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Supernatural elements in novels
The legend of sleepy hollow introduction essay
The legend of sleepy hollow introduction essay
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Recommended: Supernatural elements in novels
Supernatural is defined as attributed to some force beyond scientific understand of the laws of nature. Many people are afraid of these supposed “higher beings”. Gothic stories were created to appeal to human senses and wanting the reader to know the mysterious and unpleasant event that will happen next. Washington Irving, in his stories created characters that battle with nature or the supernatural. He leaves the reader creating their own story because hardly ever does Irving tell the reader what actually happened to the character after encountering these creatures. Washington Irving’s use of picayune character creates man vs. nature stories to show the triumph between man and supernatural figures. In The Legend of Sleepy Hollow, Washington Irving created two characters that are complete opposites of …show more content…
No one knows if the legend is real, but towards the end of the story, the reader can debate whether it is a myth or it is in fact real life. Ichabod Crane is well educated, so the reader can assume he reads many types of literature. Therefore, Ichabod has a highly imaginative brain. “Then, as he wended his way, by swamp and stream and awful woodland, to the farmhouse where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination.” Although it seems like he enjoys these situations, he’s actually terrified of them. Hearing about these supernatural phenomenas lets him decide what the creature will look like, actually experiencing it on the other hand is a whole different story. Brom saw that Ichabod was very superstitious so he decided to make his move. When started to tell the legend of Sleepy Hollow, Ichabod couldn’t help but to worry about how he was going to get home and pass the headless horseman. “The old country wives, however, who are the best judges of these matters,
Gothic texts are typically characterized by a horrifying and haunting mood, in a world of isolation and despair. Most stories also include some type of supernatural events and/or superstitious aspects. Specifically, vampires, villains, heroes and heroines, and mysterious architecture are standard in a gothic text. Depending upon the author, a gothic text can also take on violent and grotesque attributes. As an overall outlook, “gothic literature is an outlet for the ancient fears of humanity in an age of reason” (Sacred-Texts). Following closely to this type of literature, Edgar Allan Poe uses a gloomy setting, isolation, and supernatural occurrences throughout “The Fall of the House of Usher”.
The story, The Legend of Sleepy Hollow, was written by Washington Irving, and the story is about a man name Ichabod Crane who was trying to win Katherina Van Tassel’s hand in marriage, but he is failing. The small town named Sleepy Hollow has a folklore about the Headless Horseman, who rides through the town at night to find his head. Irving explains that Sleepy Hollow has many ghost stories, but the Headless Horseman is the most popular in the town. Ichabod Crane was a school master, and he was killed by the town’s ghost. The townspeople believed Crane was taken by the Galloping Hessian, so the story of the Headless Horseman would not be associated with Crane’s disappearance. As the news about Ichabod’s disappearance rummage through the town, the Brom Bones’ reaction to the news made people question the Galloping Hessian’s part
There are many conclusions we can draw from the characters as well the storylines from the book and movie. It is up to each of us to decide what kind of characters we want to see; just as it is our own choice in deciding how the story ends. Katrina Van Tassel, Brom Bones, and Ichabod Crane will always be central to the story of The Legend of Sleepy Hollow, just as they are important to the nuances of the story, but it is up to us, the readers and viewers, to draw our own conclusions about the headless horseman.
Many of the boys even thought he was "batty" because he left the group to spend time alone. He did not fear the jungle, and he did not fear the beast. "Maybe,' he said hesitantly,'maybe there is a beast. . . maybe it's only us" (89). The Beast takes many forms in the boys' imaginations; once, they saw a strange shape moving at the top of a mountain, and they were afraid that it was the Beast....
The original story by Washington Irving starts out in a small town of Sleepy Hollow. Irving paints an image of bountiful crops, beautiful scenery, and prosperous landowners. Ichabod Crane was a local pedagogue, who taught at the local schoolhouse. He was known for his strict ways and yet he was very popular amongst the families of his students- especially the ones who had ?pretty sisters.? Ichabod enjoyed spending fall evenings with the old widows as they sat by a fire and told stories of ghosts and demons and other supernatural beings. One story that was always told was one of the legendary Headless Horsemen. The tale tells of a soldier who had his head shot off with a cannon ball. His ghost now roamed Sleepy Hollow on his horse, looking for his lost head. In place of his head, sits a jack-o-lantern, which had a fiery glow.
