Paradise Now, directed by Hany Abu-Assad

750 Words2 Pages

In 2005, the Palestinian director and writer, Hany Abu-Assad, released his award winning motion picture, “Paradise Now.” The film follows two Palestinian friends, over a period of two days, who are chosen by an extremist terrorist group to carry out a suicide mission in Tel-Aviv during the 2004 Intifada. The mission: to detonate a bomb strapped to their stomachs in the city. Because the film industry seldom portrays terrorists as people capable of having any sort of humanity, you would think the director of “Paradise Now” would also depict the two main characters as heartless fiends. Instead he makes an attempt to humanize the protagonists, Khaled and Said, by providing us with a glimpse into their psyches from the time they discover they’ve been recruited for a suicide bombing operation to the very last moments before Said executes the mission. The film explores how resistance, to the Israeli occupation, has taken on an identity characterized by violence, bloodshed, and revenge in Palestinian territories. Khaled and Said buy into the widely taught belief that acts of brutality against the Israeli people is the only tactic left that Palestinians have to combat the occupation. In an effort to expose the falsity of this belief, Hany Abu-Assad introduces a westernized character named Suha who plays the voice of reason and opposition. As a pacifist, she suggests a more peaceful alternative to using violence as a means to an end. Through the film “Paradise Now,” Abu-Assad not only puts a face on suicide bombers but also shows how the struggle for justice and equality must be nonviolent in order to make any significant headway in ending the cycle of oppression between the Israelis and the Palestinians.

The statement that the film make...

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...both sides of Israeli-Palestinian conflict is an integral factor in the political landscape. Oppression largely defines the political landscape depicted in “Paradise Now.”

“Paradise Now” is a form of political cinema because much of the film has political content that emphasizes Hany Abu-Assad’s message. He communicates that violence is no way to solve the issue of oppression in the Israeli-Palestinian conflict. Violence actually makes the conflict even more difficult to deal with and therefore harder to find a solution to it. The filmmaker wants his audience to understand that violence is never a solution to anything, and that these terrorists are human as well. Though they may seem heartless and immoral, they themselves do not perceive it in that way because they were taught to resist the occupation and violence is the only way they know how to fight back.

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