Patria Mercedes Mirabal is the oldest of the Mirabal sisters. Her and her sisters grew up under Trujillo’s dictatorship. Throughout the book she is the most religious Patria had a decision to make whether to follow her beliefs or join the revolution that was rising up. Her mother describes her as always being a generous young lady. Slowly she grows and also her desire to become a nun. Patria and Minerva go to Inmaculada Concepcion as boarding students. Patria is an idealistic young Catholic girl, as she remains in school, everyone believes she is going to be a nun. One day Patria has a talk with Sor Asuncion and there she tells her to “listen deeply in case He is calling”(Alvarez 46)Instead of paying attention to what Sor Asuncion is asking of her, Patria is distracted by the upcoming storm. The author gives us this storm as a metaphor. Showing us that that was a sign for Patria that God knew it was an emotional situation and was telling Patria that her calling is not to be a nun: "Entering that sombre study, I could see just outside the …show more content…
window the brilliant red flames lit in every tree, and beyond, some threatening thunderclouds(Alvarez 46)" When the nun asks Patria to pray she says "saw the first zigzag of lightning, and heard, far off, the rumble of thunder." These are hints that being a nun is not Patria’s calling. When Patria is praying with Sor Asuncion, she says she remembers trying to pray and concentrate but “she kept straying to the flame trees, their blossoms tumbling in the wind of the coming storm(Alvarez 47)" For awhile Patria had been struggling against sexual temptation, as she is trying to hear God’s calling. As Easter approaches Patria volunteers to help Padre Ignacio wash men’s feet on Holy Thursday, like the tradition. One of the men sitting before her is Pedrito Gonzales. She realizes she wants to be with him even though she had never seen or spoke to him. Pedrito represents a earthly calling not a heavenly one. Sor Asuncion questions Patria if she had heard God’s calling and Patria told her that her calling was not to be a nun. Throughout this part of the book Patria shows how she changes from being an idealistic catholic girl to not wanting to even be a nun or attend Immaculada Concepcion because Patria leaves after she realizes she does not want to be a nun. There is a revolution going on and Patria finds out about one of her sisters, Minerva, being part of it.
Her opinion is that women should not get into politics just as her dad would say. Patria starts to think why God would let his people suffer under Trujillo’s rule. This is showing how Patria starts to doubt her faith as a Catholic woman. Patria gives birth to Nelson and Noris, and afterwards becomes pregnant again. She has a miscarriage, even though she does not really speak of it as a reader you can expect and make an assumption that this was also a cause of her doubting and losing faith. Losing her baby, Patria believes could also be a punishment because she was losing faith in God. Another moment when Patria changes and loses faith would be when she asks campesinos to dig up her dead baby’s grave to move him to consecrated grounds. When she sees her dead baby decomposed, is when she describes herself once again losing
faith. One day after Patria’s mother confesses that her dad had been unfaithful her and her mother, and Mate go to the chapel. There Patria watches Mate praying therefore she decides to pray also. In her prayer Patria imagines the Virgencita and asks her where had she been and she answers back saying she was there and she had always been there, and that she had appeared to her many times already. Even though Patria went through some serious religious doubts by the end her faith is stronger. Many things got in her way and made her see things in a different way but she still kept her head high. By the end of the book Patria knows that God is always her answer she has faith again.
Minerva Mirabal was the most heroic of the Mirabal sisters. Rafael Trujillo ruled the Dominican Republic for 30 years; he was oppressive, creepy, and a little insane. The Mirabal sisters were killed because they tried to rebel against him. Minerva is heroic. Because she was the first of her sisters to join the rebellion, she went to law school, and she slapped the dictator with a slap.
Can a girl living under a dictatorship with very little freedom, grow up? That girl's name is Anita de la Torre, the main character from the novel by Julia Alvarez. Anita lives in a big compound along with all of her relatives. They live together with all their cousins and have fun at the pond or the gate of the compound. In the story, her father and uncle are involved in a plot to overthrow the evil dictator, El Jefe. By the end of the novel, Anita grows up from being a young wide eyed kid to becoming a grown up adult because of all the hardships she endures. (Good thesis statement)
Doña Guadalupe is a woman of great strength and power, power and strength which she draws from her devout faith and her deep and loving compassion for her family, and power and strength which is passed down to her children. “‘Well, then, come in,’ she said, deciding that she could be handle this innocent-girl-stealing coyote inside. On going into the long tent, Salvador felt like he’d entered the web of a spider, the old woman was eyeing him so deliberately” (360). Doña Guadalupe is a very protective woman, which is extremely speculative when it comes to her children, this is especially true when it comes to boys, because she has not gone this far only for all of her hard work to be ruined by a no good boy. This shows how protective she is, she loves her family, and especially her kids so much that they themselves must pass her test before being able to pass on to her children. “The newborns were moving, squirming, reaching out for life. It was truly a sign from God” (58). Doña Guadalupe is also a very devout and faithful person. She sees God in everything and in everyone and by that fact, what she sees and who she sees is true, and she tries to be a model of clairvoyance for the family. “Doña Guadalupe put the baby’s little feet in a bowel of warm water, and the child clinging to his mother. He never cried, listening to her heartbeat, the same music that he’d heard from inside the womb” (57). Finally, Doña Guadalupe is very passionate which allows for a great model upon which her children follow. This further shows how she is clearly th...
