In the Jane Smiley’s “Ordinary Love”, the narrator is a middle-aged woman named Rachel, who has already divorced with her husband, Pat. Pat made her did not see her five children for a long time after the divorce. The divorce is mainly because Rachel has an extramarital affair with another man, but she seems to get punishment in her later life. Pat remains nothing for Rachel and the harm from both mental and physical has been caused. After divorce with her husband, the house property and her children all leave her. Rachel and Pat parted when the children are really young. Pat sells their house without talking to Rachel, which is too mean to make Rachel lose the property. Furthermore, Pat even doesn’t let Rachel see five children. Smiley wrote, “At the same time he was fighting me in court for full custody and had twice moved the children secretly so that I couldn’t get in touch with them” (50). It is a truly …show more content…
cruel thing for a mother to be forbidden to stay with her children. Just because divorce, she suddenly loses both of the property and her lovely children. The reunion which happened at the beginning of the story is the first time Rachel see her children after divorce. Through the description of the mental, a child becomes nervous to stay with her mother for the whole summer. The relationship between Rachel and her children get obvious influence, they become more strange to each other. Pat not only doesn't keep something for Rachel, but also let Rachel become unfamiliar to her children. The unlimited confession and missing have been engraved upon Rachel’s mind.
As Pat took the children abroad, the feeling of missing children and the confession of what she does to this family has filled up her life. Smiley wrote, “I let myself go, and then I got punished for it. By Ed, and by your father, too”(78). Rachel realizes that this situation is a kind of punishment for her to bear. The punish from Pat is the break of the family and the leave of the children. The punish from Ed is that he did not talk with Rachel anymore after Pat and children go abroad. Lots of repenting and deeply regret have been shown from Rachel’s thoughts and sentences. Kakutani notes Smiley’s concern, “the history of my children in my absence, at the mercy of their father” (qtd. in Nakadate, 110). She realizes that she missed the growing up of her children. She blames on what herself did and even wants to kill herself. Pat and Ed bring the huge change to Rachel’s life and thoughts. She becomes too self-condemned to thinks that all the results are all the punishments for
her. Rachel also gets physical hurt from Pat, which even let Rachel has some extreme thoughts at that time. Pat treats Rachel in a ruthless way when Rachel tells him about her affair. Smiley wrote, “He slapped me so hard across the face that I fell to the month-old flooring. Then he threw the glass against one of the new windows, cracking it and smashing the glass”(42). It is truly cruel to treat a woman like that. In her book review, Kukutani describes Pat’s action as “the violence with which Pat greeted her announcement” (Nakadate, 109). It is more serious that Pat’s behavior even let Rachel thinks that he will kill her, “More than once I thought he would kill me. I stood there without blinking, small and hard and ready to be killed” (Smiley, 46). Pat must be really brutal to treat Rachel for a few times, which let Rachel be frightened to stay with him.
Mrs. Ames from “The Astronomer’s Wife” and Elisa Allen from “The Chrysanthemums”, two women in their best ages, did share similar lives. They were loyal wives, of decent beauty and good manners. They were married for some time, without any children and they were fighting the dullness of their marriages. At first, it looked like they were just caught in marriage monotony, but after the surface has been scratched deeper, it was clear that these two women were crying for attention: but they had different reasons.
Pete, representing erratic male rage in the novel, has a history of abusing Rose. This climaxes when he breaks her arm. It follows a terrible logic that since male rage hurts her body, so does her own, the impetus of which is provided by the patriarchal system. Ginny's description of Pete fits Rose equally well, with an anger that "would be quiet, but corrosive, erupting at odd times" (31).
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Janie marries three different men over the course of Their Eyes Were Watching God: Logan Killicks, Joe (Jody) Stark, and Tea Cake. Janie is able to preserve her agency in these marriages via an internal rebellion, she uses her thoughts to remain happy and outside the world her husband’s create. It is often the case that husbands expects a marriage where the female is subordinate to them and even Janie’s grandmother suggests Janie should abide by this expectation. However, Janie creates a space in her mind for an idealistic relationship and a place that her husband’s cannot touch. This ...
