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The relationship between psychology and personality theory
Theories of personality case study #1
Introduction To Personality Theory
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I am going to analyse the character of Patrick Bateman originally from Brett Easton Ellis’ novel ‘American Psycho’, I will mostly refer to the motion picture adaption of this novel as they are very close, however I will also refer directly to the novel itself. I will be examining this character through psychoanalytical theory.
On an original viewing of the motion picture you are sucked into the colourful world of a very wealthy and successful man engaged in the finance sector. Through the course of the story we can see more and more the great disturbance of the novels main character Patrick Bateman. He gets increasingly agitated by the success of others around him, so much so that he goes as far as to brutally murder a boasting colleague. This obviously isn’t a normal reaction to jealously and as the story continues we can get a greater sense of the lengths he will go to be the most successful out of his peers. We can also see that the character can’t be satisfied sexually as in one scene he engages in sexual activity with two escorts and after its cessed he cannot be satisfied until he causes them some physical harm, presumably against their will. He tries to cover his tracks very carefully in the beginning and throughout the course of the story he gets careless and this results in a large scale man hunt for the killer, which Bateman manages to escape. Throughout his murderous rampage we can clearly see that through Freud’s interpretation of the human mind set, Bateman displays a minimalist ego and superego and possess a very lenient ‘id’ that ultimately allows him to carry out all of his inner fantasies. Towards the end of the film we get the impression that all of these instances might not have taken place in reality and may o...
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...needs to express his anger and displays an abnormal reaction for the situation. This also gives the id instant satisfaction even though it may not have happened in reality. Either way that this scene may be interpreted both would agree that the id is given a large amount of freedom and isn’t strictly governed by the superego or ego.
We get a view into the rigorous early morning routine of Bateman, he exercises every morning and is quite proud of his physical appearance. He goes to great lengths to stay looking young and putting on a good appearance, he is very particular about each product he uses from its branding, its content and its effectiveness. He is very precise in the order he applies them and is obsessed with his daily morning routine. While he is removing his facial mask we get a soliloquy from Bateman, he states “There is no real me only an entity”, “I
Throughout the entire book, O’Brien makes several references to how normal men can completely change their persona if placed in such an environment. I picked four instances, which truly represented how the mind changes. When Dave Jensen broke lee trunk’s nose, he became absolutely paranoid about every aspect of his life. The young lady who be...
In this book, Dr. Ernest Lash discovers he has a love for psychoanalysis after several years working as a psychopharmacologist. Justin, who has been a patient of Ernest for several years, tells him he left his wife, Carol, for another woman. While Ernest sees this as a good thing since the marriage between Justin and Carol as unhealthy, he is still slightly upset that Justin gives him no credit for his help in the situation. Justin then decided he no longer needs Ernest’s help.
American Psycho (2000) offers a devastating social satire of the 1980s materialistic and hedonistic high society. Ironically, the film's monsters-in-hiding become increasingly evident even as the cinematography attempts to obscure most of the victims of Patrick Bateman (Christian Bale) with the dark hues of the nighttime. Additionally, the point-of-view (P.O.V.) editing in relation to Patrick Bateman illustrates his frustrations to the audience and shows his struggle to not only become the best in his society, but also prevent others that are either not fit for his society or those with particularly annoying idiosyncrasies from being a part of that society. The character study depicts the daily activities of Patrick Bateman, a young New York stockbroker working for Pierce and Pierce, as he hides the murder of Paul Allen (Jared Leto) from Detective Donald Kimball (Willem Dafoe). As the film progresses, Patrick's mask of sanity slowly slips as he finds out that he is not the idea of Patrick Bateman that he reflects himself of being throughout the film and realizes the disconnection that he has from the world around him.
first time a woman had ever been shown in a bra. This type of film was
The movie Psycho was created in 1960, and directed by Alfred Hitchcock. This film has many meaningful moments behind it, which all lead up to a shocking yet interesting twist for an ending. Many clips corresponded well with Bill Nichols thoughts, and opinions on how “Every movie is a Documentary.” By comparing both the Nichols reading, and the film Psycho, it is easy to see that this film is a wish-fulfillment documentary. This film shows what could be a scary reality in many people’s lives. It gives us examples of what could be our deepest nightmares and dreads, influences an opinion over people who have multiple personalities, and even feeds some people’s interests.
