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How does color affect us
How does color affect us
How does color affect us
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In Beau Lotto’s Ted Talk “Optical Illusions Show How We See” we could appreciate how our perception can vary based on the context. He explained the importance that color has in our lives and all of the factors that can alter how we perceive a color, such as illumination. Lotto showed how the light that comes through our eyes could mean anything, however it is our brain’s job to give meaning to that information by using patterns, associations, knowledge from past experiences, etc. As an example, he showed two squares with a dot in the middle, the one in the left was green and the one in the right is red. Under the two squares there was a picture of a desert with a dot in the middle as well. We needed to look at the dot between the colored squares
In Stephen Jay Gould’s essay, “Some close encounters of a mental kind,” Gould discussed about how certainty can be both blessing and dangerous. According to Gould, certainty can be blessing because it can provide warmth, comfort and secure. However, it can also be a danger because it can trick our mind with false information of what we see and remember in our mind. Gould also talked about the three levels of possible error in direct visual observation: misperception, retention and retrieval. According to Gould, our human mind is the greatest miracle of nature and the wicked of all frauds and tricksters mixed. To support his argument and statements, he used an example of an experiment that Elizabeth Loftus, a professor from University of California Irvine, did to her students and a personal experience of his childhood trip to the Devils Tower. I agree with Gould that sight and memory do not provide certainty because what we remember is not always true, our mind can be tricky and trick us into believing what we see/hear is real due to the three potential error of visual observation. Certainty is unreliable and tricky.
While the studies at Governor’s School are noticeably more advanced and require more effort than at regular public schools, I see this rigor as the key to my academic success. For me, the classes I take that constantly introduce new thoughts that test my capability to “think outside the box”, are the ones that capture all my attention and interest. For example, while working with the Sierpinski Triangle at the Johns Hopkins Center for Talented Youth geometry camp, I was struck with a strong determination to figure out the secret to the pattern. According to the Oxford Dictionary, the Sierpinski Triangle is “a fractal based on a triangle with four equal triangles inscribed in it. The central triangle is removed and each of the other three treated as the original was, and so on, creating an infinite regression in a finite space.” By constructing a table with the number black and white triangles in each figure, I realized that it was easier to see the relations between the numbers. At Governor’s School, I expect to be provided with stimulating concepts in order to challenge my exceptional thinking.
Our five senses –sight, hearing, smell, taste and touch help the ways in which we perceive the world around us. And while they seem to work independently at time they can effect each other and the way we comprehend something. Seeing something pretty, touching something soft, eating something cold and smelling something rotten are the sense we use to connect with the world around us and will all effect how we move forward in that situation. When you look at the top picture say the color of the word not the word itself. It is harder than it seems and takes a little practice to do it efficiently. It is because we see the spelling we were taught not the color it was written in. It is hard to process it the other way, but not impossible. Take the bottom picture for another example is this a
Opponent-process theory: Color-sensitive receptor cells are linked in pairs: black-white pairs, yellow-blue pairs, and red-green pairs. If an object reflects blue light, it will simultaneously excite the blue sensitive receptors and inhibit the yellow-sensitive ones. The opponent-process theory explains color vision at the level of the ganglion cells and in the cortex. It provides a good explanation of afterimages. When the yellow-sensitive component of the yellow-blue pairing, for example, becomes fatigued through continued stimulation, only the blue component is able to respond, shifting the perceptual balance toward that
what he is trying to show, and builds up an image of each of the
However, categorical perception and its effects are not limited to auditory stimuli. As mentioned earlier, a categorical perception effect can also be seen in different kinds of visual stimuli.The perception of colors in a rainbow may be the most obvious example of CP. Even though a rainbow consists of many different wavelengths of visible light, observers only perceive distinct colors and not the full continuum of existing visible light (Goldstone, 2009). In addition to applying to relatively simple stimuli such as colors, categorical perception can also partially explain expertise in certain subject areas. Radiologists, for instance, are particularly skilled at spotting differences between X-Ray images. These experts have developed an ability to spot meaningful (cross-category)differences while minimizing irrelevant (within-category) ones (Goldstone, 1994). Categorical perception has also been demonstrated in facial expressions and basic shapes (Beale and Keil,
There are many different Visual Perception principles in perception. The main principles are Gestalt. Gestalt is a German word meaning 'form' or 'shape'. Gestalt psychologists formulated a series of principles that describe how t...
