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Effects of parental neglect
Effects of parental neglect
Effects of parental neglect
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Painfully Nurtured What makes a person mature is something that can be easily defined, even though it’s an abstract concept. For instance a person is not considered mature from the moment they’re born until they’re past the age of around twenty-one, and there’s all this scientific research showing why this is the case and so on and so forth. One could argue, however, that what makes a person mature isn’t how old they are, but how they were raised. So is the case with Rufus Weylin from Octavia Butler’s book Kindred. Due to traumatizing and recurring events in his childhood as well as a prominently misogynistic, racist, and unforgiving society, the hedonism that Rufus carries limits him to his Id, the instinctual part of him that prevents him …show more content…
from becoming a mature adult. Poor Rufus. He really had too many issues in his childhood to cope with and to function properly as an adult. One of his first traumatic incidents that stayed with him in his subconscious was when he almost drowned as a little kid. “I ran down to the river, waded into the water fully clothed, and swam quickly to the child. He was unconscious by the time I reached him—a small red-haired boy floating, face down.” (Butler, 13) For Rufus to have experienced such a near-death ordeal at such a young age, it’s unsurprising that it had an impact on his psyche in the long run. Another even that must have scarred him was when his father had whipped him for being disobedient. “‘Why did you set this fire?’ I asked. ‘To get even with your for something?’ ‘For hitting me. See?’ He turned and pulled up his shirt so that I could see the crisscross of long red welts. And I could see old marks, ugly scars of at least one much worse beating.” (Butler, 25) As much as there have been studies about the maturity of mankind, there have been many a study about the psychological damage beating a child does, and while I won’t go into too much detail lest I go off on a tangent, I will say that it causes a great deal of damage to the child. In Rufus’s case, he was beaten sometimes for the simplest excuses. “‘He said I took money from his desk, and I said I didn’t.’ Rufus shrugged. ‘He said I was calling him a liar, and he hit me.’” (Butler, 26) These kinds of treatments on Rufus’s psyche as a kid made an incredible impact on him as an adult. This allowed him to remain in his Id when he grew up, for that was the only form of problem solving he knew how to do based on his upbringing, as well as what he’d seen society do around him. Anyone who denies that the 1800’s was a racist, misogynistic, and prejudiced time either doesn’t know all the facts or is simply a racist person. Slavery was the biggest issue in the 1800’s, and it’s led to many problems in today’s society that can’t be fixed with something as simple as a speech. Rufus grew up in the 1800’s, meaning he was subject to all of the ugly truths it presented, such as beating, raping, and killing black people just because they were black. A person can spew their mouth all they’d like about how they’re their own person and how they don’t let society affect them, but that’s simply not true. Society affects a person whether they want it to or not. It’s a subconscious thing, something that the mind does on its own without them having to tell it what to do. In Rufus’s case, he grew up in a time where all of the racism was legal, causing him not to bat an eyelash at the slightest bit of inequality. “I said nothing. I was beginning to realize that he loved the woman—to her misfortune. There was no shame in raping a black woman, but there could be shame in loving one.” (Butler, 124) Rufus’s actions towards Alice at the current time as well as later on in the book are a great example of how his society had affected him without his knowledge. If he couldn’t have Alice in her own time, he knew that nobody would breathe a word in protest if he took her without her consent, for that was the type of society they lived in. Many times throughout the book, Rufus displays a great range of actions that allow a person to diagnose him with the character trait of hedonism: the pursuit of pleasure or sensual self-indulgence.
His upbringing caused him to be the type of person who would do whatever it took to get what they wanted, including threaten other people. His earliest example is of him talking to his mother, Margaret Weylin, when he was stuck in bed with a broken leg. “‘I don’t want no cake, Mama.’ ‘You sure? You ought to see the fine white icing Sarah put on it.’ ‘I want to hear Dana read, that’s all.’ ‘Well, there she is, reading. If you can call it that.’ I let my voice grow progressively softer as they talked. ‘I can’t hear her with you talking,’ Rufus said. ‘Baby, all I said was . . .’ ‘Don’t say nothing!’ Rufus took his head off her lap. ‘Go away and stop bothering me!’ . . . ‘You’d better be careful,’ I said. ‘What if your mother told your father you talked to her that way?’ ‘She never tells.’ He grinned. ‘She’ll be back after while to bring me a piece of cake with fine white icing.’ ‘She was crying.’ ‘She always cries. Read, Dana.’ ‘Do you talk to her that way often?’ ‘I have to, or she won’t leave me alone. Daddy does it too.’” (Butler, 103, 104) In this situation, Rufus knows exactly what to say and how to say it to manipulate his mother into getting what he wants. He wanted to hear Dana read, and he only got it after hurting his mother by yelling at her. Another one of the most memorable moments is when he persuades Dana to help him get Alice in bed. “‘Dana, listen to me!’ I turned to face him. ‘I heard you.’ ‘Well?’ ‘I can’t stop you from raping the woman, Rufe, but I’m not going to help you do it either.’ ‘You want her to get hurt?’ ‘Of course not. But you’ve already decided to hurt her, haven’t you?’ He didn’t answer.” (Butler, 163) By threatening to hurt Alice if Dana didn’t help him, Rufus is manipulating her to get what he wants. Dana knows what he’s doing as well, and
understands that if she doesn’t help Rufus get what he wants, Alice will be hurt instead of her. All of these characteristics Rufus has speak to the fact that he’s hedonistic and stuck in his Id, the part of him that makes him act based on impulses and feelings rather than rational and logical decisions. The sad part is that Rufus could have grown to be a much better person had he not been raised in the wrong circumstances. The way he was raised as well as where he was raised played a part in his hedonism developing, causing him to be forever encased in the part of his mind that is his Id.