Hitchcock's Film Psycho Ever since the first horror movies were produced they have attracted huge audiences seeking to be scared, chilled and thrilled. Horror movies are so popular because the audience can get the adrenaline rush of being scared without actually putting themselves in danger, and also the audience ultimately get a rush of relief at the end of the film when the killer is killed. This is the same reason why people go on roller coasters because you get the adrenaline rush and then the relief when you get off. Also often horror movies are highly sexual films, and what's more it's a great excuse to hug your girlfriend! Horror movies started in the 1920's with German masterpieces of the silent era such as the ''Nosferatu'' directed by F.W Murneau (1922).
“He [Norman] only half-existed,” the psychiatrist stated after taking a look at Norman himself (Psycho). Norman Bates is a character in the movie Psycho, whose mental illness caused him to turn murderous. Psycho is not the only film that uses a mental illness to produce a villain. The Joker from the Batman series is diagnosed by the viewers to be psychopathic, and he is known to be a mass murderer. From the 1960 film to modern movies, many producers create their villains with mental disabilities. Because the mentally ill are portrayed as villains, this causes the viewers to classify them as capable of turning monstrous and harming those around them. This stereotype leads to the vilification of all those with a mental illness. Producers create
In the film, American Psycho, Patrick Bateman was a wealthy investment banker who also happened to be a serial killer. He was highly intelligent and was charming which attracted many of the women who came his way. Unlike most people in the world, he lived in constant pain. He was rarely happy with himself, and also hated everyone around him. He felt that he needed to inflict his pain on others in violent ways. He always had something disgusting to say such as, “I like to dissect girls; I am utterly insane.” It is outside of the norm to speak in this way, therefore he would be considered deviant. He displayed feelings of distress as he became frustrated very easily with himself and others. Everything
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
The major reason for the Babadook’s appearance in the film is the death of Amelia’s husband on the day of Sam’s birth, which has haunted her since the day it happened. Had the antagonist of the film been a male, it is likely that the character’s mental illness would be portrayed much differently, and the viewer would identify with the victims rather than with the antagonist. Even today, it is likely that a man with mental illness in a horror film would be portrayed as a violent killer. Although not necessarily considered a horror film, American Psycho provides an example in its main character, Patrick Bateman. Patrick Bateman portrayed by Christian Bale in the 2000 film, could be diagnosed with any number of mental illnesses, like antisocial personality disorder or borderline personality disorder. Of course, throughout the film, Bateman is a violent serial killer who derives pleasure from his kills. More often than not, women in modern horror cannot be like Patrick Bateman, but rather they are the victims or in the case of the Babadook, a grieving mother who cannot control her emotions. In the case of Patrick Bateman, we identify with his innocent victims. As both the victim and the antagonist, the viewer identifies with Amelia for most of the film, After, the viewer is again able to identify with Amelia as the “final girl” as she becomes a “badass” and is
Id, ego, and super-ego. (n.d.). Id, ego, and super-ego. Retrieved November 15, 2013, from http://www.princeton.edu/~achaney/tmve/wiki100k/docs/Id,_ego,_and_super-ego.html
In American Psycho, A handsome urban professional named Patrick Bateman who lived in New York City in 1987.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
Sigmund Freud believes the id is innate in a child, it acts on pure immediate pleasure. As the child grows older, it develops the regulatory ego which confronts the self-indulgent id with logical choices. As some people age, their ego might not develop as expected. Lorelai Gilmore is Freud’s idea of the id, embodied. When she makes choices, logic is usually an afterthought as she generally thinks only of her happiness. Throughout ...
It is driven by the reality principle by attempting to rationalize the situation and act accordingly in order to achieve satisfaction while doing it in a socially acceptable manner. The ego is ‘like a man on horseback, who has to hold in check the superior strength of the horse’ (Freud, 1923). For example, while out at a restaurant, Tom was thirsty but knew that the waiter would return to refill the water glass, so he waited until then to get a drink, even though he just really wanted to drink from Mrs. Smith’s glass. The super ego sits, omnipresent, at the top and acts as a moral compass for both the id and ego.