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Picasso and matisse comparison
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I have chosen to compare two paintings by Pablo Picasso. The first painting, Garcon a la pipe, was made in 1905. It measures 100cm by 81.3 cm and it translates to “Boy with a pipe”. The second painting, Le Reve, was made almost thirty years later by Picasso. It measures 130cm by 97cm and translates to “The Dream”. Both paintings were made using oil on canvas, but have significantly different styles.
Using oil on canvas is a particularly popular choice for many artists. The use of oil based paint has been present in art since the 15th century. Pablo Picasso’s paintings typical included the use of oil based paint. Oil paints are known for adhering well to different surfaces when used correctly, which explains why Picasso was able to paint on a variety of surfaces. Oil paint also is easier to work with when trying to create smooth textures, but it takes longer to dry and tends to yellow over time.
Picasso had two significantly different styles of painting. The first style was very realistic and depicted objects as you would
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This causes his expression to appear very thoughtful or tired. His mouth is also in a relaxed position but the shadow around it makes it seem like he is almost frowning. The painting consists of two colors for the most part. The boy is at the center of the painting and is wearing a blue jumpsuit with a few greenish tones. Picasso adds detail to his clothes by creating seams and wrinkles with darker shades of paint. The background of the painting is a red-brown color and you can see the strokes of paint in some areas. Behind the boy’s head Picasso painted two groups of flowers to match the flowers that the boy is wearing on his crown. The flowers are a variety of cream and peach tones, but are not very detailed. Overall while the painting is realistic, it does not include may details that some other oil paintings
The painting was so popular, that he made its numerous versions with sightliest differences. The version presented in Metropolitan Museum, descended through the famil...
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
There are also a bunch of children that are portrayed playing inside and on top of the stagecoach. The colors that are used in this painting are all realistic, this is very important because it portrays what a warm summer day would be like on a farm. There are a lot of different colors such as bright green grass and bright colors for the clothes that the children are wearing. There are quite a few principles and elements that are used in the painting. One of the first principles that I noticed was the emphasis on the stagecoach.
If one came close to the figure’s stomach where there’s the seafoam green, one can see the strong mark makings of the paint brushes and knife strokes, making the paint come out of the canvas. Similarly, Brown also uses big paint strokes of different colors to direct viewer’s eyes around the artwork. For instance, on the left side of the figure, there is a big vertical downward motion of a brush stroke in maroon, that connects to a green streak that goes up and encompasses the figure’s head and then downward to the body of the figure, which outlines and pushes the figure to stand out. And to make our eyes go back to the figure, Brown paints a blue triangle on the chest, making it a focal point due to it’s dark color that stands out of the light colors. And if someone stood facing the side of the painting, one can see the thick globs of paint that would make the viewer take a double glance to see if it was either a painting or a sculpture, which reinforces the idea that the painting is coming alive and making one feel
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
The Bob Ross oil paints are specially formulated to meet the consistencies he prefers in the various colors on his palette. He also has a specific range of colors he uses. There are soft and firm versions of many of his colors. That is how important the liquidity is in his painting style. The thinner paints are used in the early stages of painting, while the thicker paint is used in the latter stages. This is known as thick over thin. If a thin layer of paint is applied over thick, there is a danger of cracking, unless it has been made more supple with the appropriate oil medium.
First, the size of the painting drew me in before all. It measures at 339.1 by 199.5 cm, surrounded by a large golden frame. The size alone is enough to bring in any person passing by. Once getting close, the really wonder happened. The story told by the painting
Picasso initiated Cubism at the age of twenty-six after he already had established himself as a successful painter. According to Souch‚re, Picasso led the evolution towards cubism in order to "escape the tyranny of the laws of the tangible world, to fly beyond all the degradations of the lie, the stupidity of criticism, towards that total freedom which inspired his youth." As Barnes notes, Cubism was an art that concentrated on forms, and an artist's job was to give life to that form. Until this goal is accomplished, the Cubist painter has not fully realized his purpose.
The two focal figures are illustrated with complementary colors, the woman 's dress being orange, and the man’s pants being blue. Benton uses these colors to bring life into the painting. The background is made up mostly of earthy colors like, greens, browns, and greys and a light blue for the sky. Benton seems to add white to every color he uses, which gives the painting an opaque look. The deepest hues found in this painting are the blue one the man’s pants and the orange on the woman’s dress, everything else around them looks washed out and Benton does this to emphasize his focal points
himself through his mediums. He used oil on canvas for his medium in this painting. There are
Monet and Degas' earlier works have notably different brush stroke styles. While Monet has tended to lean towards the short, choppy and yet delicate, Degas’ strokes blended virtuously unnoticeable. However, these seem to correspond with their earlier themes and objectives. Monet mastered the art of illustrating waves with his brush stroke style, Degas, the curve of a woman’s body or the sheer coat of a young colt. The colours chosen by either artist’s match the scenes they tend to choose to paint. Degas normally chose colours that would show deep contrast between the background and foreground. Monet chose colours the gently blended and showed vibrancy but that created a kind of stable balance in the greater part of his paintings. Degas’ brushstrokes a...
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
This piece contains darker shades of blue to create a dark, shadowy effect over the ballerinas. Even so, there are bright highlights on the dancers to enhance the sharpness and contrast of their figures. Colors like orange and peach are also highlight colors for the background behind the dancers. The main subjects of the artwork are wearing bright blue and white outfits to contrast with the more subdued greens and oranges of the background. Behind the dancers, Degas puts layers upon layers of pastel to create a realistic depth of color like that which one might experience in real life. The effect of this is quite stunning and adds a richness and intenseness to this piece.
Pablo Picasso was one of the most recognized and popular artist of all time. In Pablo’s paintings and other works of art, he would paint what he was passionate about and you can see his emotions take control throughout his paintings and other works of art. Pablo Picasso works of art include not only paintings but also prints, bronze sculptures, drawings, and ceramics. Picasso was one of the inventors of cubism. ” Les Demoiselles d'Avignon” is one of Picasso famous paintings; this is also one of Pablo’s first pieces of cubism. Picasso went through different phases in his paintings; the blue period, rose period, black period, and cubism. Picasso was a born talented artist, with his dad setting the foundation; Picasso became the famous artist of the twentieth century.
Both Picasso and Braque created a modern form of art that reflected the rapid changes in the modern world. Traditional paintings had only one viewpoint but Cubists wanted to make art that had more than one flat view. They wanted to reach beyond the rigid geometry of perspective. A typical Cubist painting portrays real people, places, and objects but not a fixed viewpoint. It will show you different views of the picture by using different angles, shapes, and colors to make the painting into one huge interchangable piece