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Character development of hamlet in hamlet
Act 3 scene 1 hamlet analysis
Act 3 scene 1 hamlet analysis
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Assignment 1: Explication from Hamlet (1.3.111-137) (“My lord, he hath importuned me with love” … [end of scene].
Ophelia and Polonius have a father-daughter discussion toward the end of Act 1 where Polonius, concerned father that he is, warns his daughter Ophelia of becoming too involved with Hamlet. This warning comes just as Laertes, brother and son, has bid farewell. Laertes has just warned Ophelia himself of getting involved with Hamlet—this is the first time the audience is alerted to the romance.
What have we seen of Hamlet so far? He is deeply grieving his father’s death; he resents the rapid marriage of his uncle and mother bitterly; and he has been told of the ghost of his father. The plot is building faster than Claudius could say, “I do!” in these first few scenes, and I would imagine the first audience of Shakespeare’s play would have been absolutely gripped to see what it all will come to.
Hamlet so far has been portrayed as passionate and earnest, but not necessarily mad. When he says to his mother, “Seems, Madam? I know not seems…” we are given the impression of a man who is who he is, without pretence or acting. We know little of Polonius so far except that he is a well meaning, good-natured, and for all appearances honourable servant of the king.
This scene casts the first shadow of doubt upon Hamlet’s character. It is curious that Shakespeare warns Ophelia twice: once through Laertes, and once through Polonius. Reading Laertes’ speech we can see the perspective of an understanding, though cynical young man. He essentially says, “Be careful of Hamlet because he’s young and his passions are burning. When the passions die down he’ll realise his desire for you can’t be fulfilled by marriage because of political constraints, and you’ll be left behind, scandalised.”
Both Laertes and Polonius recognise that Hamlet, being young and foolish, is also not subject to the same consequences of reckless behaviour as Ophelia: “with a larger tether may he walk.” But there are two main differences in what Polonius says and doesn’t saw: his warning lacks the political slant, and he attacks Hamlet’s integrity.
Ophelia’s first protest to Polonius was that Hamlet had made his affections known to her “with love in honourable fashion,” and it is this statement that evoked Polonius’ response: “Ay, springes to catch woodcocks!” A springe is a type of trap or snare.
Susanna’s actions prove that she is continually working towards recovering. Jim Watson visits Susanna, asking her to run away with him, however, Susanna denies his proposal and stays at the institution: “For ten seconds I imagined this other life...the whole thing...was hazy. The vinyl chairs, the security screens, the buzzing of the nursing-station door: Those things were clear. ‘I’m here now, Jim,’ I said. ‘I think I’ve got to stay here’” (Kaysen 27). Susanna wants to stay at McLean until she is ready to leave; her choice supports what Buddha said, “There are only two mistakes one can make along the road to truth; not going all the way, and not starting” (Buddha). Susanna finds reassurance from McClean as she undergoes her journey. Susanna sees the young nurses at the ward who remind her of the life she could be living: “They shared apartments and had boyfriends and talked about clothes. We wanted to protect them so that they could go on living these lives. They were our proxies” (Kaysen 91). Susanna chooses to take these reminders as a positive motivating force along her journey. However, Susanna is also surrounded by patients who have different, more severe psychoses. These girls do not hinder Susanna’s progression, but instead emphasize her
The older gent in Shakespeare’s tragedy Hamlet, namely Polonius, is no type character. Rather he is quite rounded and complex. This essay will explore his character.
“What is the matter, my lord?” asks Polonius. Hamlet answers, “Between who?” (2.2.193-194). Tenney Davis responds to this by saying that Hamlet feigned his insanity convincingly by taking things too literally, which manifested in a desire to “split hairs” (Davis 630). Hamlet was always annoyed with Polonius and his garrulous speeches, but reacted not in an irrational way, but to the contrary, with the most simple, though rude, coherent answers.
He believed that Hamlet was only with her out of lust and Hamlet said that he wanted to marry her only so she would sleep with him. Laertes told her that Hamlet comes from a royal family and she does not, therefore Hamlet will not marry her, nor does he love her. Ophelia disregarded most of what Laertes had said about Hamlet. Right after that Polonius came to speak to Laertes before he had gone to England. They spoke briefly and Polonius gave him advice to follow. Before saying farewell, Laertes told Ophelia to remember what he had said. Curious of...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
The movie, “Girl Interrupted,”is about a teenage girl named Susanna Kaysen who has been diagnosed with Borderline Personality Disorder. People with Borderline Personality Disorder “are often emotionally unstable, impulsive, unpredictable, irritable, and anxious. They also are prone to boredom. Their behavior is similar to that of individuals with schizotypal personality disorder but they are not as consistently withdrawn and bizarre” (Santrock, 2003). In “Girl Interrupted” Susanna Kaysen the main character, goes through many episodes that give a picture of the disorder she’s suffering from. The first such incident occurs when the psychiatrist is talks to Susanna about her failed suicide attempt. During the conversation, she is seen as confused and irritated by his presence. While the psychiatrist questions her, her mind seems to be somewhere else because she is having flash backs of her past, maybe a sign of ADD (Attention Deficit Disorder). Susanna seems to be uncertain about things, she claims that she does not know what she feels. She was taken to the hospital after she tried to commit suicide, she took a bottle of aspirin. Her reason for taking the full bottle of aspirin was major headache, which was also alarming to the psychiatrist.