Throughout the novel, all of the sisters viewed points at a different perspective. Each sister had courageous, fearful, and sacrificial moments, though some of them displayed one of them more than another. In the end, many of these moments allowed the sisters to gain power to overcome obstacles. Even though all of the sisters, except Dede, did not make it to live out their whole lives, they did the most they could to stand up for what they each believed in. It takes guts to follow your heart, but when you do, you gain courage and strength to do so. The Mirabal sisters might have not been the cliché super heroes in a book, but they showed what true humans would and would not do, which makes them a whole lot more respectful.
Although Patria is concerned with the regime she isn’t on board with the revolution yet, unlike her sisters Minerva and Mate. While on the church retreat Patria watches a boy get shot in the back by guards. She is so stricken by his death that she feels like she has lost another child, “My stillborn of thirteen years ago. My murdered son of a few hours ago.” (162). Patria is so devastated by the loss of her “son” that she decides for herself that it is time to take action. The unforeseen murder prompts Patria to begin another metamorphosis. Because Patria is so pious and protective over her family it is not expected of her to take part in such a risky movement, but it is those same characteristics that give her the courage to resist the regime. The concern for the well being of her family and the involvement of the church in the revolution bring Patria to form her new conclusion: “Amen to the revolution” (164). Patria wants a better life for her family and she now sees that the only way to achieve this is through the revolution; she must make a sudden change which is similar to the quick transition of a caterpillar to a butterfly. After some convincing, Patria is able to persuade her husband Pedrito to allow revolutionaries to meet in their backyard and eventually turn their home into a rebel control center. Patria evolves from an innocent bystander to a
Celianne, a fifteen-year-old pregnant girl, was raped when a dozen men raided her home and forced her brother and mother to sleep together. She found out she was pregnant and boarded the boat as soon as she’d heard about it. The child represents the hope of a new life, away from the persecution awaiting back in Haiti. Celianne finally gives birth to a baby girl and the acting midwife prays for the baby to be guided by God, “Celianne had a girl baby. The woman acting as a midwife is holding the baby to the moon and whispering prayers . . .
Julia Alvarez’s In the Time of the Butterflies is an account of the four Mirabal sisters’ lives in the Dominican Republic during Rafael Trujillo’s dictatorship. Three of the Mirabal sisters - Minerva, Patria and Maria Teresa sacrificed their lives in the name of freedom by participating in the underground movement which opposed Trujillo’s dictatorship. Their participation in the revolution was a threat to Trujillo’s power and this resulted in the three sisters being killed. The novel tells the story from the point of view of each of the four siblings. The sisters, also referred to as, “The Butterflies,” each had a different approach to dealing with life under Trujillo’s reign. Minerva, the first person from her family to join the revolution, was motivated by principles and she contributed consistently to the revolution. Dede is the only survivor from the Mirabal sisters’ family, this is because she did not participate in the revolution. However, she takes care of the deceased children and tells the story of
In Kate Chopin’s story “The Storm” it talks about love and lust. It speaks of two kind of storm that occurs. These two storms I find to be the central part of the story, and is being represented as a symbol within the story. The first storm is the most obvious one that Bibi and Bobinot are faced with. The second storm isn’t that visible for it involves Calixta and Alcee. Just as like most storms they come and pass.
'The Storm' begins on a stormy spring day, with the protagonist Calixta at her sewing machine. She is alone, her husband Bobinot and son Bibi have gone to the store. Calixta seems to be a bored woman, confined to her duties as a housewife and mother. As the distant storm approaches she is unaware of what the storm brings, her former lover Alcee. Calixta allows Alcee into her home and opens her whole world to him. There is a connection between the storm that is going on outside and the storm of emotions going on in Calixta and Alcee. The weather sends Calixta into Alcee?s arms, he wraps his arms around her, and they can no longer hide their feelings for one another. They gave into their raging emotions and made love. Outside the weather was subsiding and Calixta and Alcee?s bodies felt relaxed and calmed. ?The rain was over; and the sun was turning the glistening green world into a palace of gems.? (1614) His face beamed with light like the sun. The storm inside of her was satisfied and for a brief instant Calixta felt liberated from her ordinary dull life.
