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How an individual’s insecurities and weaknesses can dictate their actions
A manipulative individual’s actions are almost always defined by their experiences and struggles they have encountered; their innate tendency to control and seek approval from others, is an example. In the texts, Animal Farm by George Orwell and Othello by William Shakespeare, the central characters find themselves in situations where they result in manipulation to validate their own internal conflict and insecurities. The authors demonstrate that to truly deceive others: the characters must have an understanding of their target’s vulnerabilities, an understanding of the outside influences in the environment, and the ability to simulate fake relationships with their targets.
The understanding of vulnerability is very important in the two texts. In Animal Farm, Squealer plays a crucial role in creating and projecting propaganda in order to establish a positive image of the pigs, and the
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He exhibits a single-minded goal of ‘serving only himself’, whereas Squealer often serves on behalf of the pigs. This often results in Iago taking advantage of his target’s vulnerabilities, for example Cassio’s: “If I can fasten but one cup upon him/ With that which he hath drunk tonight already/ He'll be as full of quarrel and offense/ As my young mistress' dog” (2.3.49-52). This situation proves Iago’s strength in manipulation. Cassio is a bit more challenging to manipulate due to his good reputation; however, Iago’s knowledge of Cassio’s weakness of alcohol is what leads to a successful deception. Iago’s initial conflict with Othello (overlooking his position of lieutenant) leads him to seek compensation for his vulnerabilities and results in him creating tyrannous deceptions. In essence, Squealer and Iago’s vulnerabilities allow them to gain a greater understanding of their targets to successfully deceive
Iago would most commonly be referred to as dishonest, however beyond that he is also downright amoral and uses other’s weaknesses to manipulate them into doing what he pleases. From the very beginning we see how Iago manipulates Roderigo by pretending he is looking out for his best interests in the matter of Othello’s elopement with Desdemona. He makes Barbantio angry with Othello and Desdemona by telling him about their elopement then lying about the consummation of their relationship. He then leaves Roderigo to take responsibility for his (Iago’s) actions. In the meantime he goes off to inform Othello that Roderigo is accountable for telling Barbantio about the relationship and saying horrible things about Othello. Iago later brings Roderigo back into his quest for revenge when he tries to get Cassio fired from the position that Iago originally wished to obtain. Although Cassio knows it is against his better judgement to drink, Iago manipulates him into getting drunk then stages a fight between Roderigo and Cassio. He even goes as far as to try to make Cassio look bad by telling Montano that he gets drunk regularly. Upon Iago’s explanation of the situation Othello promptly fires Cassio from his position and Iago becomes more respected in Othello’s eyes. Roderigo is a prime example of how Iago uses people to fulfil his desires. Iago convinces Roderigo that he could win Desdemona’s love away from Othello and the only man that stands in the way is Cassio. In this way when he plans to humiliate Cassio it seems as if he is doing it to help out Roderigo when, in actuality, he is seeking revenge on Cassio for taking his position.
Vulnerabilities in Othello In the play Othello, the villan Iago forms a plan to cause the downfall of Lieutenant Michael Cassio and the Moor Othello. Each of these characters have vulnerabilities and traits that make them ripe for Iago's plan of destruction. The character of Michael Cassio is easily manipulated. He is very involved with his work as a leutenant in Othello's army.
The value of manipulation and misleading for personal gain has proven to be rewarding for multiple people throughout history. Geoffrey Chaucer and William Shakespeare, exemplify characters and atmospheres that posses these manipulating qualities through personal gain. Othello is a play w...
The development of characters is a compelling literary source that transcends time; Othello, Dolce, and Ariel all have differing views on the effect that adversity can have. Shakespeare’s Othello represent adversity as destructive; the same can be stated for Sylvia Plath where many parallels can be drawn due to the tragic nature that pervades all of her poems within Ariel. On the contrary, Némirovsky’s Dolce focusses on the ultimate romanticism of war. In a war situation there will inevitably be tragedy and turmoil, but it is a gross understatement on the actual toll of war, hence why the three writings take slightly different stances, whether it is the changes in genres, or the differences within the form of the texts. One thing that can de duly noted is that emotional turmoil and the development of a character
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
The reason for a person’s deception gives light into the nature and desires of that person. In the play “Othello” Shakespeare’s character Iago deceives many of the other characters in the play for the sole purpose of revenge based on his speculation alone. Iago’s deception and the ultimate death of Roderigo, Othello, and Iago’s own wife Emilia, shows how harsh and inhumane Iago is. This harsh reaction to simple speculation shows Iago’s cruel insensitive nature as well as calls the reader to reflect on their own ill-considered reactions.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
...d leads to the deaths of many innocent characters and strips away each person’s individuality and trust, all for attaining power and recognition. Othello is not only a tragedy, but also an important reminder of how people are easily deceived to gain power and recognition. Shakespeare’s Othello stands as a warning to all generations. Some historians agree that William Shakespeare may have been one of the first psychologists in human history, since it enabled him to create a devious and Machiavellian character like Iago. Today, we study about psychopathic historic people like Adolf Hitler who annihilated millions of Jews in the name of revenge. It is in human nature to be vengeful and to attain what one desires. As said by Ghandi “An eye for an eye would make the world blind.”