When first the audience encounters young Laertes, he is found giving his advice upon his sister of Ophelia before he sets out for France, as some like C. P. Aichinger speculate, “[anxious] to return to the fleshpots of Paris” (Aichinger, par. 9). In this scene, Laertes gives a thorough warning to his sister to be careful of the affections of Hamlet whose noble birth will impede upon their relationship, as such “His greatness weighed, his will is not his own. / For he himelf is subject to his birth” (Shakespeare 1.3.17-18), yet as Ophelia retorts of Laertes’ hypocricy to lecture her, as “Himself the primrose pathof dalliance treads / And recks not his own rede” (Shakespeare 1.3.50-51).
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
3 Ophelia is a point of contention for both Hamlet and Laertes. Hamlet has been attracted to Ophelia and she to him (Act 1 Scene 3 Line 100). Ophelia is very much attracted to Hamlet and has been told by Polonius to discourage him. Laertes loves Ophelia as a sister and warns her of Hamlet’s show of affection toward her, reminding her of his royal role (Act 1 Scene 3 Lines 10-42). Hamlet and Laertes care for the girl[,] and her feelings for both of them are dangerous for her. Ophelia’s mind is torn apart by Hamlet’s rage against his mother as he turned his frustration on her, telling her to get herself to a nunnery (Act 3 Scene 1 Line 120). The sight of Ophelia’s madness when he returned, melts Laertes’s heart and deepens his need for revenge (Act 4 Scene 6 Line 185).
The Chinese New Year is the most significant holiday for the Chinese people, as it is a time for honoring ancestors and reuniting family members together. The Chinese New Year originated centuries ago from the fear of the great beast Nián (年).This terrible monster resembled a huge ox with the head of a lion. Every year, on New Year’s Eve, this creature would come out and devour the terrified Chinese villagers. Numerous homes and animals were destroyed. Eventually, a wise old man counseled the villagers and instructed them on how to get rid of the horrible Nián. He told the people to hang red paper cutouts on their doors because the monster was scared of the color red. Also, the man advised the villagers to light torches and firecrackers, as Nián was frightened of fire and loud noises. The Chinese followed the wise man’s directions and finally conquered the great beast. After Nián’s defeat, the Chinese called this date “the passing of Nián”, known as Guònián (过年). This symbolizes the celebration of the coming New Year. In addition, in keeping the monster away for a year, the Chinese say Gōngxǐ fācái (恭喜发财), which means “congratulations” This represents congratulating each other for making it safely to another New Year.
First introduced through conversation with her brother, Ophelia is asserted as a love interest of Hamlets. Within the conversation, Laertes proposes hypocritical advice which she quickly replies to with witty retort: "Do not, as some ungracious pastors do,/ Show me the steep and thorny way to heaven;/ Whiles, like a puff 'd and reckless libertine,/ Himself the primrose path of dalliance treads,/ And recks not his own rede." (I. iii.). Her introduction instills both her friendly relationship with her brother, as well as her comical, original nature. It asserts her neither passive nor aggressive. Within the same setting shortly after, her father asserts a protective command over Ophelia. "I would not, in plain terms, from this time forth,/ Have you so slander any moment leisure,/ As to give words or talk with the Lord Hamlet./ Look to 't, I charge you: come your ways." (I. iii.). Being told to stay away from Hamlet to protect her honor as a woman, Ophelia accepts and complies; it is somewhat foolish yet primarily protective of her father, but also displays Ophelia 's attachment to family in respect and care.
I was able to talk to my client without being visibly nervous. I am proud to say I handled my client’s problems as they came up without fear that I may say the wrong thing. In the first video, I found myself repeating things, for what reason I do not know. I can say my nonverbal skills need improving. One specific aspect of the interview was my hand gestures and motions. I really got involved with my client’s problems, and the way I tried to help her understand what I was saying and to get an understanding what she was saying, so I used my hands. I tried to keep by body in a position that would let the client know that I was using attentive listening skills. I cared about why she came to the facility for help. Each session, I adjusted my seat to make eye contact so my client could like she could trust me with her information and that I cared enough to listen to her
Polonius is over-eager and tries to give unwanted advice, during the play he is tactless and often rude. For instance, Polonius is a comic relief during his conversation with Gertrude and Claudius regarding Hamlet’s madness. Polonius rambling through his conversation contrasts with Gertrude’s seriousness of wanting to find out the reason to Hamlet’s madness. As Polonius begins to deliver to the king and queen the results of his investigation, he makes this statement, “My liege, and madam, to expostulate/ What majesty should be, what duty is,/ What day is day, night is night, and time is time,/ Were nothing but to waste night, day, and time;/ Therefore, since brevity is the soul of wit,/ And tediousness the limbs and outward flourishes,/ I will be brief. Your noble son is mad. . . .”(IIii,86-92) . Polonius’ speech is windy and nonsensical he wastes ti...
However, Hamlet shows a strong hatred for Polonius and his daughter Ophelia by saying this: “Let her not walk i’th sun conception is a blessing, but, as your daughter may conceive, friend, look to ‘t”. (2.2.197-199)Before Polonius and Hamlet spoke the king queen and Polonius were talking about Hamlet and Ophelia one day getting married. Then Haml...
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.