These illusions effects of excessive stimulation of a specific type, for example color, tilt, brightness, shapes and so on. “Theory suggests that stimuli have individual neural paths at various stages of visual processing, and that repetitive stimulation may causes a physiological imbalance that alters perception” (Physiological Illusions 1). The third main optical illusion is cognitive illusions. “Cognitive illusions are assumed to arise by interaction with assumptions about the world, leading to unconscious inferences, an idea first suggested in the 19th century by the German physicist and physician Hermann Helmholtz” (Optical Illusions
This contrast appears to do more harm than good to O’Callaghan’s claim that multimodality is ubiquitous, for O’Callaghan’s prime examples are illusions, which he has just credited in one instance and discounted in another. This contradicts his
Naor Raz, G. (2001). Understanding the role of color object representation; Evidence for multiple levels of interaction.
Well, let's take a look at the brain. From being in class, my awareness about what I'm doing, what I'm seeing, what I'm hearing, what I'm thinking has come to reflect upon not just what, but how is it all being done by my brain. This morning I woke up, my eyes opened, I looked out my window, I saw the sun rising, it was this beautifully deep yellow/orange color. I thought, "How beautiful" and I smiled with a sense and feeling of wonderment. It could be said that I experienced nothing out of the ordinary this morning. Yet, if I could narrate these few activities in terms of the networking of neurons resulting in my eyes opening, my sight of the sun, my ability to perceive its color, my inner acknowledgment of its beauty and the emotions that sight evoked in me, you would be reading for a very long time and what I did this morning would indeed present itself in quite an extraordinary light. It is in recognition of this, with respect to the brain's aptitudes, that Howard Hughes in his paper, "Seeing, Hearing and Smelling the World" quoted May Pines in expressing, "We can recognize a friend instantly-full face, in profile, or even by the back of his head. We can distinguish hundreds of colors and possibly as many as 10,000 smells. We can feel a feather as it brushes our skin, hear the faint rustle of a leaf. It all seems so effortless: we open our eyes or ears and let the world stream in. Yet anything we see, hear, feel, smell, or taste requires billions of nerve cells to flash urgent messages along linked pathways and feedback loops in our brains, performing intricate calculations that scientists have only begun to decipher"(1).
In The Anatomy of Judgment, M. L. J. Abercrombie explains how information is gained through our perception. Abercrombie argues that interpretation is a very complicated task which we have been learning to do ever since we were born. Each of us has a different way of interpreting things we see because we often relates our past experiences when we are interpreting; so everyone has a way of interpretation according to his/her own experiences. In her discussion, Abercrombie explains two important concepts: schemata and context.
What happens when the artist or viewer has a different sense of vision. Looking at three different cases in Oliver Sacks An Anthropologist on Mars; Seven Paradoxical Tales, “The Case of the Color...
Lynch talks about ‘imageabilty’ which explains ‘how the quality in a physical object provokes a strong image, depending on ‘its shape, colour or composition which facilitates the making of vividly identified powerfully structured highly useful mental image of the environment’. (Lynch 1960, pg.11)
I had taken it for granted that the whole world shared these perceptions with me, so my father's perplexed reaction was totally unexpected. From my point of view, I felt as if I'd made a statement as ordinary as "apples are red" and "leaves are green" and had elicited a thoroughly bewildered response. I didn't know then that seeing such things as yellow P's and orange R's, or green B's, purple 5's, brown Mondays and turquoise Thursdays was unique to the one in two thousand persons like myself who were hosts to a quirky neurological phenomenon called synesthesia. Later in my life, I would read about neuroscientists at NIH and Yale University working to understand the phenomenon.