“World War Z”, a zombie apocalypse film, had an impressive box office success in 2013. Part of its feat came from many reviews and advertisements surrounding the film. One important review set the tone of how many viewers would see this movie. Rolling Stone’s reviewer Peter Travers highly enjoyed this film. When writing his review he explains how his expectations were surpassed by the newest apocalyptic movie. In the Rolling Stone’s review by Peter Travers he discussed how one of the newest zombie apocalypse movie rose to success. From the start of filming in 2011 Marc Forster’s film was weighted down with rumors of rewrites, reshoots, and production problems. Considering the ample rumors encircling World War Z, Peter Travers was pleasantly surprised with the outcome. He states that even though the scares may not have been quite as gory and grotesque as some zombie enthusiast would prefer; World War Z had intricate and dynamic scare tactics. He was satisfied by the nail biting scenes throughout the zombie flick, and …show more content…
The blurb insinuates that the movie is completely well rounded and includes all aspects viewers had hoped for. Though, Peter Travers stated that the movie did exceed his expectations, it lacked the usual zombie gore or R-rated scares. In the Rolling Stone’s review Travers discussed the flaws that had surrounded World War Z from the start, which in turn had lowered his anticipations of the movie. When the film premiered Travers was blown away by how excellent the movie actually turned out to be. Was World War Z perfect? No. The blockbuster had its downfalls, but it also had a better outcome than predicted. Considering these facts, the lifted blurb did not only pertain to one scene or opinion, but to the overall
World War Z was written as a collection of stories from all around the world about the war against zombies. These stories cover the events that happened before and after the war. I really appreciate how Brooks took the initiative to describe the initial stages of the infestation all the wa...
In the article "Movies that Rose from the Grave" by Max Brooks, he delves deeper into the reasoning of where, why, and when zombie horror flicks
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Throughout World War Z by Max Brooks, readers can see how the apocalypse begins. Some of these mistakes can be considered individual human error, but overall can be seen as the government failing to serve its purpose. For example, early in the book, China first discovered that there was a newfound disease starting to spread. Instead of taking the responsibility for this disease, they shrugged it off and redirected other countries attentions. This caused the disease to start as a small outbreak and eventually multiplied. This failure in government can be seen as somewhat of a selfish act in order to preserve the country’s secrecy. Because they did not take the initiative to tell anyone else about the disease, people were unable to take caution and prevent themselves from contracting the plague. Similar to the book Blindness, nobody understood that the disease was amongst them at first. People were suddenly beginning to go blind with many unanswered questions. However, there was never any real truth to be revealed to the citizens in Blindness as there was in World War Z.
As the infection spreads, only Israel initiates a nationwide quarantine program and closes its borders. Pakistan and Iran destroy one another in a nuclear war, after Iran attempts to stem the flow of refugees from Pakistan. The United States does little to prepare, as it is sapped of political will by several "brushfire wars" and lulled into a false sense of security by an ineffective and fraudulently marketed vaccine. When the world recognizes the true scope of the problem, a period known as the "Great Panic" begins. The United States Army sends a task force to Yonkers, New York, in a high-profile military campaign intended to restore American morale. Instead, the troops are overwhelmed and routed by the zombies, due to reliance on tactics designed for human enemies, who can be demoralized into retreat...
People must strive to be wealthy in order to be competitive in today’s very materialistic world. When one thinks of qualities that a successful person possesses, intelligence or skill should be at the top of the list, but rather wealth is the first thing that comes to mind. Despite what actual basic skills a person has, if they have money they will conclusively succeed in life. In his novel World War Z, Max Brooks uses anecdotes to criticize this unfortunate reality. Brooks creates an entire reorder of the classes. In order for the wealthy to survive the Zombie Wars, rather than relying on their money, they must rely on ordinary people. By creating these events Brooks is subsequently highlighting how having money and power is not everything.
The story itself never gets old, and the movie was nothing short of extraordinary. The visual component definitely lived up to my expectations. On the other hand, nothing was more disappointing that the Twilight series made into films. These books were remarkable, but when turned into a film, a complete shame. They became a punching bag for everyone to destroy.
A zombie is a monster that has been a horror movie legacy for many years now. Zombie is defined as “a dead person who is able to move because of magic according to some religions and in stories, movies, etc.” Zombies haven’t always been the creature that we see today though. George A. Romero merged the old-forgotten zombie into the standardized version we see today. James Conroy writes, “With his 1968 film Night of the Living Dead, George Romero brought the concept of the slow-moving, flesh-eating zombie into mainstream American culture.” (1) Night of the Living Dead not only set an iconic image for zombies, but it also brought issues you would not normally see in a Zombie film, dealing with race and gender stereotypes.
It has a lot of examples that it used like “The principal downside to any zombie attack is that the zombies will never stop coming the principal downside to life is that you will never be finished with whatever it is you do” (pg.41). This can be tight to the current times because we as people never stop, we are always afraid of getting behind, that we have become like zombies or running from zombies. This author also points out are fascination with zombies a growing fad that has people preparing and imagination what their reactions would be in a situation like what people believe will one day happen. He compares other movies that are related to the poplar series “The Walking Dead”
He believed early on that he wanted to be more than one thing and did not understand the concept of being one thing in particular. That is refreshing and honest. Rob also knew that his transition from music to filmmaking was inevitable. The trends of another generation would be an inspiration. The love of horror would still weigh heavy on the plot of his scripts. Rob said this when he was hired to make his first film, “To be on the Universal lot, eating my dinner on the front steps of the Munster’s house, ready to go back to work…. I didn’t want the days to end.” Zombie experimented with a lot of skeptical and horrific ideas that many would detour from. He knew the way he wanted things to go with his writing and the more true to his art form that he was, the less likely they could mainstream it into a high school horror movie. Zombie ultimately demonstrates how critical discourses of horror auteurism had been diverted by studios and
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
...er apparently created successful persuasive appeals for the crowd to be attracted and enjoy a movie that will be funny, colorful, and full of adventures that eventually will teach a life experience to the public.
During the time, “zombies” were thought to be a creation of Hollywood; however, this was not the
I had never intended to read World War Z before this class began. In fact, I did not realize there was a text version in addition to the film version. This collection of personal stories from different aspects of the zombie wars was a mixed bag for me. There were some recollections that pulled on my heartstrings, and others that I could have gone without ever reading. In times of great turmoil, people are shown to be exactly who they are, their true colors shining through all of the masks and deception they have created. The entire world lived in fear during the time period of this novel, and watching their loved ones disappear or become part of the army of the undead had to be terrifying. The author might have chosen this topic because the threat of zombies invading the world is a fear that is as real to some as the war overseas is to others.
Although “Thriller” is beloved as a classic 80’s pop music video, it manages a successful dive into the social and political issues that make zombie flicks so great. Pulling from a history of work on zombies, Michael Jackson packs so much history into such a concise package. Through using the texts of Amy Devitt and Kerry Dirk we are able to uncover Jackson’s experience and social commentary in “Thriller”. He simultaneously writes a hit song, revolutionizes music videos, and still remarks on the societal problems of the early 1980’s. However, the story goes much further than that of a number one hit. “Thriller” owes its success to an important cultural figure that looms as large as