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An essay on character development
Essays on metafiction
An essay on character development
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The screenplay of film is based on the plot of the novel the Orchid Thief. Charlie Kaufman makes a creative approach on how to write a film by making an attempt of trying to adapt a book that seemed impossible to adapt, he defines adaptation as staying true and maintaining the roots to the source material. He is in fact the protagonist of the film and he intertwines reality with fiction to bring a meta-artistic interplay to life, in a very postmodern narrative. Thus, the narrative structure of the film is richly layered. The film centers around a brilliant screenwriter struggling with inner demons, furthermore, he has to adapt on a way to deal with social handicaps that are intimidating him. It is a film inspired by a book that explores botany
in vivid detail.
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
Besides an initial voiceover narration introducing Ray Kinsella (Kevin Cosner), his beloved wife Annie (Amy Madigan), and their young daughter Karin, this is the first scene in Field of Dreams, released in 1989 and directed by Phil Alden. The voice-over establishes the expectation of the film as being a sensible story about a loving couple trying to run a family farm in Iowa, and the subsequent scene (pictured above) quickly deconstructs that expectation. While working in his field one night, Ray hears a voice whispering “If you build it, he will come.” From then on, there are no more misconceptions about Field of Dreams being anything but an unapologetic fantasy in which an Iowa farmer mows down his fields to build a baseball diamond where
Jeunet’s Amelie and Ham’s Tilly enter as outcasts; who long for acceptance and normalcy from the members of their societies. The use of settings in the novel and film are used as a visual representation of Tilly and Amelie’s isolation. Tilly is “detached” at the top of the hill but able to “[see] everything”, just as Amelie is in her high positioned apartment that overlooks the unfairness in Raymond Dufayel and Lucien’s lives. They experience detachment in different ways, with Amelie growing up “deprived of playmates”, never learning the social skills necessary to enter society, and Tilly being isolated, for being “the dangerous one” and sent away from the society at a young age. They are after the approval of everyone around them as the women
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
In the movie “Akeelah and the Bee”, Akeelah challenges herself through entering a spelling contest to win the nationals. Over thousands or of words in the dictionary, she memorizes them with the help of Mr. George, her family, and friends.
I chose to view the movie Lion, a movie based on the book A Long Way Home by Saroo Brierley. This movie is about a five-year-old boy, Saroo, living in a poor, rural area in India. Saroo convinces his older brother Guddu, to let him tag along and find work in a nearby city. Saroo ends up trapped and alone in a decommissioned passenger train that takes him to Calcutta, over 1,000 miles away from his home.
Wings of Desire (1987), by Wim Wenders is a fantastical Franco-German romantic film that depicts the lives of those who populated Berlin during the time of Franco and the Berlin Wall that separated West and East Germany. In the film, reality is separated into two dimensions in which humans and angels are isolated from each other and exist on separate planes of existence. The angels gaze over the inhabitance of Berlin and attempt to comfort people in distress; however, because of their separate existences, the angels cannot influence the actions of the human world. Wenders noticeably relates the separation of existence between the angels and humans in Wings of Desire with the isolation felt by the people of West and East Berlin with his use of acting style, color grading, symbolism.
In the silent film Broken Blossoms, the lighting, setting, and color change drastically. D.W. Griffith manipulates the mise-en-scene, altering the lighting, setting, and color change drastically not only connecting scenes but also to creating clear separations. The film breaks Cheng Huan’s first encounter with Lucy Burrows into three different colored segments: yellow, blue, and purple. These tints paired with other elements of mise-en-scene convey a seemingly dichotomous message regarding the nature of kindness and of their relationship.
Moonlight is a motion picture with a tender, heartbreaking story of a young man's struggle to find himself, told across three chapters in his life as he experiences ecstasy, pain, and the beauty of falling in love, while grappling with his own sexuality and dealing with his more difficult past. Moonlight describes a touching way of those moments, people and unknown forces that shape our lives and make us the way we are. A major theme of Moonlight is the black male identity and its interactions with sexual identity. The motion picture combines acceptance and love with pain and narrow-mindedness. In it’s simplicity the movie is a chronicle of the childhood, adolescence and burgeoning adulthood of a young black man growing up in a rough neighborhood of Miami.
Lee Daniel’s Precious is a movie centered around Precious Jones, a 16-year-old overweight black girl living in Harlem, New York. The movie begins when she is in public school pregnant with her second child by her father. Because Precious is pregnant, the principle recommends an alternative school for her. At home, Precious is a servant to her mother, Mary, who is physically, emotionally, verbally, and sexually abusing her. Mary constantly tells Precious that she is not good enough and that no one will ever want her. At times of distress, Precious tends to dissociate and fantasize about another life where she is a blonde white girl. She wants to be famous and loved by all. Precious arrives at the alternative school hardly knowing how to read or write. She gets placed in a class of girls with a dedicated teacher, Ms. Rain. Ms. Rain asks each student to write in a journal every day, and she will write back to their letters. This is the first time in the movie when Precious feels very
It is about a family’s documentary that was fictional, written by a fictional blind man, with footnotes and references that are fictional, and compiled by a fictional tattoo assistant that is insane. The many different psyches and perceptions used to connect the characters in the House of Leaves act as foundational support for the theme of the entire novel, that without them in their entirety, there would be absolutely nothing interesting left in the book to read. The House of Leaves provokes thought, debate and analysis of one’s psyche from the reader. Each individual will analyze and interpret the book in their own unique way, through reflective consciousness and mediation. Readers that can navigate through the labyrinth of House of Leaves will learn that they have successfully deconstructed the book, survived the maze, and discovered new ways to interpret
The popular media production I chose to review was Antwon Fisher. I am not sure if I have previously seen the movie. Although, I do think that I have watched some parts of the movie. I came across the movie by researching popular movies that contained counseling scenes. Antwon Fisher is about a man who had a very troubling childhood. During the time that Antwon was born, his mom was incarcerated and his dad was murdered by an ex-girlfriend. Antwon was immediately taken away and placed in foster care. Sadly, Antwon was physically, mentally, emotionally and sexually abused. Antwon spent his childhood in these dreadful circumstances until his teenage years. He then ran away from his foster home and became homeless. Antwon finally ended up going
People flock to horror movies each year. Usually to be scared. Another is to solve the question of Who done it? Unfortunately, a lot of these horror movies fail to scare people or make the killer so obvious the audience gets bored. Occasionally, there are a few horror movies that stick out. Scream, directed by Wes Craven, is one of them. Wes Craven is always toying with the viewer's fears. Always finding ways to scare the audience at every turn. He also plays with the viewer's head, and has them second guessing themselves. How does he do it? Well, as one of the characters in the movie exclaims, "There's a formula to it. A very simple formula. Everybody's a suspect!" This paper will discuss how Craven uses sound, camera shots, and mise en scene
Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choicesvariables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are deliveredit might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.
Analysis of Movie Moulin Rouge In this essay I will be analyzing in depth four scenes from Baz Luhrmann's critically acclaimed Moulin Rouge that was released in 2000. I will be analyzing the opening sequence, the sequence in the Moulin Rouge itself, the two dancing sequences 'Like a Virgin' and 'Tango Roxanne' and the final scenes of the film. Throughout this essay I will be commenting on the filming techniques that Luhrmann uses and what affects these have on the audience, also I will be analyzing how the film is similar and different to typical Hollywood Musicals.