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Philip larkin church going poem important point
Summary and analysis of church going by Philip Larkin
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Larkin's "Church Going": A Failed Exploration for Religious Faith
Murdoch's artistic and natural beauty critique, called The Sovereignty of Good and Other
Concepts, quotes Plato’s belief that "beauty is the only spiritual thing we love by instinct."
Therefore, beauty is the only spiritual connection Atheist Philip Larkin seeks in a church.
Larkin's poem Church Going, begins as a confessional since he mentions how he often stops at
random churches, perhaps because he is searching for a place of worship that is beautiful, both
naturally and artistically. In other words, in the nature of the church he is looking for a warm
group of people, rather than an uptight group. As for artistic beauty, Larkin is searching for
truthful religious scriptures and an aesthetically pleasing environment, not in the sense of
luxurious windows and golden decorations, but rather an inviting sense. Larkin begins Church
Going by confessing his unfamiliarity with church and religious practices, and then creates a
scenario of a faithless world where churches are no longer used, which is possible taking into
consideration the political issues that occurred around this poem’s publication (1955). Larkin
creates a scenario of a religion-free world as a way to sub-consciously rationalize his worries and
uncertainty about his own afterlife, and also to create "good art" while sitting in this church full
of "bad art.”
Larkin’s search for spirituality begins to deteriorate when he realizes that there is no
natural beauty in this particular church. His discomfort is evident in the first stanza of the poem
as he describes the church’s nature as being uptight with "a tense, musty, unignorable silence,"
and typical, with th...
... middle of paper ...
...and solely focuses on beauty for a connection. Finally, Larkin’s
epiphany lies in his ability to produce a beautiful scripture while pondering in this imprudent
church. His ability to tell the "ugly truth" and give his honest, yet controversial opinions on
religion, makes Larkin a good artist according to Murdoch's The Sovereignty of Good and Other
Concepts.
Works Cited
Larkin, Philip. "Church Going." The Norton Introduction to Poetry. Ed. Paul Hunter, Alison
Booth, and Kelly J. Mays. New York: W.W. Norton and Company,2007.
Murdoch, Iris. "from The Sovereignty of Good and Other Concepts." Online Posting. 1 Mar.
2010. 21 April 2010. .
Walker, Jim. "Hitler's Religious Beliefs and Fanaticism." Professional Website. 7 July 2001.
20 April 2010. < http://www.nobeliefs.com/Hitler1.htm>.
Christ/God, the love and kindness, or the good, that the Christian religion conveys, or the inner happiness and the peace of mind, or the reward, that the person would inevetably achieve by following the word of Christ.
Throughout the text Keating connects with people on a personal level through his word choice and tone. This connection with his audience allows him to further develop belonging, and evoke a greater emotional response in his audience. This word choice and tone can be seen in the lines, “We took the traditional lands and smashed the traditional way of life. We brought the diseases. The alcohol. We committed the murders. We practiced discrimination and exclusion. It was our ignorance and our prejudice.”
In all poems the theme of Disappointment in love is seen throughout. Duffy focuses on the pain, despair and acrimony that love can bring, whereas Larkin focuses on the dissatisfaction before, during, and after a romantic relationship. Both Duffy and Larkin differ in tone. Duffy takes a more aggressive and dark stance to portray what love can do to a person after a disappointing love life. Duffy also uses this sinister and aggressive stance to try and convey sympathy for the persona from the audience in ‘Never Go Back’ and ‘Havisham’ Whereas Larkin conveys his discontent in love through his nonchalant and dismissive tone, but still concealing the pain that has been brought by love in ‘Wild Oats’ and ‘Talking in bed’.
only can comedy use the subversion of expectation facetiously, but it can comment on the real
[Woman's beauty] gives the eye the comforting illusion of intellectual control over nature. (Paglia, p.17)
Laurence Dunbar's "Ship That Pass In The Night" is a cry for opportunity for all men, regardless of race. Dunbar's poem directly parallels a passage from Frederick Douglass' autobiography that gives an account of his life as a slave. Both Douglass and Dunbar look out at the ships that sail by and see hopes for societal changes. Although they both sought change, their aspirations were quite different. Frederick Douglass watched the ships from ashore, wishing for freedom and for slavery to be abolished. Paul Laurence Dunbar on the other hand was already a free man. He was on a ship, still more of an opportunity than Douglass had, yet he was still in search for new opportunities for African Americans. The new opportunities that he seeks are upon a ship somewhere sailing in the dark night and keep passing him by.
He loves being able to celebrate mass everyday and “enrich his relationship with the Lord.” He is able to use his gifts to walk with many in the community through hard times such as parents who loose their children or vice versa. With God’s guidance he can bring them to a place of understanding and peace. This past Holy week he was given the opportunity to give the homily for the Youth Rally mass. Being able to preach and exhibit a faithful fatherhood to over thirteen hundred youths was immensely exciting. He was luckily given the chance to expand his wings and further his call to not only priesthood, but
homes. But the way in which each of the poets express this occurrence, with the use of
beauty before we can truly cherish other forms of beauty around us. “Two or three things
... beauty and light in the building, they realized that the church must really hold the key to salvation, for they were able to construct a place so similar to the afterlife that many people longed for. It seemed almost as if Abbot Suger had visited heaven and created a physical representation in the Basilica of St. Denis.
Before discussion of these poems can truly begin, some background information of each other is necessary to understand why they have written their respective poems and maybe shed some light onto why they have taken certain positions on each of the three topics. Considered one of the greatest English poets of all time, Philip Larkin gradua...
The church in today’s world have very low standards. We are disregarding the active sins of the believers in the churches and are not ready to take a stand and speak to them about it. As a result of this churches are encouraging adultery, envy, strife, unforgiveness and lack of love which is taking us away from God on a daily basis. God will give us a time to repent but one day he will judge the church and the nation just like Israel so that we come back to him (Beckham, n.d.).
As the last speaker, and the most important one, Socrates connects his ideas with Diotima of Mantinea’s story of Love’s origin, nature and purpose. Different from the earlier five speakers who regard Love as an object and praise different sides of it, Socrates, referring to Diotima’s idea, considers Love as a pursuit of beauty gradually ranging from “physical beauty of people in general” (Symposium, Plato, 55) to the “true beauty” (55). The first five speeches bond with each other. Each of them mentions the opinions of the former in order to either support or against them. However, just like the elements of a beautiful picture, they fail to show us the integration of love.
Schray, Kateryna A.. "To Seek This Place for What It Was": Church Going in Larkin's Poetry." South Atlantic Review 67.2 (2002): 52-64.
It may seem a little bit strange, but my favorite place in town in none other than this beautiful Evangelic Church. However, it wasn’t always so.