A person’s characteristic can be determined at the end of one’s life. Shakespeare is able to test this theory in his play, Othello. Shakespeare’s Othello presents the audience with the subliminal warfare between good and evil. The evil within the play will cause Othello’s downfall and is exemplified through Iago, who confesses that it his “nature’s plague/ to spy into abuses and oft [his] jealous” and is cunning, deceitful and plotting (3.3.171-172). At the same time, the good within Iago will cause his own downfall. With the use of topics such as race and jealousy as catalysts, the true personalities of Othello and Iago are reveled as being either good or evil.
Iago uses the week mind of Othello to his advantage and plants an idea in his head that will consume him and take over until he has full control of him. Iago’s jealousy stems from Othello’s marriage of Desdemona, a white woman and the fact that Othello is of a higher rank than he is. In an attempt to sabotage Othello’s marriage with Desdemona, Iago makes Othello jealous of Cassio.
“O, beware, my lord, of jealousy!
It is the green-eyed monster which doth mock
The meat it feeds on. That cuckold lives in bliss
Who, certain of his fate, loves not his wronger;
But O, what damnèd minutes tells he o’er
Who dotes, yet doubt; suspects, yet strongly loves!” (3.3.195-200)
This quote by Iago is significant for its accurate description of jealousy. The destructiveness of the monster is self-created and “feeds on” Othello’s heart. Simultaneously, Othello feels guilty for being jealous of Cassio (without a concrete reason) and that shame that builds up in Othello will eventually be unleashed in the form of anger. Without having to doing much Iago, must wait as the insatiab...
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... does with the handkerchief.
Good in Othello is defined as forgiving, innocent, unsuspecting and honest, while evil is defined as deceitful, manipulating, cunning and dishonest. Iago is the epitome of evil. He uses Othello’s innocence to his advantage and although Othello has been “eaten up with passion”, Iago is also passionately jealous of Othello. However, Iago’s downfall is due to his intense jealousy and results in his trust in Emilia. Eventually, both good and evil fail and neither succeed. Perhaps Shakespeare is trying to send a message to the audience here - a message that suggests that all there is good and bad in everyone; the bad brings out the good and the good brings out the bad. There must be a moderation in our characteristics, a moderation in which we can trust or how far is too far: these are ideas that both Antigone and Beowulf knew all too well.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love
In Othello, the jealousy factor is deliberately introduced by Iago, with the precise intention of destroying those whom he feels have wronged him. Since it is intentionally used with malicious intent, it has catastrophic results. Iago himself is jealous of Cassio; he feels that he should have been appointed to Cassio's position by Othello, and since he wasn't he hates both Othello and Cassio. Iago channels the jealousy that Othello and Cassio have made him feel, and uses it against them in a hateful plan. Iago starts the process by planting the seeds of jealousy in Othello's mind, telling him Desdemona has been unfaithful. He then proceeds to cultivate the growing jealousy by feeding it with more lies, and twisting innocent events into situations which would serve his needs (his telling Othello that Cassio and Desdemona met in secret, and convincing him that Desdemona vied for Cassio's reinstatement as lieutenant because she loved him, for example). When the seeds had flourished, and Iago had succeeded in driving Othello mad with jealousy, Iago harvested his crop and convinced Othello to kill Desdemona. Othello's killing Desdemona would both rid Iago of Desde...
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello. Throughout the play, jealousy is a ruler over Iago’s thoughts and actions, influencing the way he feels about himself. Iago’s jealousy is exhibited while speaking with Roderigo “One Michael Cassio, a Florentine/ (A fellow almost damned in a fair wife)/ That never set a squadron in the field, / Nor the division of a battle knows/ More than a spinster—unless the bookish theoric, / Wherein the toged consuls can propose/ As masterly as he.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Iago’s opinion of women. Shakespeare’s play Othello is based on tragedy of Othello’s jealousy, which ironically leads Othello to kill Desdemona, his beloved (wife). Evil Iago is above all Shakespeare’s villains. Iago is a person with evil emotions, and as a result he deceives everybody, he also is exceptionally influential character who has taken in everyone, above all his own wife Emilia. His public face of bravery and honesty conceals a satanic delight in manipulation and destruction, and he will stop at nothing.
In the first act of scene 4, we see Othello and Iago discussing Desdemona’s unfaithfulness. Othello still doesn't want to believe that Desdemona is capable, or would cheat on him. They're discussing the handkerchief, it's a very significant in the play, it's one of the first signs for Othello to believe that Desdemona is cheating on him. We usually see Othello defending Desdemona and Iago accusing her, but the roles have reversed and Iago seems to be defending Desdemona, while producing more "evidence" to condemn her. When Iago simply just says “Lie-” (Page 169, Line 33) without any further elaboration, Othello immediately assumes 'Lie with her”, which gives him more proof to condemn Desdemona and Cassio. Othello almost seems to be persuading himself that Desdemona did cheat on him when he says “Lie with her? Lie on her? We say lie on her when they belie her. Lie with her -Zounds, that's fulsome” (Page 169, lines 35-37). Right after that he falls in a trance, and Iago takes this opportunity, to make his accusation more believable. He calls in Cassio and tells him to come back again...
William Shakespeares Othello uses different and unique techniques in his language to express the nature of evil throughout the play. Verbal twists and the characters most importantly stress the act of evil. Iago, most of all is portrayed as the villain or protagonist in the play. Shakespeare uses this character to set the basis of evil. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language towards the other main characters.
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
What are the similarities between the plot of Cinthio’s work and Shakespeare’s Othello? (the main themes and conflicts)
When evil conceives the good, most schemes are successful but each differently and its own way. Some could represent evil at an advanced diabolical scheme, but some may be as simple as a neighbor, classmate, someone in the community, or even worse; a friend. In the play Othello, the simple ancient, Iago is very successful at his influencing schemes. Iago provokes his evilness by retrieving trust and appear as an honest, loving person. Without the knowledge of the nature of good, Iago will not be successful in mastering schemes of nature of evil. Each point is explored further into Iago’s manipulation schemes and will analyze the nature of evil portrayed throughout the play.
Essay Question: Kyle MacLachlan says that he would love to play Iago because he looks “benign.” Explain using lines from the play, images from the film, and using the method used in class why benign, and evil at the same time creates such an interesting prospect for the actor.
In the play “Othello” by William Shakespeare love, jealousy, and conspiracy defined the tone of the play. Desdemona’s beauty makes two men fall desperate in love with her, but their differences make Othello the tragic hero of the play and Iago the despicable villain. Othello is a "tragic hero" because of his self-centered nature and his gullibility. Othello also has a noble stature and a high position in his culture. Othello is great and an honest solder but not perfect He also allows himself to be manipulated by other people for instance, Iago instead of trusting his own heart Othello easily believe other people or his friends. Othello is a tragic hero because he is noble, he suffers from a fatal tragic events and he goes through a tragic downfall. Iago is an envious and resentful men whose ambition is to have everything that belongs to Othello. Iago’s ambition is to obtain Othello’s position, love, and fortune. Although, Othello kills his wife Desdemona, Iago is responsible for her death, and the downfall of Othello and himself.