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
in creating his vision of the town of Sleepy Hollow and the headless horseman, Katrina,
Irving does this to help readers realize how caught up the society of Sleepy Hollow is with their past. Irving frequently brings up the Revolutionary war and how the headless horseman was a Hessian soldier from the war. When he writes, “The dominant spirit that haunts this enchanted region is the apparition of a figure on horseback without a head. It is said to be the ghost of a Hessian trooper, whose head had been carried away by a cannonball in some nameless battle during the Revolutionary War… The specter is known, at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow” (Irving 2). This is an allusion to the Revolutionary war because the headless horseman was a hessian soldier. This explains the theme of supernatural because the Headless Horseman haunts their town and the main character, Ichabod Crane, comes across the ghost of him. Another major allusion in “The Legend of Sleepy Hollow” is Ichabod's belief in witches. The author supports this when saying, “He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather's 'History of New England Witchcraft” (Irving 4). Ichabod also believes in the supernatural past. His belief in witches supports the theme of supernatural within the book. Referring to the past using allusion develops different themes within the
...lf-confidence. The Scarecrow was the one who believed that he had no brain even with him coming up with brilliant and clever solutions to the many problems that they faced on their journey. The tin man believed that he didn’t have a heart, but cries when bad things are brought upon the creatures they come to encounter. The lion believed that he had no courage even though he was the one brave enough to continue the journey, he always stated how brave he was and pushed forward even when the others did not want to. A famous quote from Carl L. Bankston III of Salem Press stated that "These three characters embody the classical human virtues of intelligence, caring, and courage, but their self-doubts keep them from being reduced to mere symbols of these qualities” (). This is an important quote because it highlights the self-confidence that Baum explored in his story.
Washington Irving’s “The Legend of Sleepy Hollow” is a magnificent short story, with action, superstition, and a little humor all rolled into one. The story of the headless horseman has scared little children of Sleepy Hollow for many years. Then along came Hollywood and decided that Washington Irving’s “The Legend of Sleepy Hollow” needed something more. Hollywood needed a more exciting main character in Ichabod Crane and story line to appeal to the twentieth century. Washington Irving had to write in a way that the reader could visualize Ichabod Crane and how utterly terrified he was of everything, whereas, Hollywood could use its own Jonny Depp to deliver a wonderful performance. Hollywood’s image for Sleepy Hollow needed more action, blood, more superstition, and better looking characters. Washington Irving’s “The Legend of Sleepy Hollow” and the movie “Sleepy Hollow” differ on three main points: 1) the story line, 2) the appearance of Ichabod Crane, and 3) the occupation of Ichabod Crane.
While Irving may poke fun at the idea of a simplistic moral, a clear maxim that one can easily digest, he nevertheless infuses his work with a message. If any “moral” could be taken from “The Legend of Sleepy Hollow,” it is that there are some places where reason cannot guide us. The possibility of a place where reason and rationality are no longer useful is a direct and sharp critique of the ideals of the Enlightenment. Through his “tools of the trade” as a storyteller, Irving effectively denounces the limits of Enlightenment thinking, and opens the door for the possibilities of Romanticism and the Gothic.
The improbable plots and unlikely characterization showed how much they used creativity. According to a Romanticism article, “The Romantics tended to define and to present the imagination as our ultimate ‘shaping’ or creative power, the approximate human equivalent of the creative powers of nature or even deity” (“Romanticism”). They believe that imagination is an essential and amazing ability that humans possess. Romantic authors often included examples of imagination and creativity within their works. In the short story “The Legend of Sleepy Hollow,” the supernatural plot and improbable characters illustrate the imagination of Romanticism writers (Irving). Washington Irving must have used a significant amount of creativity to come up with a story that involves a headless ghost riding a horse. He thought outside of his reality and environment in order to create an impossible and fascinating character. The Romantics favored imagination and creativity because they realized how invaluable it truly
Edgar Allen Poe was an English short-story writer whose work reflects the traditional Gothic conventions of the time that subverted the ambivalence of the grotesque and arabesque. Through thematic conventions of the Gothic genre, literary devices and his own auteur, Edgar Allan Poe’s texts are considered sublime examples of Gothic fiction. The Gothic genre within Poe’s work such as The Tell-Tale Heart, The Black Cat, and The Raven, arouse the pervasive nature of the dark side of individualism and the resulting encroachment of insanity. Gothic tales are dominated by fear and terror and explore the themes of death and decay. The Gothic crosses boundaries into the realm of the unknown, arousing extremes of emotion through the catalyst of disassociation and subversion of presence. Gothic literature utilises themes of the supernatural to create a brooding setting and an atmosphere of fear.
American Gothic stories also wrote about the supernatural such as ghosts, monsters, women in distress,
To please him and give him and incentive to beleieve in himself, the Wizard produces a brain made out of “bran, pins, and needles” to make him look “sharp” (Baum 160). The Wizard made a physical represntation of a percieved “brain” for the Scarecrow and it gave the self-assurance of his own intelligence that he needed to feel