Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Othello is a tragedy of misunderstanding discuss the validity
Verbal irony in othello
Literary devices of revenge in Shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
“Othello” by William Shakespeare is a classic tragedy in which the flawed eponymous hero Othello is exploited and tricked by his foil Iago who uses lies and manipulation to defeat Othello’s reputation. His foil Iago is set out to destroy Othello by any means, Subterfuge is an integral part of Iago’s character and is also one of the themes of the play and this element of subterfuge contributes highly to my appreciation of the play.
The first act of treachery that Iago takes part in is when he goes to Desdemona’s father and tells him about the relationship between Othello and Desdemona and describes Othello with quite derogatory words:
“Even now, now, very now, an old black ram is tupping your white ewe.”
Iago uses racist imagery to discredit Othello and emphasise the negativity of the relationship between the two, we now learn that he is jealous of Othello and will use any means to destroy him. Iago skilfully plays on sexual stereotype here to reinforce a picture of Othello which angers Brabantio and invokes his sporadic racism and disgust inside him. Iago’s animal imagery has aroused Brabantio’s misunderstanding and only made it worse. Iago is brilliant in this field of work, Iago uses subterfuge at every opportunity possible to destroy Othello.
Later, Iago convinces Othello that Cassio is in love with his wife, Iago is telling lies to Othello and Othello believes every word of this, his credulousness his now his enemy:
“In sleep I heard him say 'Sweet Desdemona,
Let us be wary, let us hide our loves;'
And then, sir, would he gripe and wring my hand,
Cry 'O sweet creature!' and then kiss me hard,
As if he pluck'd up kisses by the roots
That grew upon my lips: then laid his leg
Over my thigh, and sigh'd, and kiss'd; and then
Cr...
... middle of paper ...
...tured by jealousy, this insinuation is tempting Othello to do the complete opposite of what Iago is saying and this is Iago’s plan. Othello is already convinced of Desdemona’s unfaithfulness and now cannot move from his mind-set, Iago has ingeniously used Othello’s credulousness and his own subterfuge to destroy him. Iago is desperate to have Othello commit murder to his own wife; Iago is determined to destroy Othello’s reputation, to make him lose his wife and his job.
Subterfuge is used in the play by the foil character Iago to execute the downfall of the eponymous tragic hero Othello. This allows us to fully understand the power of both jealousy and envy. The play Othello shows us how just man can be responsible for the complete downfall and destruction of another character. Othello effectively illustrates how Iago has used subterfuge to destroy Othello’s life.
The greatest and best villains in literature are those who possess the ability to manipulate others in order to further their own causes. In Othello, Iago has the insight and tact to manipulate the other characters, such as Cassio, Roderigo, Desdemona, and in this case, Othello. The methods by which Iago works the other characters are varied, and one prime example of his cunning ability to manipulate can be seen in Act III.iii.333-450. In this passage Iago utilizes many rhetorical strategies to his advantage; in particular he uses tone and simile. These rhetorical strategies are instrumental in the deception of Othello.
Othello, a play by William Shakespeare, tells the tragic tale of the black Venetian general, Othello, and how he is manipulated by his ambitious friend, Iago. Iago becomes angry at Othello when he promotes Michael Cassio rather than Iago to the lieutenancy. Iago then schemes a plot to take down Othello. Iago uses Desdemona, Othello’s new wife, to take down the great general. He leads Othello to considering that his wife is cheating on him with Michael Cassio. This causes Othello to become suspicious and eventually drives Othello into killing Desdemona. In the end, Othello learns that his wife was faithful, and Iago had lied to him. This upsets Othello and causes him to also kill himself. Iago’s many motives are never revealed to the audience or the characters as in the last scene he states, “Demand me nothing. What you know, you know. From this time forth I never will speak word.” (Othello. Act 5 Scene 2: 355-356). In the play Othello, Iago is the master manipulator that formulates devious plots against the characters of Roderigo, Cassio, and Othello by using their desires to his advantage to reveal their underlying weaknesses.
Othello by William Shakespeare was given the wrong name; this play is about Iago and the many tricks he uses to get his revenge. Othello is a powerful and important man, but Iago, Iago is one of a kind. He is a manipulative character that ruins the lives of people close to him, people who trust him. The lives of important key roles are ruined because of the hatred and jealousy Iago has for Othello. How does Iago manage to manipulate so many people in Othello? While successfully controlling the lives of everyone Iago manages to use ethos, logos, and pathos to get his revenge.
In William Shaspeare play Othello, Iago make Othello believe that Desdemona is having an affair with Cassio. He does by taking advantage of any situation to make of Othello doubt. Iago make Othello thing a lot of crazy thing on his head, Othello got so jelous leading him to kill his own wife, Desdemona, satisfying iago obseccion for revenge.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
Despite the fact that Iago deliberately subjects Othello to his twisted thoughts, Othello seems to have a greedy ear for his discourse, and appears to rely on Iago for the underlying truths of this white, male-dominated society he wants to belong to. Perhaps that helps explain how easily Othello is fooled without any real evidence. Once Iago has sown the seed of doubt in Othello's mind about Cassio, whom they both presumably see as a proper man (I.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
What should be noticed in particular is that, essentially, Shakespeare invented Iago; set him down in his dramatis personae with the single epithet “a villain”; and devoted most of the play’s lines and scenes to showing in detail the cunning, malignancy, and cruelty of his nature, including the cowardice of his murder of his wife. It seems to me therefore impossible to believe, as some recent critics would have us do, that the root causes of Othello’s ruin are to be sought in some profound moral or psychological deficiency peculiar to him. (137)
"I follow him to serve my turn upon him," said Iago (9:45). From the beginning of the story Iago has a cruel intent bent on destroying Othello merely because the job that he sought after was given to young Cassio. Exactly why his hatred burns so bright is unclear because it was not uncommon to lose a position to another soldier. With or without reasonable justification for revenge, Iago immediately starts to tear Othello apart by informing Brabantio (Desdemon's father, Othello;s wife) that she is out with a black ram and committing unjust acts. As time progresses Iago becomes more wrapped up in his lies that he even begins to believe that Othello has slept with his own wife, Emelia, and now he has even more reason to hate "the Moor", "I hate the Moor and it is thought abroad that `twixt my sheets `has done my office"( 55:429-431). Iago is so obsessed with his revenge on Othello that he does not care what happens to anyone else so long as he is happy. In the process of hurting Othello he manages to have Roderigo killed, Cassio severely injured, his own wife Emelia is slain by his own hands, Desdemona dies at the hands of her husband Othello, and after everything Othello kills himself. Sadly Iago accomplishes his revenge but with so many casualties and then he himself is tortured and killed for his part in the great conspiracy, but before he is punished he has to see that Cassio will be the one to take Othello's place (a strange irony since it was Cassio that Iago was jealous of).
In spite of the fact that a few utilize it and denote no hurt, but when Iago and Brabantio used, “the Moor,” they turn into a bigot slur, to weaken and outlaw Othello from society. Moreover, expressions like the devil and lips, from Iago are utilized to play on Othello’s outwardly diverse physical appearance, supporting the idea that Othello is distinctive, and an untouchable in their community. Shakespeare investigates the relationship of an outsider is through the suggestions given by different characters that Othello scarcely human, "An old black ram is tupping your white ewe.” Between these lines, Iago leads the audience to consideration to the distinction in both skin colour and age of the two, and suggesting that a devating Othello is taking the tidiness and guiltlessness of Desdemona.