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Women characterization in shakespear's othello
Female identity in othello
Women characterization in shakespear's othello
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Othello: the Moral and the Immoral
William Shakespeare’s tragic play Othello presents a full range of both moral and immoral activities through Iago, Desdemona, Othello, Bianca, Cassio, etc.
The moral and immoral dimension of Othello, especially the latter, is enhanced simply by its location in Italy. Louis B. Wright and Virginia A. LaMar in “The Engaging Qualities of Othello” comment on how the exotic setting of this play satisfied the Elizabethan dramatist’s dream of portraying evil:
Elizabethan dramatists were fond of portraying characters of consummate evil, and if they could lay the scenes in Italy, all the better, because the literature and legend of the day were filled with stories of the wickedness of Italy. [. . .] Venice especially had a glamor and an interest beyond the normal. Every returning traveler had a tall tale to tell about the beauty and complaisance of Venetian women, the passion, jealousy, and quick anger of Venetian men, and the bloody deeds of Venetian bravoes. (127)
Even the remarkably good wife of the Moor is not without her weak moments, so that even she cannot be considered “perfect”. Angela Pitt in “Women in Shakespeare’s Tragedies” comments on Desdemona’s faults:
Once married, she continues to commit slight offences against the correct code of conduct for the ideal wife. She is no sooner married than she leaves hearth and home (the traditional limits of the woman’s realm) to be with Othello. She sees Cassio without her husband’s permission and is far too concerned with Cassio’s request. Her plan of how she will discuss the matter with Othello at every moment so that even ‘his bed shall seem a school’, shows far too much self-possession and strong ...
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...es, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.
Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne Publishers, 1985.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
Wright, Louis B. and Virginia A. LaMar. “The Engaging Qualities of Othello.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p.: Simon and Schuster, Inc., 1957.
In President James Polk’s War Message to Congress, he states that the Congress of Texas had declared the Rio Grande to be the official boundary between Mexico and Texas. James Polk said, “Sixty-three men and officers, were … dispatched from the American camp up the Rio del Norte, on its [North] bank, to ascertain whether the Mexican troops had crosse, or were preparing to cross, the river…. [They] became engaged with a large body of these [Mexican] troops, and, after a short affair, in which some sixteen [Americans] were killed and wounded, appear to have been surrounded and compelled to surrender….” The invasion was almost like a ticket to declare war against Mexico for James Polk. He began to say that America had given its best efforts to mend the relationship between the countries, but even before the small battle, peace was not an option. “Mexico has passed the boundary of the United States, has invaded our territory and shed American blood upon American soil.” This evidence shows that the United States was justified in declaring war against Mexico because they were trying to protect their own country. In trying to protect their own country and its borders, they were engaged in an attack from Mexico. Mexico threatened America first, this gives a reason for America to declare war against
These two countries had reached a deal of new boundaries between themselves. Although, Mexico believed the Nueces River was the newly formed border, while America thought the Rio Grande serves as the new border. President James Polk sent a total of sixty three troops to station along the northern banks of the Rio Grande. Now, the Rio Grande was south of the Nueces River. Because the Mexicans believed the Nueces, which was farther north, was the new border, it led them to believe the Americans had “invaded” Mexico, causing confusion, and bloodshed, eventually leading to a declaration of war from the U.S. government. The Mexicans had crossed what America thought was the border, the Rio Grande. James Polk issued a declaration of war with Mexico after hearing his troops were being killed, due to a “Mexican invasion” (Doc G). While James Polk believed Mexico had invaded Texas, now a part of the Union, the Mexican Republic believed American troops were at fault for invading Mexico. Rumors spread throughout both countries of the other invading. The Mexicans had formerly offered peace, yet none was reached, continuing on to the war. Confusion of new borderlines and “invasions” of troops spread causing more conflict between America and Mexico, which was one of the major causes of the Mexican War.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare's Women. N.p.: n.p., 1981.
http://www.freehomepages.com/hamlet/other/essayson.htm#demag-ess N. pag. Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed.
Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare’s Plays. New York: Columbia University Press, 1981.
John William Coltrane was born in Hamlet, North Carolina, on September 23, 1926. Two months later, his family moved to High Point, North Carolina. He grew up in a typical black family in the South. The Coltranes were very religious and steeped in tradition. Playing was in his blood. Both of his parents were musicians, his mother was a member of the church choir and his father played the violin. For several years, young Coltrane played the clarinet, however it wasn‘t his passion. It was only after he heard the great alto saxophonist Johnny Hodges playing with the Duke Ellington band on the radio, that he became enthusiastic about music. He dropped the clarinet to take up the alto
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare's Women. N.p.: n.p., 1981.
Othello avoids all irrelevancies and the action moves swiftly from the first scene to the denouement. We never get lost in a multiplicity of incidents or a multitude of characters. Our attention remains centered on the arch villainy of Iago and his plot to plant in Othello’s mind a corroding belief in his wife’s faithlessness. (viii)
After the United States annexed Texas, both countries continued to argue the ending border of Texas. The Mexico claimed the Nueces River as its northeastern border, meanwhile the American claimed it ended at Rio Grande River. President Polk thought that military force would be needed to fulfill the United States’ manifest destiny, he commanded General Zachary Taylor to advance his four thousand-men army toward the banks of the Rio Grande. Taking the American advance as aggression, on April 25, 1846, a party of Mexican cavalry attacked a small group of American soldiers in a disputed territory, which killed or wounded sixteen members and captured the rest of them. This act of Mexico accidentally triggered the detonator of the war. When the news of the slaughter came to president Polk, he approached the Congress and claimed, Mexico has passed the boundary of the United States, has invaded the American territory, and shed American blood upon American soil. Therefore, on May 13, 1846, the war is officially
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Smith, Rebecca. The Woman’s Part: Feminist Criticism of Shakespeare. Champaign, IL: U of Illinois P, 1983
Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398. Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.”
Psychoanalysis has been the pinnacle of arenas to examine within the vast field of psychology. Psychoanalysis has been an area that Carl Jung has explored, critiqued and perfected in his lifetime. Jung was not alone in his exploration of the psyche; there were many other psychoanalytic perspectives as well. Carl Jung was said to have been a magnetic individual who drew many others into his circle. Sigmund Freud was Carl Jung’s greatest influence. Although he came to part company with Freud in later years, Freud had a distinct and profound influence on Carl Jung’s psychoanalytic perspectives, as well as many others.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.