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Iago knows very well that trust and deceit must go hand in hand in order for him to achieve his vengeance on Othello and Cassio. Hence, as he plans the downfalls of them, he is continually trying to obtain their undoubting trust. He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.
The European Renaissance forever changed the life of the contemporary individual. Explosive advancements in education, technology, and trade broadened geographic and mental horizons; however, in England these developments were paired with population crises of poverty and unemployment. In addition, the increased interaction with foreign cultures fomented by various commercial and diplomatic engagements gave rise to apprehension in English sensibility. Eventually, Christian England would attempt to reshape these ‘strangers’ in their image and modern racial tensions sprung forth. Recursion of the trope of race, under the guise of blackness, heathenry, or even femininity occurs extensively in literary tradition, and especially within Shakespeare’s oeuvre. “There exists in all literature an archetypal figure who escapes both poles of the classic definition – appearing sometimes as hero, sometimes as villain, sometimes as clown…[he] has been named variously the ‘shadow,’ the ‘other,’ the ‘alien,’ the ‘outsider,’ the ‘stranger.’” It is with this borderline figure, mired in ambiguity, that this investigation is concerned: primarily with the stranger as the Moor in Othello, the Welsh in Henry IV, Part 1, and the woman in both.
Iago has a sophisticated way of deceiving the characters of the play, making him a very intelligent person. Early in the play Othello introduces Iago to the Duke of Venice as, “My ancient / A man he is of honesty and trust” (!. iii. 284-85). This is but one of the times in the play that Iago is referred to as honest and true. Throughout the play Iago is considered to be honest, but is actuality the villain. In order to maintain this false image one has to have a beguiling character. After Othello and his lieutenant, Michael Cassio, return from the war against the Ottomans, there is a celebration. At this celebration Iago puts his manipulation to work. He knows that Othello and Desdemona’s love for each other is very true, but he tells Rodrigo that Desdemona had love for Cassio: “With as little a web as this will I ensnare as great a fly as Cassio. / Ay, smile upon her, do…” (II. I. 164-65). This quote shows that Iago deceives Roderigo into believing that Desdemona loves Cassio, when in Roderigo’s eyes it is virtually impossible. Iago basically controls Rodrigo because Iago deceives him into believing that he can have Desdemona, by both Cassio and Othello.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
The word manipulation is most commonly defined as exerting shrewd or devious influence especially for one’s own advantage. The most common manipulation used to influence human behaviour is known as psychological manipulation. Psychological manipulation is a type of social influence that aims to change the perception or behaviour of others through underhanded deception. In the tragic play, Hamlet, by William Shakespeare, the author demonstrates the use of manipulation through the two main characters Prince Hamlet and King Claudius. The character fulfill their needs through dishonesty and learn that the effects of manipulating other has serious consequences that is able to manifest into a powerful force that consumes all aspects of one’s self. Just like how Hamlet uses his actions to manipulate the people around him to avenge his father’s death and how Claudius uses his words, actions, as well as his power as king of Denmark to manipulate people into fulfilling his needs. Through these characters the readers learn that by putting up a false mask of deception one loses their self as the lies take over.
One cannot deny that villains tend to make every sort of movie much more interesting. They have this foolproof scheme all planned out that’s just so exciting to see played out to the audience. However, no matter what type of villain someone is watching or reading about, manipulation is always involved in his or her villainous plan. One such villain is from the play Othello, Iago. He managed to manipulate plenty of characters throughout the play by convincing every one of the honest, trustworthy front he put up. This act of being a good person allowed him to use characters in the play to his benefit. They all thought he was their friend and was always honest, so they had no choice to take his word over anyone else’s. This was all possible, however,