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More handpicked essays just for you.
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Racism in the world today
Racism in the world today
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In On the Subway, Sharon Olds brings the world of a black man and a white woman into proximity. The demeanor of the white woman helps develop both portraits in the poem. The life of a white woman seems to be sweet and easy, but according to her, there are still reasons to feel scared, and threatened. In contrast, the life of a black man is painted as nothing sweet or easy. A black man faces more disadvantages than a white women, which makes his life more challenging. He’s seen as a threat. Moreover, the author brings insight to the racial tension between the two races by using simile, imagery, and tone. Through the author’s literary techniques, the reader can vividly see how this racial tension leads a white woman to view a black man. Sharon …show more content…
Olds’s use of imagery paints a vivid picture of how she sees the black man, which therefore leads to such racial tension.
She states, “{the black man} has the casual look of mugger, alert under hooded lids.” The look of a mugger is very unpleasant; it’s displeasing, and troublesome. it’s even more threatening; it makes one feel uncomfortable, and scared. Someone has the look of a mugger when they are dangerous or have a lot of anger in them. She also describes his look as vigilant, and suspicious. This makes it even worse because it makes her feel like a prey being watched by its predator. Just another reason why she feels scared. The author’s imagery of a black man is what causes her to feel threatened by him, this is one of the reason why there is such a negative tension. According to her, the look he gives is not a look she would want. This look does not put her at ease because she feels so much anger coming from it. A passionate anger that only wants the worst for her. For that reason, the white woman sees the black man as a mean giant. she does not feel safe, and all that does is bring more negativity to this tension between the two. Through her tone, Sharon Olds emphasizes just how different the life of a white woman compared …show more content…
to the one of a black man.
She has a cocky tone, which hints that she feels superior to black men. This is another reason why there is so much tension between the two race. She states, “{she} looks at {the black man’s}raw face, he looks at {her} fur coat.” There is a sense of arrogance here, she feels as if she is better than him. Her appearance is fancy, but the one of the black man isn’t. She goes on to say “or if {the black man} is in {her} power, the way{she} is living off his life, eating the steak he does not eat, as if {she} is taking the food from his mouth.” Once again, she feels as if she is on top of him. The reason why only she can eat the steak is because she is wealthier and more powerful. She feels powerful to the point where she feels as if the life of the black man is in her hand. She feels as if she can control. By the way, only someone who is more powerful than you can take something from you. So the fact that she feels she can take food from the black one, just show how powerful she feels. This explains her cocky tone. The tense relationship between the two is due to the author’s cockiness;a healthy relationship is one in which the two see each other as equal. In this one, that
is definitely not the case. Among the literary devices Sharon Olds used, imagery helped get her point across. That was just another reason why the relationship between the two races is bad as it is now. She wrote, “There is no way to know how easy this white skin makes my life, this life he could so easily and break it across his knee like a stick the way his own back is being broken.” The author for one is admitting how sweet life is for, and the reason behind that is her skin colour. She likes this easy, sweet lifestyle, so she fears it can be taken from her by someone who has it worse. The simile she uses compare how white folks used to break black folks’ back to how black people can now also break the prestigious life of a white person. This scares Sharon Olds. The world of a black person is totally different from the one of a white person. One has it easier than the other. There has always some tension between whites and blacks. In this poem, Sharon Olds paints that picture. She does so by using imagery, tone, and simile.
In this poem, “On the Subway”, written by Sharon Olds brings two worlds into proximity. We will identify the contrast that develops both portraits in the poem and discuss the insights the narrator comes to because of the experience. The author refers to several literary techniques as tone, poetic devices, imagery, and organization. The poem talks about a historical view based on black and white skin. It positions the two worlds the point of view of a black skinned and a white skinned. The boy is described as having a casual cold look for a mugger and alert under the hooded lids. On the other hand, based on his appearance the white skinned person felt threatened by the black boy. She was frightened that he could take her coat, brief case, and
The poem “We’re not trucking around” (2003) by Samuel Wagan Watson presents the important idea about the marginalization of Aboriginal culture and the idea that Aboriginals do not try to mimic the ‘Invaders’. These ideas represent an aboriginal perspective on Australian national identity which explores the marginalization of aboriginal culture and the mistreatment of Aboriginals in Australia. Watson reinforces his arguments with poetic techniques including the creation of an atmosphere, use of dialect and empathy. The composer uses roads and, in particular, trucks as examples of his ideas.
The book “A Long Way From Chicago” is an adventurous and funny story. The story takes place at Joey Dowdel’s Grandmothers farm house in the country. Joey and his sister Mary Alice were sent to their Grandma’s house during the summer because their parents had to go to Canada for their work. At first, Joey felt uncomfortable with his Grandmother because he had never met her before but eventually he got to know her and they became close friends.
In this essay, Dr. Brent Staples recounts his first time unintentionally scaring a young white women located in Hyde Park, Chicago. He recounts her worried posture, her hurried steps, and her repeated glances before she took off down the road. Dr. Staples, being a person of color, took slight offense to this. Before he had never really thought much about his skin color being a factor of intimidation, but rather just a piece of “normal” discrimination. It was the mid 1970’s after all, and it was no secret to anybody
In the book “There Are No Children Here” by Alex Kotlowitz, the author followed the lives of two young brothers (Lafayette and Pharoah) while they grew up in the harsh streets of Chicago in the late 1980’s. The author uses the story of the two boys’ lives to discuss the social divide in our very own society and to persuade readers that there is a major problem in “the projects” of the United States.