...es not necessarily mean just a fully grown up individual it is a combination of age, awareness, intelligence and decision making ability.” (V, Jayram) when you are intelligent you are able to become mature. When Charlie is trying to decide whether or not to tell Donner about Gimpy, this shows he is becoming more mature because of his decision making ability. This proves that there is a destructive nature of man shown through the various IQ levels needed to mature.
How does one know that a person is maturing? Are there signs? What defines maturity? “A mature person assumes responsibility for his or her actions” (“Maturity”) but does that mean someone who cannot do that should not be considered mature? In The Bean Trees by Barbara Kingsolver and The Catcher in the Rye by J.D. Salinger, both Holden and Taylor go through a period in their lives where they start “putting aside ‘toys’ and fantasies...seeing the world as it really is” (“Maturity”). For Taylor, adulthood is thrust upon her when she “inherits” Turtle, while for Holden it takes till the end of the book--when he is with Phoebe--to realize.
Initially, because she underestimates her own courage, which has never been properly tested, Dana doubts that she has sufficient fortitude to survive in the nineteenth century. As Kindred unfolds, it becomes clear that she does, indeed, have abundant courage and stamina. Butler effectively utilizes a common technique in fiction whereby an individual becomes heroic by transcending his or her base humanity by drawing on hidden inner resources. Dana is tested in her second trip to the past when she is nearly raped by a white man who is part of a patrol—the forerunner to the Ku Klux Klan. Never before having experienced physical abuse, initially Dana is reluctant to act. She fails to disable him by gouging his eyes, thereby losing her only chance
Maturity is not a fickle expression such as happiness or frustration, but rather an inherent quality one gains over time, such as courage or integrity. Before maturity can be expressed, the one who expresses it must have significant confidence in himself, since self-confidence is the root of maturity. Being flexible and formulating one's own opinions or ideas are aspects of maturity, but neither is possible without self-confidence. The greatest aspect of maturity is the ability to make decisions which society does not agree with. Whether or not one follows through with these ideas is not important. What is important is the ability to make the decision. These decisions represent the greatest measure of maturity.
What is maturity? When does one mature? Maturity defined by a dictionary means “fully developed physically; fully grown,” but it also depends on the way one acts. Although one is grown up, it does not mean one acts poised and sophisticated as expected. After the Trojan War, the main character Odysseus is on a long journey to return to his home, Ithaca. The problem is the kingdom is overrun by suitors; his wife, Penelope, and his son, Telemachus, do their best to keep them out of the palace. In the epic poem, The Odyssey by Homer, Odysseus transitions from being immature to mature as he is placed in Xenia,the Greek custom of hospitality for guests through encounters with Polyphemus, Circe, and Alcinous.
