Before even opening the book, the reader is hit with the paradox of the title, Oroonoko or the Royal Slave. This is already problematic since royalty are highly privileged people who do not end up in dire straits—much less slavery. Aphra Behn presents many paradoxes in her text Oroonoko or the Royal Slave. One of the many paradoxes she utilizes is the one that applies to her hero, Oroonoko; he is an honorable hero, who is also a naïve fool. Oroonoko was born into royalty and led a career as a valiant and just warrior. Reared for this life, Oroonoko has a character that is intrinsically honorable following his code of loyalty and honesty. His code of honor and love of truth is admirable, but it leads him being betrayed throughout the narrative. This all-or-nothing type of characteristic of Oroonoko is what led to his death because he could not bend.
Oroonoko is presented to the reader from the beginning as being a fine man who is extremely brave, Behn writes, “[T]he most illustrious courts could not have produced a braver man, both for greatness of courage and mind, a judgment more solid, a wit more quick” (12). He gains the role of general after his mentor takes a fatal wound protecting Oroonoko. This shows how much adoration Oroonoko held with his people, even the general. It is through this he decides to return to court to honor the late general’s daughter with the slaves won in the battle. He falls in love with Imoinda and decides to pledge his life to her. This intense love for Imoinda also shows his honor. After meeting the beautiful woman he vows to go against the traditions of his country, “[H]e made vows she should be the only woman he would possess while he lived; that no age or wrinkles should incline him t...
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...believed in an instant what this man said; but replied, he expected, for a confirmation of this, to have his shameful fetters dismissed (50). Oroonoko’s trust returns in the Captain and he believes he and his men will be set free and so urges them to carry on and “bear their chains with the bravery that became those whom he had seen so act so nobly in arms; and that they could not give him greater proofs of their love and friendship, since 'twas all the security the captain (his friend) could have, against the revenge, he said, they might possibly justly take, for the injuries sustained by him” (53). Certainly Oroonoko should see that this man has tried to enslave them and thus should not be trusted. Yet, he still refers to him as his friend. This is the true revelation of Oroonoko’s naivety.
Works Cited
Behn, Aphra. Oroonoko. London: Canning, 1688. Epub.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
He uses the values and expectations to try to define himself. All that comes from that was him having to fake it to make it, still not finding out who his is as a person. Later on in the story when the narrator chooses to join the Brotherhood, he doing this is because he thinks that he can fight his way to racial equality by doing this. Once he enters in to this he figures out that they just want to use him because he was black. While at the place where this battle royal was going to take place is where some of the most important men in town are "quite tipsy", belligerent and out of control. When he gets in the ballroom there is a naked girl dancing on the table at the front of the room. He wants her and at the same time wants her to go away, "to caress her and destroy her" is what is states in the story. The black boys who were to take part in the battle were humiliated, some passed out, others pleaded to go home. But the white men paid no attention. The white men end up attacking the girl, who is described as having the same terror and fear in her eyes as the black boys. Over all, the narrator comes to conclusion that the racial prejudice of others influences them to only see him as they want to see him, and this affects his ability to act because
The first fault of our male antagonists that concludes with the demise of our female leads Antigone and Nora is the large amount of “hubris”, or pride, that each character possesses. For instance, at the beginning of Antigone, Creon makes a decree that is flatly and purposefully disobeyed by his niece, Antigone. Even though over the course of the play many wise and gifted men try to reason with him that what she has done might have been the will of the gods, Creon refuses to give in to their insight purely based on the fact that he will not allow himself to be put to shame by backin...
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Throughout the Greek play, “Antigone”, we see one of the main character’s, Creon, who recently was named King of Thebes due to his Nephews battling to the death for the throne. Creon by the end of the play would eventually develop a theme known as a “Tragic Hero.” His character's emotion and motivations conflict with another main character, his Niece who the play is named after, Antigone. The characteristics of Creon have conflicting motives such as his hierarchy, greed, and vengefulness are highlighted by Antigone’s opposing ethics. Ultimately these conflicting motivations develop Creon as a tragic hero by making him regret his Decree and rash decisions once he has learned of his fate.
