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Explanation of othello 2019
The language, style and the use of symbolism in Othello
Explanation of othello 2019
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In William Shakespeare’s “Othello”, the main character is presented as an admirable leader but a poor rationalist. He is recognized as a hero with the qualities of vigor, charm, and eloquence. However these principles of leadership aren’t always viewed as the criteria for a leader. The battleground is, to Othello at least, is depicted as a place of admiration, where men speak truthfully to one another. Also, the given circumstances of state and warfare are rather straightforward; no one deceives Othello because as leader he should be esteemed. This one-dimensional view does not help him in issues of the heart though. Thus the main assessment of Othello must be that, even though he leads well and means well, he lacks sensible judgment and common wisdom. Evidently in his concluding two speeches, where Othello didn’t entirely understand the situation and not take responsibility for what has taken place. These two last orations of Othello are noble in speech and purpose, but lack comprehension. He uses the first to attack himself for his horrible deed; certainly this is the first reaction of anyone who has wrongly killed his beloved. He delivers condemnation upon himself with eloquence and anguish. The latter speech he gives in his final role as a leader, directing the men who remain about how to deal with what has happened and showing them he has purged the evil. It is Othello's last soliloquy that lacks vital judgmental abilities and eventually secures his destiny. This is because these are his closing words, and they don’t deal with emotions, but rather facts. He addresses the reasons behind his downfall, and decides how he wants others to see him, in terms of the story and how he takes responsibility for it. It is a noble speec... ... middle of paper ... ...ver has been lied to until Iago; as a gracious and tough general who falls only because of the cunningness and evilness of Iago. Some may say, because Othello was possessed by evil that he is counted as a tragic hero when he dies. But since the fact that he had been faithful and honest to his wife and lieutenant he would have figured out the truth of the whole dilemma. Therefore, Othello could lead, but he could not reason with his given circumstances. “When he is not removed from the web of circumstance, and the fabric of convention and structure, Othello reveals the truth of human nature” (Mikesell & Vaughn 6). Works Cited Mikesell, Margaret Lael., and Virginia Mason. Vaughan. Othello: An Annotated Bibliography. New York: Garland, 1990. Print. Hall, Joan Lord. "Othello: A Guide to the Play." (Literary Criticism) Greenwood Guides to Shakespeare (1999). Print.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
...Gardner, Helen. “Othello: A Tragedy of Beauty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.
Barthelemy, Anthony G. "Introduction" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 1-19)
The truth comes out after Othello has murdered his wife and before he kills himself he says, “must you speak of one that loved not wisely, but too well.” (Shakespeare 360), meaning that he wants to be described as someone who loved too much, but who was not wise. His jealousy and fear of ruining his reputation after murdering Desdemona lies within his final speech. Although, he mentions in his speech, “Of one not easily jealous, but being wrought, perplexed in the extreme” (Shakespeare 360), trying to convince the audience not to see him the way the events seem to make him look. He is trying to imply that he was not easily made jealous, but was tricked and manipulated by Iago. Othello wants to avoid having a bad reputation and would like the audience to remember him as an honorable
The first rule that is met in Shakespeare’s play is that Othello is considered a tragic hero, which every tragedy must contain. According to Aristotle, the tragic hero must be a man in a position of power who is a good person and makes a mistake during the timeline of the play due to a tragic flaw. Othello’s major flaw can be seen as jealousy: “Othello has often been described as a tragedy of character, as the play’s protagonist swiftly descends into a rage of jealousy. that completely destroys his life”("Othello"). Othello is shown to be a good man within the first few scenes of the play: “She wished she had not heard it; yet she wished that heaven had made her such a man” (1.3.162-163).
Dual Nature of Characters in Othello Many of the characters in Shakespeare's tragedy, Othello, are duplicitous to the extent that how. they are perceived in public is not how they behave in private. The perception of the public plays.
Shakespeare, William. "Othello". The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton & Company, 1997.
Othello is one who believes in justice and fairness and will make no exception, even for the love of his life. Ultimately, he murders her because he is, “One that loved not wisely but too well.” (V, ii, 398) This, above all, gives the play its powerful end. Othello’s true flaw is not vile, destructive jealousy, but rather pure and prevailing love.
- - -. Othello. 1968. Ed. Kenneth Muir. The New Penguin Shakespeare. London: Penguin Books, 1996.
"Othello." Shakespeare for Students: Critical Interpretations of Shakespeare's Plays and Poetry. Ed. Anne Marie Hacht. 2nd ed. Vol. 2. Detroit: Gale, 2007. 649-87. Gale Virtual Reference Library. Web. 30 Oct. 2013. .
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
Othello: Summary." emotes: Othello. Ed. Penny Satoris. Seattle: Enotes.com Inc, October 2002. eNotes.com. 18 April 2011. .
"Othello By William Shakespeare Critical Essays Shakespeare's Tragedy."Shakespeare's Tragedy. N.p., n.d. Web. 08 May 2014. .