How far would someone go to survive? All through life people go through various challenges, but when someone is facing death, how far would someone will they go to save oneself? Survival can mean many different things; such as making it through highschool without getting into trouble, fighting off a predator, or standing up for what is right to help others. In Kindred, Octavia Butler uses many different situations to show what survival means to her. For example, Dana, the main character, travels through time to save her ancestor Rufus thus experiencing times of near death predicaments. In Kindred, Octavia Butler uses the conflicts Dana experiences in her time travels to suggest the idea that people do things they wouldn’t normally
The purpose of this essay is to highlight the issues that Dana, a young African-American writer, witness as an observer through time. As a time traveler, she witnesses slavery and gender violation during 19th and 20th centuries and examines these problems in terms of how white supremacy disrupts black familial bonds. While approaching Octavia Butler’s novel Kindred, this essay analyses how gender and racial violation relates to familial bonds through Dana 's experience in Tom Weylin 's plantation. It is argued that Butler uses pathos, ethos, and in rare cases logos, to effectively convey her ideas of unfairness during the American slavery, such as examining the roots of Weylin’s cruel attitude towards black people, growing conflicts between
Writers utilize their writing abilities in order to create a piece of literature that would transmit a meaningful message to their audience and create an impact on them. This is the case of Octavia Butler’s Kindred , a historical science-fiction novel evolving around a twenty six year old woman named Dana living in 1976. The story in the novel is rather unique since the plot alternates between the past and the present as Dana time travels from the commodity of her house in 1976 Los Angeles to Maryland in the antebellum period. The catalysts for these trips to the past are the near death experiences of the son of rich southern planter, a boy named Rufus, who is one of Dana’s ancestors. Every single time Rufus fears for his life, Dana is summoned
The book follows Dana who is thrown back in time to live in a plantation during the height of slavery. The story in part explores slavery through the eye of an observer. Dana and even Kevin may have been living in the past, but they were not active members. Initially, they were just strangers who seemed to have just landed in to an ongoing play. As Dana puts it, they "were observers watching a show. We were watching history happen around us. And we were actors." (Page 98). The author creates a scenario where a woman from modern times finds herself thrust into slavery by account of her being in a period where blacks could never be anything else but slaves. The author draws a picture of two parallel times. From this parallel setting based on what Dana goes through as a slave and her experiences in the present times, readers can be able to make comparison between the two times. The reader can be able to trace how far perceptions towards women, blacks and family relations have come. The book therefore shows that even as time goes by, mankind still faces the same challenges, but takes on a reflection based on the prevailing period.
In a world where survival is the most important aspect of everyday life, it becomes common knowledge that your family alone will not be enough to save you from the death and destruction. By looking at the parallels within people’s relationships in Octavia Butler’s Parable of Talents, you can see that the chosen communities and families are stronger than the blood ones; this is important because the worlds depicted in dystopian novels are closer than generally thought so it is necessary to prepare oneself to create these chosen bonds. The three strongest relationships that parallel this claim are: Olamina and Larkin verses Olamina and Earthseed, Olamina and Marc verses Marc and Christian America, and finally, Larkin and Marc verses Larkin and
Dawn by Octavia Butler is a feminist take on an origin story. Due to its feminist foundations Dawn interrogates how gender, individuals, and social constructions shape people 's as well as society 's creation. The story follows the "rebirth" of Lilith Iyapo in an alien world after they 'saved ' her from the nuclear apocalypse on earth. Lilith 's journey is both mental and physical. She becomes more than human physically due to Okanali enhancements and mentally beyond the constraints of human beliefs, such as that of gender and time, due to her acceptance of the Ooloi and the Oankali way of life.
The way and rate that people mature at can be directly attributed to the values and beliefs of the society that surrounds an individual. It is undeniable that society’s perspective on many controversial issues will generally be adopted by the younger generations in a given society. Moreover, the exposure to significant events, coupled with the major influence of family members, can have an enormous impact on how an individual matures. Additionally, family members greatly help each other develop into moral adults by instilling in each other values that will ultimately determine an individual’s character. In Harper Lee’s timeless classic, To Kill a Mockingbird, the constant reiteration of Atticus Finch’s values, in conjunction with the exposure to significant events, assist in Jem and Scout’s maturation into virtuous adolescents.
How can a word our society uses so much have such a loose definition. Teacher’s and parents refer to their children as mature or immature. But maybe one teacher’s definition of maturity is the child, —or adult, can press on while a fellow student is in trouble, to ensure he himself does well. While another’s definition is that the child expressed maturity for stopping and helping the other child in his decisions to avoid trouble. A common idea is that to show maturity one must weigh out all the possible outcomes and then ...
Maturity is not something that happens overnight. Maturity comes through trial and error; it’s a process which has to be perfected. Life throws curveballs and there are always multiple ways to deal with the situations. Being mature is making the right choices and knowing right from wrong.
Furthermore, Levinson classifies the novice phase into the early adulthood transition stage (17-22 years), entering the adulthood world (22-28 years), and age-30 transition (28-33 years). On the other hand, the culminating phase encompasses the settling down stage (33-40 years) and midlife transition stage (40-45 years of age). Nevertheless, adulthood is composed of middle-aged period (45-65 years) and late adulthood period entailing the age of 65 years and beyond. Some experts in developmental psychology have gone further to classify the late adulthood period into young-old stage (65-85 years) and old-old stage (85 and above years of age) (Newton, 1994; Levinson, 1978). However, it suffices to emphasize that these stages only exist as a guide to showcase normal development occurring in a continuum, since not everyone develops through displayed stages at exactly similar