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Othello racial stereotypes
Othello racial stereotypes
Themes of prejudice in othello
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In the Shakespearean act Othello, the image of slavery was referred to significantly. This act was written in a period where England became involved in the slave trade. During that period racism and the opposition towards slavery arise. The word slave in this act; however, was not all about slavery. The word “slave” in Othello was not only used to describe a social practice, but it was also used as an insult and it presented subjection in certain scenes.
Initially, the fact that Othello was a slave before joining the Venetian society could define a meaning of the word “slave” used in this act. The character Othello was chosen to be black. Even though in that period slaves were not only black but the idea of Othello being black and a slave has its own significance. Othello knows that he was originally “ sold to slavery" and then was redeemed. "of my redemption thence” he says. However, his position in the act is slightly questionable. Shakespeare illustrated Othello’s role as being an outsider and isolated him from the Venetian society throughout the act. On the other hand he is the main character and he has the higher stature among all other characters. The citizens of Venice refer to Othello as the “Moor” and they hate him for his stature and history. It is noticeable that Othello; however, used his maximum potentials to assist the Venetians and he supervised them. This suggests that the word slave could refer to an insult or a social practise. For example, when Othello marries Desdemona a Venetian who was never a slave. Brabantio, insulted Othello by calling him a slave because he married his daughter. He dislikes the idea of his daughter marrying from the “Moor” who used to be a slave. Brabantio also thinks that this marriag...
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...ve”. Moreover, Cassio is also called a slave. When Othello heard about his wife’s betrayal and after Roderigo’s failure in killing Cassio, he said “O, that the slave had forty thousand lives!”. Although, Cassio was not a slave, Othello pointed him as a slave. This suggests that the word slave has no specific meaning and is not always used for the same reason.
The word “slave” in this act was used frequently due the existence of the slavery trade and racism in the period of Shakespeare. In contrast to many other used words, this word could mean various meanings depending on what the character is referring to. The image of slavery has given the idea of how slaves have affected that period vastly that the word slave turned to be very common in their sentences. This word “slave” seems like a word they use when they do not really know what insult to use instead.
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that he is not fully aware of the social and cultural mores that govern Venice. As a Moor, Othello was reared outside Venice, and thus remains separate and exoticized. Although a great military man, and accepted by the elite of Venice, there is still a foreign-ness to him. The characters in the play, for the most part, call Othello "the Moor" (1. 1. 37, 1. 1. 161, 1. 2. 56). By calling Othello "the Moor," his proper name is taken away and he is left as an object. He is only accepted because of his military prowess, and seems to be used almost as a commodity; he is sent to Cyprus, with little warning--almost at the whim of the Duke. It is only because he is valuable to Venice that he is not punished for marrying the white Desdemona; Brabantio's anger is a clear indication that miscegenation is not an acceptable practice. Therefore, being a stranger to Venetian society, even a vague inkling that he is only a body used to fight may lead to insecurity that only exacerbates the deep-seeded, pre-existing ...
Throughout Shakespeare's "Othello", one of the most poignant themes is that of race and racial prejudice. Various critics are of the view that "Othello" was written as a social commentary, depicting the discrimination present in formal Venetian society. These ideas of racial prejudice are portrayed through Othello, the protagonist, who is referred to as "the Moor", an African or a black man.
In William Shaspeare play Othello, Iago make Othello believe that Desdemona is having an affair with Cassio. He does by taking advantage of any situation to make of Othello doubt. Iago make Othello thing a lot of crazy thing on his head, Othello got so jelous leading him to kill his own wife, Desdemona, satisfying iago obseccion for revenge.
Orkin, Martin. “Othello and the “plain face” Of Racism.” 2nd ed. Vol. 38. N.p.: n.p., n.d. 166-88. Shakespeare Quarterly. Folger Shakespeare Library in Association with George Washington University, Summer 1987. Web. 12 Mar. 2014. .
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
Othello's identity in the Venetian society is his role as "the Moor". Few people use his real name when talking about him. When speaking the given quote, Othello is telling the Venetians how he won Desdemona's heart by telling her the story of his life, and he now retells it to the Venetians. This tale-telling is a way of employing the linguistic system to reshape for himself a new identity with more positive connotations than "the Moor" can offer. "The Moor" is an expression the Venetians connect to other expressions in the linguistic system which all have a negative value. Examples are such expressions as "old black ram...
In the play Othello by William Shakespeare, the character Othello is portrayed as a fairly good man. By some, he may be known as a bad person but he has become greatly beneficial to the growth of Venice and the state of Cyprus. Othello is a good man even if he committed murder to his wife because he is a great war general and contributed to Cyprus in time of need.
The play Othello by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Grolier). In Othello we encounter Iago, one of Shakespeare's most evil characters. Iago is an officer in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded many lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a major role as a motive for his various schemes and lies.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
In the Shakespeare’s play Othello, Othello is recognized as a moor and according to the Oxford dictionary the term moor, is defined as, “a native or inhabitant of ancient Mauretania, a region of North Africa corresponding to parts of present-day Morocco and Algeria. Later usually: a member of a Mu...
Desdemona is one of the protagonists of the play contributes to the play and also fleshes out certain aspects of characterisation mainly where Othello and Iago are concerned. Thus her relevance is highlighted consistently throughout Othello, since without her ppresence, Iago would not have succeeded in manipulating Othello, and Othello's drastic transformation would not have been made evident.
Shakespeare does not give specific details of Othello’s background, however, it is apparent Othello is a dark-skinned outsider. The characters in the play call him the Moor. A moor is a member of a northwestern African Muslim people of mixed Berber and Arab descent. He is referred to as black by several characters including himself. Roderigo even calls him thick-lips which is a racial slur towards African Americans.
Little, Arthur L. “’An Essence that's Not Seen’: The Primal Scene of Racism in Othello.” Shakespeare Quarterly 44.3 (1993): 304-24. JSTOR. Web. 17 Feb. 2014.
Shakespeare’s The Tempest discloses on various acts of slavery and servitude that is still brought out in our current generation. The topic of slavery and servitude occurs all around the world, with no one to prevent it from happening, nor have there been any signs of change. The play and real-life situation both reveal acts of slavery, the greed for freedom and dominance. Many people take slavery very lightly, but they do not know that true meaning that people go through from being controlled as one.
Literature has always been a source of exploring the world and the history of mankind. In Daniel Defoe’s Robinson Crusoe and William Shakespeare’s The Tempest, both authors use the concept of slavery, race and class. In Defoe’s story, the relationship between Crusoe and his slave, Friday, is one of mutual respect and trust. In the second selection by Shakespeare, the master-slave relationship is one that is characterized by force, violence and power. These two works share the common theme of servantship and slavery, which were largely based on differences in class and race. In both stories, differences in character, race and class have an influence on the servants and in their relationship with their master.