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Persepolis marjane satrapi analysis
The short essay about persepolis marjane satrapi
Literary analysis essay of the story Persepolis
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Influence is generally defined as "The capacity to have an effect on the character, development or behavior of someone or something." When critically analyzing the concept of influence, it is believed that any and everything can be deemed influential. What must be determined, is how significant a factor is and what role it plays within the overall development of a viewpoint. To further elaborate, Persepolis deemed "Prescient" and "Unexpected" by Time magazine, is a story written by Marjane Satrapi. The story dramatically details the the events of her childhood while following the Iranian revolution. Within the book we are introduced to Marji, an intelligent, opinionated and stubborn child, who wishes to communicate her philosophy, ideas and …show more content…
Within the text, the author uses a conversational tone in an attempt to lure readers in with the acknowledgement of similar experiences and influences. To elaborate, a significant comparison to be acknowledged would be between Marjane's struggle with death, as well as the testing of her faith as compared to my own struggles with death and religion . These factors have contributed to the development of our mental and emotional growth, the choosing of our occupations and our overall ability to express our opinions. It is subsequently clear within the first few pages of the book, that religion is a significant factor concerning the overall development of the theme. In basic interpretations, everything within the books revolves around or relates in some way to a religious objective. While closely following the story and obtaining a general idea of Marji's religious preferences, I was able to easily compare and contrast them with my own. To begin, it is apparent within Persepolis that Marji takes a very serious …show more content…
Death is a common occurrence so you would expect those who have experienced it to be used to it’s never ending reign. The problem with death is not however it’s purpose, but the suddenness of its choice. Within the story there seems to be quite a lot of death and few of those in which affect Marji directly. To begin, the first scene of death we witness, is within the cinema which was set to flames. The story states that there were over 400 victims, and within the illustration, you can see what appears to be the souls of those who have passed. This illustration further proves evidence of Marji’s religious preferences, as she show the people as spirits leaving their earthly body. Although, this event didn’t hit Marji directly at home, it symbolized the beginning of the war. In comparison, it is not a rare acknowledgement that many mass homicidal shooting have been occurring within the world. Studies show, that there have been more than fifty mass shooting in 2015 alone. Although these mass shootings do not affect me personally, they do give me reason to believe the world is entering an era of chaos and devastation. When a grown man can walk into an elementary school and confidently shoot elementary aged children, there is no doubt that the rationality, balance and morality of the world has gone astray. In this era, people are more willing to
Persepolis is a coming of age story written by Marjane Satrapi in 20001. Depicting a young girl growing up during the religious revolts in Iran. Throughout the story the main character loses her innocence. The author uses the appeals of genre, ethos, pathos, and logos, historical context, and illustration to depict the loss of innocence in the main character.
During our class discussions, the issue of identity in Marjane Satrapi’s novel, Persepolis (2004), became a contentious issue. The question was asked whether Persepolis might be understood to being in-dialogue with western ways of seeing and did the effects of modernization influence the identity of Marjane’s protagonist in Persepolis. How does the novel involve the issue of identity? I will extend the argument and, through the exploration of Marji’s changing ideologies, I will attempt to prove that Marji is caught between the traditional eastern culture and western modernization.
Another major role model in Marjane’s life was her grandm... ... middle of paper ... ... Marji to realize that the culture’s idolization of martyrs is completely warped. Throughout the rest of the novel Marji never truly escapes the pain that witnessing so much death has caused her, in Austria she tires drugs and love to comfort her, but nothing works the gruesome picture is never able to escape her mind. Marji is impacted be the courageous women came before her, the women that die unjustly, and even the women who attempt to take away her individuality.
Nowadays, there are many religions that one can choose from. Religion, to some, is a guide line, but to others it’s more like falling in love. In 1979, Iran was in the midst of the Islamic Revolution. During this time, some people held tight to religion while others let it go. Marjane Satrapi wrote Persepolis about her life at that time. At the beginning, Satrapi grasps religion tightly; however, by the end of the book, she seems to let it go. Throughout Persepolis, religion acts like a security blanket and enhances the understanding of the graphic novel’s theme, which is “stay true to yourself.”
When it comes to culture, different views can cause major conflicts, and these said conflicts occur in the novel Persepolis. The book is a memoir about Marjane Satrapi, also known as Marji, growing up in Iran under the Shah’s rule and the Islamic rule. Even with the many different cultures in Iran, she stuck up for what she believed in and rebelled against the things she thought were wrong. In Persepolis, Marjane’s growth is affected by various aspects of culture including religion, government, and social organization.
