). Iago acknowledged the significance of love for others, whether they were spouses or friends. Nevertheless, he stated that love is short-lived, ceasing “when the blood is made dull with the act of sport” (Othello 2.1.227). By suggesting that it is “merely a lust of the blood and a permission of the will” (Othello 1.3.304), he doubted love’s existence altogether.
Plath’s father died early in her life leaving her with unresolved feelings, and this brought a lot of troubles later on in life. Sylvia was a great student but when she was overwhelmed with disappointments after a month in New York, she attempted suicide (“Sylvia Plath”). After receiving treatment and recovering, she returned to school and later moved to England where she met her future husband, Ted Hughes (“Sylvia Plath”). Their marriage with two children didn’t last when Ted had an affair. They separated and Ted moved in with the new woman, leaving Sylvia and their two children. Battling depression during this time, Sylvia soon ended her life. She left behind numerous writings that many might see as signs of her depression and suicide attempts.
The poetry of Sylvia Plath can be interpreted psychoanalytically. Sigmund Freud believed that the majority of all art was a controlled expression of the unconscious. However, this does not mean that the creation of art is effortless; on the contrary it requires a high degree of sophistication. Works of art like dreams have both a manifest content (what is on the surface) and latent content (the true meaning). Both dreams and art use symbolism and metaphor and thus need to be interpreted to understand the latent content. It is important to maintain that analyzing Plaths poetry is not the same as analyzing Plath; her works stand by themselves and create their own fictional world. In the poems Lady Lazarus, Daddy and Electra on Azalea Path the psychoanalytic motifs of sadomasochism, regression and oral fixation, reperesnet the desire to return to the incestuous love object.