The illusion of time, particularly the loss or stoppage of time, is apparent in both Peter
Jon Lindberg’s “Summerland” as well as E.B. White’s “Once More to The Lake” because both
men in the stories are returning back to places they have traveled to before, either as a child with
his father or as a teenager with his friends, and they notice that even though their surroundings
have changed due to the progression of time, everything seems to slow down or even stop once
they immerse themselves back into the environment.
Lindberg captures the stoppage of time perfectly when he states, “… we find everything
as we left it-as if we’d merely stepped out for a Dr. Pepper in the middle of a game of paddleball,
then returned, 358 days later, to resume it” (Lindberg 2). This
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caught my eye when I read it simply because it is true, when a person vacations back to the same place they have been for years nothing really seems to change, but at the same time there is a sense of progression.
E.B.
White also talked about how scenery, when left alone not to be touched by anything or anyone
can seem to stay frozen in time, “…the lake was exactly where we had left it, the same number
of inches from the dock, and there was only the merest suggestion of a breeze. This seemed an
utterly enchanted sea, this lake you could leave to its own devices for a few hours and come back
to, and find that it had not stirred, this constant and trustworthy body of water” (White).
E.B. White’s story is all about continuing with tradition, his father brought him to the
lake when he was a boy and now he brings his son to the lake. Tradition is a great revealer of
time because people get to experience things that their parents got to and maybe even have their
own children experience the same things. E.B. White writes about how when his father brought
him to the lake back in 1904, there were barely any paved roads, tiny shops, and no cars; but
upon returning to the same lake with his son there are now paved roads that go up to a half
mile towards the lake, there are cars parked outside that same little shop that he used to go to as a boy, but yet everything still have a similar feeling to how he experienced the same exact place as a young boy. The sense of time when you are a child can seem much different than when you are an adult, especially when you have a child of your own; it makes you almost realize how your parents felt during that time of your life and how they dealt with the process of you becoming your own person. One passage from “Once More to The Lake” really struck me was when E.B. White was explaining that he could see himself in his son and how he was imagining how his father must have felt at the time, “…I began to sustain the illusion that he was I, and therefore, by simple transposition, that I was my father. This sensation persisted, kept cropping up all the time we were there. It was not an entirely new feeling, but in this setting it grew much stronger. I seemed to be living a dual existence. I would be in the middle of some simple act…suddenly it would be not I but my father who was saying the words or making the gesture” (White). Time can be tricky and can easily slip away from people if they are not paying attention, but sometimes that is a good thing. Loosing oneself and feeling carefree is one of the best things about a vacation (at least in my perspective), it allows you to let go of the constraints that time tends to create and explore your surroundings with no limitations. The best types of vacations (at least to me) are the ones where you are surrounded by loved ones; either family or friends, and you lose all sense of time and being which allows you to just live and explore.
In the essay “Once More to the Lake,” E.B. White, uses diction and syntax to reveal the main character’s attitude towards the lake in Maine. He has an uncertain attitude towards the lake throughout the essay because he is unsure of who he is between him and his son. On the ride there White, pondering, remembering old memories, keeps wondering if the lake is going to be the same warm place as it was when he was a kid. The lake is not just an ordinary lake to White, it’s a holy spot, a spot where he grew up every summer. “I wondered how time would have marred this unique, this holy spot-the coves and streams, the hills that the sun set behind, the camps and the paths behind the camps” (29). White’s diction and syntax
town they were heading to, he must come back to the pond and hide in
That little lake. By any chance, do you happen to know where they go, the ducks, when it gets all frozen over?
In the Lake of the Woods is a fictional mystery written by Tim O'Brien. Through the book we learn that our lovers, husbands, and wives have qualities beyond what our eyes can see. John Wade and Kathy are in a marriage so obscure that their secrets lead to an emotional downfall. After John Wade loss in his Senatorial Campaign, his feeling towards Kathy take on a whole different outlook. His compulsive and obsessive behavior causes Kathy to distance herself from him. His war experience and emotional trauma are a major cause for his strange behavior. We remain pondering about Kathy's mysterious disappearance, which becomes fatal for her. Possible scenarios are presented in eight chapters marked 'Hypothesis', these chapters add a mysterious twist which can change our train of thought to 'maybe' or 'perhaps' this is the truth.
... We see the timelessness of the dreamlike river scene and the mother’s hair floating under the water scene. Timelessness is a common theme that is representative of childhood and with the gift of the watch we can now see John as a man with the power to use time rather than drift helplessly along with it as he had drifted along with the river.
Hermann Hesse employed the latter model of time in Siddhartha. The river that the title character eventually lives by is the prime example of the fluid concept. Siddhartha comes to recognize the river as a metaphor for his existence. There is no definite starting point or finishing line of time, just as there is no specific beginning or end of a body of water. Time and wa...
“The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.”
The voice of the sea is seductive, never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace (Chopin 25).
states, ?The water had gone a flat gray? (Wolff 518). To some this statement might not
...voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.” The sea mimics not only Edna’s agitation, but also the sensual touch of Edna’s illicit lover, Robert. However, Chopin’s sea also has a power all its own, mysterious and dangerous. “…the stretch of water behind her assumed the aspect of a barrier which her unaided strength would never be able to overcome.” (Chopin 28) The lure of water, of nature, is also echoed by Mark Twain in his classic novel, “Huckleberry Finn.” For the child, the woman in strict society, the runway slave, both Chopin and Twain suggest that water provides a passageway to another way of life, physically, emotionally, and mentally. Water is the force of nature powerful enough to break the chains from Edna’s imprisonment, from which, once awakened, Edna can never return.
Musser, George. Time on the Brain: How You Are Always Living In the Past, and Other
I prepared myself for the upcoming adventurous day. I set out along a less-traveled path through the woods leading to the shore. I could hear every rustle of the newly fallen leaves covering the ground. The brown ground signaled the changing of seasons and nature's way of preparing for the long winter ahead. Soon these leaves would be covered with a thick layer of snow. The leaves still clinging to the trees above displayed a brilliant array of color, simultaneously showing the differences of each and the beauty of the entire forest.
In “Once More to the Lake,” E.B. White expresses a sense of wonder when he revisits a place that has significant memories. Upon revisiting the lake he once knew so well, White realizes that even though things in his life have changed, namely he is now the father returning with his son, the lake still remains the same. Physically being back at the lake, White faces an internal process of comparing his memory of the lake as a child, to his experience with his son. Throughout this reflection, White efficiently uses imagery, repetition, and tone to enhance his essay.
"The voice of the sea is seductive; never ceasing, whispering, dancing, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation. The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace."(32)
..., nature removes his stresses of life and provides peace and comfort. The poet keeps repeating“home” to emphasize on the point that harmony can only be found and felt while at home.“oh! Leave me to myself,” the writer is all alone in nature with no one around to console him.When the writer is sad, he prefers isolating himself but being surrounded by nature which takes away his pain and sorrows. It is clear from the poem that the writer experiences some relief when surrounded by nature and it’s only in the beauty of nature the writer can spend time thinking about.The poet successfully conveys nature as harmonious