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Music and its impact on history
Music and its impact on history
Music and its impact on history
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Masterworks Ancient and Modern On Sunday October 18, 2015 at 7:00 pm, Sarah and I traveled downtown to the City Performance Hall to watch the Orpheus Chamber Choir's production of Masterworks Ancient and Modern. This was the third time I have attended an Orpheus Chamber Choir concert and every time I am impressed by the choir's excellent musicianship. The pieces performed at the concert included a mixture of traditional and contemporary works. The traditional works were composed by well-known composers such as Bach, Mendleson, Gabrielli, Byrd, and Lobo. The contemporary works were written by Argento and Elder. It was also exciting to see that Rachel Jones, one of the private voice teachers at Lake Highlands High School performed as a member …show more content…
The next piece was written Mendleson and was titled "Lord Now Lettest." This was another A Cappella piece. The choir had very pretty cannons and I really enjoyed the crescendo of piano to fortissimo. I thought the choir did a great job remaining in a four part harmony and one part did not shadow the other parts. At the end of the piece the choir closed on an "n" syllable which was very pretty. "O Be Joyful" was a legato piece by Gabrielli that consisted of two sections. The A section was major and was followed by a minor B section. I liked the choir's strong crescendos and decrescendos as well as their strong metric stress. I also they had very strong cutoffs and I loved their eight part harmony on "amen." "Jubilate Deo" was a strong ACappella song. The women began the piece and were followed by the men. There was a beautiful four part canon. I really enjoyed the sustained notes as well as the good diction. Another enjoyable aspect of the piece was its combination of staccato and legato. The final pieces before intermission were "Credo" and "Versa Est in Luctum." Both works were A Cappella and had wonderful diction and tone. The first act with works exclusively written by ancient composers was very entertaining and showed very good
This concert is held by the Stony Brook University music department and is to perform seven pieces of music written by seven student composers. The concert is performed in Recital Hall of Staller Center in Stony Brook University. Since it is a small hall, audiences are very close to the performers. In fact, it is the first time I am this close to the performers and the sound for me is so clear and powerful that seems like floating in front of my eyes. Among the seven pieces, “Ephemeral Reveries” and “Gekko no mori” are piano solo, “Two Songs for Joey” is in piano and marimba, “Suite” and “Fold Duet No. 1” are in woodwinds, “Elsewhere” is played by string groups, and “e, ee, ree, and I was free” is in vocal. Personally, I like the sound of piano and guitar the best. Therefore, in the latter part I will analysis two pieces in piano, “Gekko no mori” and “Two Songs for Joey”.
The fourth and final movement, of course, was my favorite. Presto opened with a dissonant and quick piece that lead to a more recitative style. After the cellos and basses played, the aria from the famous “Ode to Joy” intervened. After minutes passed by, the movement started over and a vocal recitative of a deep soloist began and then the chorus and four other vocal soloists followed by repetition elaborating on the “joy” part of the theme. This movement went through several variations of the melody presented in the finale and became a variation of a Cantata which eventually led the music to reach a climax.
Following the second intermission the musicians performed the Puccini which was divided into six sections. Solveig Holmquist was the conductor, Thomas C. Laine was the tenor and James Demler voice was the baritone. The chorus carries the major burden of their music. Thomas C. Laine presented the tenor in Credo, and James Demler presented the baritone in Agnas Dei. This piece also contained fugue and a chorale. Also all the instruments were blended together to produce harmony.
It is also the piece that had enough of an effect to make the evil man go away, in the film, Fantasia. My strongest reaction to this piece, is the warm and chilled feeling I get hearing it. The idea of developing “chilled” bones from music is amazing. I arrived at this certain place, by truly diving into the song. I really listened to it, and could hear the seriousness in the singer’s voice. I could hear and understand the passion that the musicians felt when they pressed the piano’s keyboards. The singing, along with the instruments complimenting, is astonishing. I caught myself listening to this piece during the interview, and I could imagine even an evil monster falling in love with this tune enough to turn good. I felt the drama and power in the singing, and the seriousness in the playing of the
The Lord Nelson Mass composed by Haydn was my favorite performance of the evening. The choir immediately captured my attention and seemed to do the same for everyone else in the audience. I was very impressed by the fact that the choir was made up entirely of college students. It was also stated that some of them sing in the choir just for fun as they are not music majors. There seemed to be an appeal in the fact that the singers were mostly very young. The piece as a whole was also very enjoyable. There was a lot of contrast which I really enjoyed. The music would be very loud and then...