There are many different influences in the world today; a big one that most people in the world face is religion. Religion is an influence that people first encounter during their childhood. They grow and learn to have faith. People’s perspective on religion is affected by their culture, their family and the events they witness during childhood. Persepolis by Marjane Satrapi is the story of a young girl growing up in Iran, during the Islamic Revolution, and the war with Iraq. Throughout the novel religion develops along with the plot, in good and bad ways. In the story Marji loses her faith and it changes who she is, religion also changed her lifestyle by the government putting religion into the law. Religion is a topic that people label as
Persepolis: The Story of a Childhood is a graphic novel written by Marjane Satrapi that illustrates the issues with growing up an Iranian child during times of conflict and political unrest. Following the childhood life of Satrapi, a first-hand view of unrest is given to the audience in a simple art form and well-paced story that is easy to follow and stay interested in. Persepolis: The Story of a Childhood is a prime example of why the genre of graphic novel functions well as a vessel to convey the issues in the Middle East while still telling an entertaining story of Satrapi’s childhood. The importance of graphic novels as a genre is often lost in the association with comic books, although graphic novels offer a much more comprehensive view
To begin with, Satrapi writes Persepolis from a child’s point of view. Young Marjane Satrapi displays the characteristics that any child might have. She is simple, innocent, and easily influenced. For example, when her parents are demonstrating against the king, Marjane Satrapi says, “As for me, I love the king, he was chosen by God” (Satrapi 19). Her teacher tells her this, and she believes her teacher because Marjane Satrapi is a child and, in all innocence, will believe anything because her teacher, in her eyes, knows everything. Situations such as this show the influence of authority on her as a child because the teacher is an authority who tells Satrapi a misleading fact and Satrapi believes her, or is influenced by ...
Persepolis 2: The Story of Return is anchored around how Marji is affected by the social injustice that occurred during the Islamic Revolution. Growing up as “a westerner in Iran and an Iranian in the West,” (Satrapi 274) changes and molds her into the young woman she is at the end of her journey. In this second chapter of Satrapis life she moves away from the comfort of Iran and finds a life in Vienna. Marji desires to find her purpose and identity during her brief time here and faces many battles with language barriers, people and herself. Marjis past from Iran haunts her and instills the idea that she needs to make something of herself while in Austria. Finding that Austria took her down a darker path where the light was scarcer and the
The story of Persepolis is about a young girl named Marji growing up during the revolutionary war in Iran. Marji’s parents both have a very liberal point of view and are in support of the war in order to overthrow the government. The story begins right after 3,000 political prisoners were released from jail. This included the father of Laly, who is Marji’s friend. Marji’s uncle, Anoosh, is also released and portrayed as a hero throughout the story. Throughout the story the revolutionaries take over, however end up being worse than the original government. Marji is exposed to many aspects of the war that are confusing for a child as young as her. The way that Satrapi developes Marji’s jealousy
Throughout Persepolis, Marjane Satrapi displays the vital role that the women around her have in developing her character and becoming the woman she is today. Women such as her mother, her grandmother, her school teachers, the maid, the neighbors, and even the guardians of the revolution influenced Marjane and caused her to develop into an independent, educated, and ambitious woman. Throughout the novel, Marjane never completely conforms or lets go of her roots, this is strongly due to the women who have influenced her.
Clearly the rich cultural and historical content of the work Persepolis that his excellent plot has led available as not only comic, but has also been made into a film. Both contextualize narrating the events in Tehran (Iran) and the many cultural aspects that were developed there. The author, Marjane Sartrapi, manages to reflect on how her life story from childhood unfolds. Looking at the book from the context of the narrator at the time of writing, you can see the narrow gap between what was her life and "Persepolis.” She and her family, with pain, live the restrictions of individual liberties, repression, imposition of veiling of women and the outbreak of the Iran-Iraq war, the new regime used to consolidate.
CHAPTER 2: SIMPLIFIED SOCIAL REALITY The magic of Marjane Satrapi’s Persepolis is that, it has the ability to condense a whole country’s tragedy into one poignant funny scene. The novel is an elegant, witty and moving weapon of mass destruction. Marjane Satrapi bears witness to a childhood uniquely entwined with the history of her country Iran. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Even though in Satrapi’s work her graphics may have added to the validity of her personal experiences, she strategically created them to reinforce her motivation for writing the book as mentioned in the introduction. It can even be argued that due to Satrapi’s personal opinion and perspective on the issues addressed in Persepolis being projected on the reader , a one-sided view may have developed. Marjane’s account has also been described as “sketchy” and readers are suggested to further explore her background in context with issues she discusses by critics (The Complete Review). Satrapi begins to project her personal beliefs beginning on page one, which sets the tone for the reader’s experience. One critic is quoted, “Although Satrapi stays fairly true to the historical timeline of the political revolution, she had a distorted perspective on events due to her social class standing as well as religious beliefs” ( Barzegar 8
Iranian culture is very much different from the “Western” culture but with some research I have more knowledge of it. The most challenging part of reading this book is that there are a lot of historical background that the audience must know to understand the context better. It is very important that the history is researched well enough to see the theme that the author is trying to relay. Furthermore, the culture is easier in context in comparison to historical details because the culture that Marjane’s images show is not a traditional or conservative Iranian culture, rather, a more “westernized” one. The audience that are from the western countries could relate more to the story since it is very much similar but at the same time they could compare what they know to what the novel is showing to fully understand the culture that Satrapi experienced.