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Societal standards of beauty
Hamlet and ophelia relationship analysis
Hamlet and ophelia relationship analysis
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Recommended: Societal standards of beauty
In many cases, when there is instability between a child and a parent, that initial relationship dictates the dynamics of a child’s future relationships with others. Shakespeare critiques this idea in his tragedy Hamlet through the relationship between Hamlet and Ophelia. Both of these characters’ relationships with their parents are very complex. Hamlet’s father, the King of Denmark, was murdered by his uncle, Claudius, who then married his mother, Gertrude. Hamlet is now living in a world in which he is expected to accept that his uncle and mother are married, also meaning his uncle is the new king. Ophelia is the daughter of Polonius, one of the King’s counselors, and the sister of Laertes. Because Ophelia is surrounded by men, she is always expected to be submissive, while Prince Hamlet is expected to be assume his duties as a royal man, which include being physically and mentally strong and assertive. The …show more content…
Ironically, Hamlet believes the same about Ophelia. Both Laertes and Hamlet believe that sex is dangerous and unvirtuous. Laertes tells Ophelia that even someone pure can be corrupted by sex with their beauty, similarly to what Hamlet believes about beauty. Laertes explains that with youth comes sexual desires, with no temptation needed. He tells Ophelia that fear is the best form of safety, essentially saying that sex should be feared. Shakespeare creates a foil of Hamlet through Laertes to further Ophelia’s inability to be independent. Laertes and Hamlet both believe beauty leads to sex, which is corrupting and should be feared. Creating fear around sex, makes it unnatural and impure. Shakespeare uses Laertes advice as a way to reveal the sexist gender roles that command Ophelia’s life and decisions. He highlights the irony of men telling women how they should feel about sex and their
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Hamlet’s relationship with his uncle is cold because of the fact that Claudius married his dead father wife. Ophelia and her father Polonius relationship is not what a father and daughter relationship supposed to be because her father is trying to control her life. Hamlet doesn’t talk to his uncle because Claudius married his mother right after his dad death. Even though Ophelia father is trying to control her she still have open conversation with Polonius everyday unlike Hamlet and his uncle. Ophelia is a young and innocent who obey her father. On the other hand Hamlet doesn’t obey his uncle because he feels as if he married Queen Gertrude to get the throne.
The life of Hamlet is without a doubt very interesting, he suffers from unfortunate events in his time that are often major blows to his ego. His father dies while he’s away at college, Hamlet is next in line to be king until his “uncle-father” steals it from him; but it is to be known his “uncle-father” would not have stolen it if his “aunt-mother” hadn’t allowed it. It’s very apparent from the beginning of the play that he is very well obsessed with his mother and her doings. He harasses, humiliates, and abuses her because she has done such an unforgivable act by marrying Claudius. His thoughts and feelings towards his mother are very strong and well known, he even describes the odd pair as “little more than kin and less than kind.” That’s not all with Hamlet; his mother remarrying is just the tip of the iceberg so deeply rooted in the ocean of his emotions. His relationship with Ophelia is twisted, Hamlet goes through episodes of
Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective father's deaths. Hamlet and Laertes love Ophelia. Hamlet wishes Ophelia to be his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg, and Laertes at France. Both are admired for their swordsmenship. Both men loved and respected their fathers, and display deviousness when plotting to avenge their father's deaths.
This scene casts the first shadow of doubt upon Hamlet’s character. It is curious that Shakespeare warns Ophelia twice: once through Laertes, and once through Polonius. Reading Laertes’ speech we can see the perspective of an understanding, though cynical young man. He essentially says, “Be careful of Hamlet because he’s young and his passions are burning. When the passions die down he’ll realise his desire for you can’t be fulfilled by marriage because of political constraints, and you’ll be left behind, scandalised.”
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Her tragedy began with her brother. Laertes knew of Ophelia’s love relationship with Hamlet; however, he also knew that she was only the daughter or a courtier and Hamlet was a prince. In those days, princes were not allowed to marry inferior women. When Laertes was getting ready to leave on his trip to Paris, he advised Ophelia to “Hold it a fashion and a toy in blood: A violet in the youth of primy nature, forward, not permanent, sweet, and not lasting; the perfume and suppliance of a minute; no more.” (Hamlet) In other words, Laertes told his sister to con...
Hamlet and Laertes share a different but deep love and concern for Ophelia. Laertes advises her to retain from seeing and being involved with Hamlet because of his social status. He didn’t want her to get her heart broken by Hamlet, since he believed that his marriage would be arranged to someone of his social status, and that he would only use and hurt Ophelia. Hamlet on the other hand, was madly in love with Ophelia but it languishes after she rejects him. Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet.
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
"Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective fathers' deaths" (Nardo, 90). Both Hamlet and Laertes love Ophelia in different ways. Hamlet wishes Ophelia to become his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg; Laertes is also a scholar at France. Both were brought up under this royal family of Denmark. And both are admired for their swordsmenship. But most important of all, both of them loved and respected their fathers greatly, and showed great devotion when plotting to avenge their fathers' deaths.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
In William Shakespeare’s Hamlet, Prince of Denmark, the relationship between Hamlet and Ophelia is complex, leaving many to wonder if Hamlet did indeed love her. Throughout the play, as Hamlet sets out to avenge the murder of his father, his character’s love for Ophelia is questioned; sometimes casting doubt to Hamlet’s sincerity of love for Ophelia. However, the words and actions of both Hamlet and Ophelia are evidence and proof that his love for her is genuine.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
Hamlet is a true shakespearean tragedy, and characters spiraling into madness is not uncommon. One of the few female characters in the play is Ophelia, and throughout the play she slowly becomes more and more mad. Ophelia first lost her brother, Laertes when he left for France, then she lost her father, Polonius when he was killed by Hamlet. She is then only left with Hamlet to talk to, but Hamlet is acting strangely towards her. She believes that Hamlet is supposed to be with her, but Hamlet thinks otherwise, so she now has lost another person she that she loved.