On March 13th the Rochester Oratorio Society and Houghton College Choir performed at the Hochstein Performance Hall in the city of Rochester. It was a predominately vocal concert with an accompanying pianist. The main performance of the evening was the Rochester Oratorio Society’s rendition of Johannes Brahms’ “Ein deutsches Requiem,” in which vocal soloists Elena O’Connor and Benjamin Bloomfield took the front stage, and Linda Boianova joined Kevin Nitsch as a second pair of hands behind the piano.
...ers and the audience. The dramatic nature of this piece alone is something to be reckoned with as it is extremely passionate. The symphony is presented in 4 movements as is common and begins with a Poco Sostenuto- Vivace, followed by a Allegretto movement, Presto movement, and finally ends on an Allegro con brio movement. the central theme of this piece is introduced in the first movement by a flute playing in tripple meter continuously ascending up the scales rising in dynamic contrast, continuing to grow into a louder and more stark contrast between it’s highs and lows. Consistently dance like, the piece is celebratory of its roots buried in historical Austrian music that has been present in the culture for years. The accomplishments of the soldiers for which the piece was composed for are easily told of simply by the energy and power present throughout the piece.
The 17th annual Sphinx Orchestra Finals Competition Concert has changed my perspective on classical music. I fully enjoyed the performance and might even consider going to next year’s performance. The young musician upheld incredible talent and the orchestra was just as unbelievable. I applaud the Sphinx Orchestra for putting on such a miraculous performance that anyone would enjoy a classical concert.
The first work was played was called Suite: 3 Airs, composed by Elisabeth Jacquet de la Guerre (1666-1729) from the Baroque period. This piece had a very stepwise and conjunct melody. The key was mostly bright and major. The harmony was a bit resolving and consonant. The polyphonic texture was recognizable because of the multiple melodies playing together. The tempo of this piece was very constant and remained allegretto throughout. The dynamics was mezzo forte or moderately loud. The formal structure was in the ternary form in which the main idea of the piece was repeating after a small contrast in the middle. Overall, this piece seemed quite unique to me because it was my first time listening to the organ.
Volondat, Pierre-Alain, perf. Variations OP 20. By Clara Schumann. Rec. 15 May 2010. Saphir Productions, 2008. Florida College's Classical Music Library. Web. 17 Nov. 2013.
The first composition, "Miserere Mei, Deus", was produced by Gregorio Allegri in 1638. I learned this, as I read along with the well-thought-out program that was given. As we, the audience, looked up to the vocalists, we were entranced by the consuming sound. The room filled with a vibrant melody, in which the harmonization and tone color was spectacular. The emotion conveyed throughout the room was one of absorption and delight. During this piece, the sopranos hit such high notes, that I was astounded. Being a person who participates in concert choir, I understand the level of commitment and talent it takes to reach those notes and stay in tune. This ...
The piece opens with an allegro, minor melody with cymbal crashes and timpani rolls. There is a short pause then a major trill. Harp glissandos then accompany a legato oboe melody, which is repeated with a pizzicato string bass. The melody is then repeated by the whole orchestra. There is a crescendo with the tim...
The second piece, Paratum Cor Meum, was a much shorter piece with very few lyrics. It was interesting to hear a piece by Haydn, since we had discussed this composer in class. I was impressed by the choir members’ ability to remember words in another language, and I enjoyed the sounds of the piano accompaniment.
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
The final and twelfth piece was made up of excerpts from a longer work called Five Short Pieces for Clarinet and Bassoon. To me, maybe because the concert was beginning to get long or maybe because I did not have many notes over it, the last piece seems fairly similar throughout its movements, or “Short Pieces.” The first was an up-beat piece with a distinct melody. The clarinet and bassoon alternated, with the clarinet playing the higher notes. The second movement had a have complete feel to it. The two instruments played at the same time, close to it. The third movement was an impressive sounding mix of ups and downs. It seemed that the performers were working very hard and it sounded very complex.