A storm can represent and symbolize many different meanings. The impact of the word can be brought about in many different views and aspects that arrange themselves to create and portray detailed information and great definition to the subject of the short story as a whole. By using the storm as a symbol, it gives way to a passage that will encounter the relationship and parallel aspect of both the fervent thunder that occurs and the sexual passion that is encountered throughout the story. Kate Chopin opens up an interesting view and tentative explanation of human sexuality and the strong point of view of regulations placed on human sexuality as well as the aspect of trying to control a storm. By tying up these two ideas with one word, Kate Chopin was able to provide a view that would symbolize the premise of desires through variations of the storm.
Kate Chopin's "The Storm", is a short story about a brief love affair that takes place during a storm that has separated Calixta with her husband and son. The title "The Storm" is an obvious reference to the storm outside, but more importantly to the love affair that takes place. The title refers to nature, which is symbolically used again and again in the story. Chopin uses words like "somber clouds", "threatening roar", and "sinister intentions" to describe the approaching storm. Later in the story those same words in reference to the storm outside, will also be represented symbolically to the storm brewing inside with the love affair. In the beginning of the story Bobinot and his son Bibi stay at a store to let the storm pass by. Calixta, the wife , is at home by herself doing some chores around the house. As the storm starts to approach, Alcee rides in and asks Calixta if he could come in until the storm passes. It starts to rain immediately after he arrives. It's important to know that Alcee and Calixta had past together which he brings up to her later in the story. It is also stated that she has never seen him alone. The storm starts to increase outside, reflecting the sexual tension inside. The storm's sinister intention appears when "The rain beat upon the shingled roof that threatened to break an entrance...". It seems that the storm knows what is going on between the two and is threatening to break in and ruin their chances. They move through out the house and end up in the bedroom "with its white, monumental bed, its closed shutters, looked dim and mysterious. The bed being white symbolizes purity. The two then make their way to the window to watch the storm outside when lightning strikes nearby, falling back into his arms. The storm in a sense seems to be forcing them together now. They then embrace each other in the peek of the storm where things really start to get stormy in the love affair. The two then start making out yahda, yahda, yahda. The thunder is now distant and passing away. The storm outside turns into a soft, lighter rain, being symbolic that the storm is ending.
In his article, Marques implicitly argues that The Rain God is story about repression. His idea is expressed through the historical imagination, which Marquez describes as the recreation of the “burden of history”, which represent the past of the characters that has caused their repression. Their past has become a burden because the Angel family cannot break away from the repression their history is creating. In his article, the idea of the historical imagination can be seen in the following, “The role of the commentator is given to Miguel Chico an inner historian who recalls, recasts, assesses, and seeks an understanding of events from his family history”. This quote...
...way that the story is being interpreted and how the storm influences the story as a whole. Sometimes people need a wakeup call or a 'storm' to make them aware of how good they have things. In this short story Alcee and Calixta both come to realization of how good they have things with their spouses and how that they already found the ones that they love, which weren't each other. This made me aware of how we as people can take things for granted or believing we know what’s best for us. In reality we don't always know what’s best until something occurs and shows us that what we already have is the best.
The storm is the main metaphor in this story; it is seen as the lust that stomps through their lives like the storm rages through a single d...
In Latin America, women are treated differently from men and children. They do lots of work for unexplainable reasons. Others for religious reasons and family orders and others because of the men involved. Women are like objects to men and have to obey their orders to either be rich or to live. Some have sex to get the men’s approval, others marry a rich man that they don’t even know very well, and become slaves. An important book called Chronicles of a Death Foretold is an example of how these women are treated. Purisima del Carmen, Angela Vicario's mother, has raised Angela and her sisters to be good wives. The girls do not marry until late in life, rarely socializing beyond the outsides of their own home. They spend their time sewing, weaving, washing and ironing. Other occupations include arranging flowers, cleaning up the house, and writing engagement letters to other men. They also keep the old traditions alive, such as helping the sick, comforting the dying, and covering the dead. While their mother believes they are perfect, men view them as too tied to their women's traditions. The men are afraid that the women would pay more attention to their job more than the men. Throughout the book, the women receive the respect they deserve from the men and others around them.