Ethnic group is a settled mannerism for many people during their lives. Both Zora Neale Hurston, author of “How It Feels to Be Colored Me; and Brent Staples, author of “Just Walk On By: A Black Man Ponders His Power to Alter Public Space,” realize that their life will be influenced when they are black; however, they take it in pace and don’t reside on it. They grew up in different places which make their form differently; however, in the end, It does not matter to them as they both find ways to match the different sexes and still have productivity in their lives.. Hurston was raised in Eatonville, Florida, a quiet black town with only white passer-by from time-to-time, while Staples grew up in Chester, Pennsylvania, surrounded by gang activity from the beginning. Both Hurston and Staples share similar and contrasting views about the effect of the color of their
Throughout a lifetime, one can run through many different personalities that transform constantly due to experience and growing maturity, whether he or she becomes the quiet, brooding type, or tries out being the wild, party maniac. Richard Yates examines acting and role-playing—recurring themes throughout the ages—in his fictional novel Revolutionary Road. Frank and April Wheeler, a young couple living miserably in suburbia, experience relationship difficulties as their desire to escape grows. Despite their search for something different, the couple’s lack of communication causes their planned move to Europe to fall through. Frank and April Wheeler play roles not only in their individual searches for identity, but also in their search for a healthy couple identity; however, the more the Wheelers hide behind their desired roles, the more they lose sense of their true selves as individuals and as a pair.
Who is the birthday party a rite of passage for, the birthday boy or his mother?
Zora Neale Hurston’s writing embodies the modernism themes of alienation and the reaffirmation of racial and social identity. She has a subjective style of writing in which comes from the inside of the character’s mind and heart, rather than from an external point of view. Hurston addresses the themes of race relations, discrimination, and racial and social identity. At a time when it is not considered beneficial to be “colored,” Hurston steps out of the norm and embraces her racial identity.
In the short story “Being There”, by Jerzy Kosinski, there are multiple examples of satire that are displayed throughout both the book and the movie. A few of them are: media, death, politics, and racism. The satire of the media was very similar in the book and the movie. Media played a big role in society and still does to this day.
“Director, Wayne Wang produces a modern romance film which depicts the delicate balance between the Cinderella legend and the self-help notion of working for a better life. Georgette Griffin reports.
The novel, Alone Together: Why We Expect More From Technology and Less From Each Other (2011) written by Sherry Turkle, presents many controversial views, and demonstrating numerous examples of how technology is replacing complex pieces and relationships in our life. The book is slightly divided into two parts with the first focused on social robots and their relationships with people. The second half is much different, focusing on the online world and it’s presence in society. Overall, Turkle makes many personally agreeable and disagreeable points in the book that bring it together as a whole.
The subway cart setting is an example of American symbolism. The eerie underground cart is an element of the play’s title; the flying Dutchman’s haunted ship, however, it can also be seen as the illustration of American society. The subway cart is a representation of an enclosed space where people are forced to interact. Regardless of race, gender and social class the urban subway cart is an area of social stimulation. Passengers often enter and ride anonymously, we see in the list of characters “Riders of Coach, white and black” are included in the dynamics of the subway cart set. It is a tight and confined space trapped with a random sampling of people at any given time. Baraka uses this setting as the perfect environment for two strangers to openly interact. A perfectly natural place to meet someone new, like Clay and Lula. A ...
Maya Angelou’s poem, the Mothering Blackness, tells the reader a story about a girl and her relationship with her mother. Within the poem, there are three stages of progression, where each stanza embodies one of them. In the first stanza first the girl returning is home. The second is the way she acts when she returns. Finally the last stanza is about the situation she returns to. Each stanza has the same structure of line indents and word phrasing. Repetition adds an emphasis on the situation description of the poem. As for the situation, it helps to provide a setting for the concept of blackness. For example, blackness is personified as the girl’s mother but the idea also attempts to tackle the complex idea of how blackness is viewed, in not only the narrator’s life but society as well. This paper
Ezra Pound, the founder of imagism, was born in Hailey, Idaho, on October 30th, 1885 (Flory 308). Growing up in Philadelphia, Ezra Pound knew at fifteen what he wanted to do; he wanted to become a poet ("How"). In additon to his writings, he defriended and assisited many of the greatest writers of his time with their careers: T. S. Eliot, William Carlos Williams, James Joyce, Robert Frost, and Ernest Hemingway (Flory 308). In 1913, he published Contemprania, a group of imagistic poems that included the popular "In a Station of the Metro," stripping away his formerly archaic vocabulary and simplifying his verses (Flory 315). In Des Imagistes, an thology of imagistice poems, Pound emphasized that imagists were committed to the direct treatment of the image whether it is subjective or objective (Alexander 280). Using brevity and exact words, "In a Station of the Metro" reveals an epiphany and presents an unusual connection to our own experiences.