Okonkwo remains stubborn even when Ezeudu tells him, “That boy calls you father. Do not bear a hand in his death” (Achebe, 57). In the event that Okonkwo was really concerned with the moral value of not taking part in Ikemefuna’s death, then he would have attended the funeral. But, Okonkwo is more concerned about being more powerful than leaders of the other tribes. Oedipus shows similar behavior when he tells Teiresias “… it has no strength for you because you are blind in mind and ears as well as in your eyes” (Sophocles, 428 – 430). Oedipus doesn’t respect oracle’s information that is given to him and this shows that not only is he arrogant, but this addresses Oedipus’ hubris and ignorant behavior as he denies his fate. Both Oedipus and Okonkwo, are arrogant and refuse to be told to that they are wrong about anything and these tragic flaw in each character contributes to their responsibility in their demise. But, Oedipus always brings up his personal achievements when he became the leader of Thebes to show his pride. Meanwhile, Okonkwo relives his glory days when he defeated Amalinze, also known as the Giant cat to influence himself to show courage, strength, and that he is a powerful leader. Both these character are more same then different as both character show arrogance, pride, and desire to help, but
From the beginning of Oroonoko, the narrator expresses a very definite opinion of Oronooko.Based on his words, his actions, and the reactions of other characters one of the most prominent motifs throughout the story is that Oronooko is distinguishable from other slaves (noble, heroic, passionate). He is referred to as a royal slave, which in a sense has a double meaning. He is a slave yet is worthy of honor. His characterization remains consistent in the text.
Orestes’ father, Agamemnon, is suffered for the truth of the prophecy, the child is the price: if he kills his child, his country will win the war. Due to this prophecy, Agamemnon is tortured and agonizing between his two important roles: father of his family and father of the country. If he chooses his family and doesn’t kill his child, they will lose the war.
Sir Walter Scott's riveting classic, Ivanhoe, is a wonderfully woven story of battles, adventure, comedy, and love. In this story we encounter Robin Hood, Richard the Lion-Hearted, Prince John, and some less known but important characters. The reader meets Cedric the Saxon, who is guardian to the beautiful Rowena, and his swine herder Gurth along with his fool friend Wamba. In their adventures throughout the book they meet a feeble old man. He is a Jew. Rebecca is his beautiful daughter. Together they live in a fancy house of great wealth. For you see, Isaac is a very wealthy Jew, who is very much in love with his money.
The above passages were taken from the end of chapter three, part one. After finishing reading this book and then going back through it, I found these passages very ironic in regards to how the story eventually ended. Okonkwo believed that because he was such a fierce fighter, he could conquer anything life threw at him. However, it was his fierce, proud, fighting attitude that was his demise in the face of uncontrollable circumstances in the end. Okonkwo believed that war and brute fighting would fix everything. He was a proud and stubborn man constantly struggling to improve his standing in the tribal community. Okonkwo also had intense pride for his tribe and way of life. He believed it was the right way of life and not to be questioned. Everyone was supposed to fear war with Umofia due to their fierce warriors and greatness in battle. When the white men not only did not fear them, but openly threatened the tribal way of life, Okonkwo prepared to handle the situation the only way he knew how. He wanted to got to war against the new white invaders, chasing them from tribal lands and ending the threat of different ways of life.
Morality versus Law is the main conflict that characterizes this play. Each side of this conflict is represented by the two main characters of this play; Antigone as the morality of an individual and Creon as the power of the law. Antigone rises up and becomes a threat to the law in which Creon has made. Meeting the criteria of a tragedy, Antigone presents two characters that fill the role of tragic hero. Both Antigone and Creon are high up by birth, make a mistake that causes a ...
In spite of the weaknesses, Ivanhoe and King Richard demonstrate true chivalric characteristics. They exemplify integrity, loyalty to the king, a love for adventure and bravery. Through this book, the reader learns the meaning of moral guidelines due to the examples set by King Richard and Ivanhoe. These examples challenge us to search for our own moral guidelines. Without these, we have nothing to strive for.
They are then sold as slaves to Teffry who is under British control and Oronooko 's name is changed to Caesar. When Oroonoko arrives in Suriname, he discovers that Imoinda, who is previously pronounced as dead, is still alive and works as a slave in the same plantation that he is stationed. As love stories go, they get together and Oroonoko later finds out that Imoinda is pregnant. Desperate, Oroonoko attempts to free himself and his family from slavery but he is betrayed yet again and suffers tremendously. In a desperate measure, the man decides to kill the love of his life and his unborn child. Imoinda begs Oroonoko to take her life, because they both know that the life of a slave is no life at all. Oroonoko dies as a hero when he attempts to take revenge on the men whom have denied him his freedoms fails, graphically. Aphra Behn created controversy and made critics angry by publishing her novel. She talks on a matter that women should not know about or speak. Critics agree and disagree that is one of the first abolitionist writings by a woman and is against slavery. In this paper I will discuss how Aphra Behn’s novel Oroonoko; The Royal Slave, is racist and is
Particularity, Watt states, is "the amount of attention it [the novel] habitually accords to both the individualism of its characters and to the detailed presentation of their environment." Behn puts an emphasis on only a few main characters; these being Oroonoko (Caesar), the narrator who is a white mistress, and Imoinda, Oroonoko's love. The writer goes to great lengths to brilliantly paint a picture of Oroonoko for the readers, ...