Janie who continually finds her being defined by other people rather than by herself never feels loved, either by her parents or by anybody else. Her mother abandoned her shortly after giving birth to her. All she had was her grandmother, Nanny, who protected and looked after her when she was a child. But that was it. She was even unaware that she is black until, at age six, she saw a photograph of herself. Her Nanny who was enslaved most of her lifetime only told her that a woman can only be happy when she marries someone who can provide wealth, property, and security to his wife. Nanny knew nothing about love since she never experienced it. She regarded that matter as unnecessary for her as well as for Janie. And for that reason, when Janie was about to enter her womanhood in searching for that love, Nanny forced her to marry Mr. Logan Killicks, a much older man that can offer Janie the protection and security, plus a sixty-acre potato farm. Although Janie in her heart never approves what her Nanny forced her to do, she did it anyway. She convinced herself that by the time she became Mrs. Killick, she would get that love, which turned out to be wrong.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
The misfortunes Jane was given early in life didn’t alter her passionate thinking. As a child she ...
Before Mrs. Ames and the mother realize the restrictions of their old lives, their worlds have been full of disillusionment and ignorance. Mrs. Ames, for example, is oppressed by her husband’s silence and the search for love and tenderness from anyone, because she lives each day alone, ignored by her scornful husband. And, as a result of being left companionless, she does not mature, rather she longs for tenderness. In other words, Boyle explains her dysfunctional relationship with her husband, “The mystery and silence of her husband’s mind lay like a chiding finger of her lips. Her eyes were gray for the light had been extinguished in them” (57). That is, Mrs. Ames’ spirit remains oppressed by her husband who treats her as a child, and, in doing so, isolates her from his world.
The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
In the opening of this short story, “The Story of an Hour”, written by Kate Chopin, Mrs. Mallard is identified as a woman with “heart trouble”. Although it is never specified in the story as being strictly physical, “heart trouble” alludes to the emotional distress Mrs. Mallard is in at the time according to the heavy burden her marriage lays upon her and her freedom. After her husband’s tragic death in a railroad incident, Louise realizes that now without the weight of a husband upon her, she is free to live her life for herself and as is satisfies her. By being circumscribed to a constricting marriage and not possessing the free will to express thoughts of her own, she is lead to a unique conclusion of her current condition. Louise is
A New Literacy Age in American Society Super Sad True Love Story by Gary Shteyngart depicts a futuristic American society dominated by media. Technology is their most precious process, everything revolves around their äppärät. Everyone is ranked based on their attractiveness and wealth. Most people want to stay young and live longer. Any written artifacts are almost non-existent, and literacy is not the same as before.
She would not have grieved over someone she did not love. Even in the heat of her passion, she thinks about her lost love. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked safe with love upon her, fixed and gray and dead. Her love may not have been the greatest love of all time, but it was still love. Marriage was not kind to Mrs. Mallard, her life was dull and not worth living, her face showed the years of repression.
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Through the use of a concise plot, symbolism, descriptive setting, point of view, and dramatic irony, readers are left with a strong feeling of empathy for the protagonist, Mrs. Mallard. Through each paragraph of the story, readers continue to feel empathetic for the woman who grieves the loss of her husband, gains a new feeling of freedom outside of the restrictions of marriage, then loses that freedom when she discovers that her husband is not dead, all within an hour’s time. While women’s independence and freedom within marriage could still be a topic reflected in today’s literature, it would be a much different story than that of Chopin’s time. At the time this story was written, women were expected to do whatever it took to please and cater to their husbands. This story seems to draw from the changes of that time as women were beginning to gain more independence in their lives as in the suffrage movement, marriage, and employment outside the home. Much has changed in women’s rights since the end of the nineteenth century, which is a result of the work of women like Kate