Oedipus: The King of Thebes and Tragic Hero
Ancient Greek Literature encompasses an assortment of poetry and drama to include the great masterpieces of tragedy. In Classic Literature, tragedies are commonly known for their elaboration of a protagonist fitting the classification of a tragic hero. This type of hero often collectively described as a character of noble birth, facing an adversity of some nature and a fate of great suffering. The characteristics of what encompasses a tragic hero are most prominently recognized from the viewpoint of the extraordinary Greek philosopher, Aristotle, in his work Poetics. Aristotle defined this type of character, the tragic hero, as having several basic characteristics, to include: hamartia, anagnorisis, peripeteia, hubris, and catharsis. These characteristic elements of tragedy were commonly manifest in numerous works throughout the
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The term hubris comes from the Greek meaning of extreme pride and arrogance, leading to overconfidence. Oedipus is a classic example of a character with hubris as he attempts to defy the god’s prophecy yet ends up doing exactly what he was warned against. Many suggest Oedipus’ hubris also accounts for his tragic flaw or hamartia and his reversal of fate or peripeteia. The degree of hubris, in the character of Oedipus, is illustrated numerous aspects throughout the play, to include Oedipus’ own words. For example, lines 158 through 160 of the play exude Oedipus’ extreme pride: “And justly you will see in me an ally / a champion of my country and the God” (Kennedy and Gioia 694). Bernard Knox suggests Oedipus still flaunts his hubris after he blinds himself and recovers from his despair and begins to make demands again like a king, although he is dethroned. Knox describes Oedipus in the end as “still the active force… with the greatness of the hero” (Knox
At one time in our lives there is a moment that we may think of ourselves as better than someone or something else. There may also be a point when making a decision leads to a great error in judgment. In the play Oedipus Rex, written by Sophocles, both of these characteristics can be seen in the main character. These characteristics are known as tragic flaws. These flaws are known as hubris meaning excess pride, leading to overconfidence, and hamartia meaning errors and weakness in judgment. Both of these characteristics are the main reason of destruction and downfall in mankind and the tragic hero in this play. The tragic hero is unable to escape his misfortune that is destined to happen. There are many more tragic flaws other than these two that also contribute to the falling of the hero. The destruction and downfall can be seen as fate. Even though the hero chooses his own actions, the resulting consequences that come about are ones that are unable to be changed. As seen, no one is able to outrun his or her own fate.
Oedipus as the Hero Archetype. The character Oedipus in Sophocles' Oedipus the King follows a literary pattern known as the hero archetype. The hero archetype is a pattern involved in transformation and redemption. Manifested in three stages called the quest, the initiation, and the sacrifice, Oedipus is transformed from the redeemer of the city to the cause of its downfall.
The name “Oedipus” means “swollen feet” in Latinized Greek. His parents, Laius and Jocasta, gave him this name while piercing a metal rod through the ankles of his feet, in order to prevent the fulfilment of the oracle’s prophecy. Despite this heinous act, their efforts were in vain as Oedipus’ free will conquered the theme of fate. In the play Oedipus Rex by Sophocles, the tragic hero, Oedipus, demonstrates hamartia, a fatal error in judgement, which brings about his own downfall. It was Oedipus’ hubris that was responsible for the tragic ending of this play. Evidence of this statement occurs when Oedipus’ determination towards solving the mystery behind Laius’ death ironically lead to the truth behind the oracle’s prophecies. Additionally, Oedipus’ overweening pride and ego resulted in the murder of Laius, which was a major stepping-stone in the prophecy. He illustrates his error in judgment through his pride, blindness, and foolishness and therefore is at fault.
Hubris is defined as excessive, personal pride. As Oedipus is about to learn the devastating truth of his origin and destiny, the chorus observes “Audacity sires the tyrant…” Creon accuses Oedipus of being irrational, and for allowing his pride to lead him into a journey that will affect his life forever. The greeks held reason to be the greatest gift of man, therefore a tyrant’s actions should be governed by reason. Hubris was not the essential cause of Oedipus downfall because of Oedipus’ prophecy, and Religious Incest. Hubris was not the essential cause of Oedipus downfall because of Oedipus’ prophecy.
Oedipus is widely known for being the man that killed his father and married his mother. After Oedipus finds out about what he has done he proceeds to jab both of his eyes out and remains blind for the rest of his life. By Oedipus doing this it means that his fate that was told to his parents at the beginning of the story had come true. With Oedipus jabbing his eyes out, this made it clear that this was a tragedy. Oedipus is the perfect fit of being a tragic hero. First of all by being born into royalty and throughout his life he held a royal persona. Also he makes some choices that leads him to his own destruction. For example, with him already marrying his mother and his mother had already had several of his kids their was nothing that he could do when he found out that his wife was also his mother. In the story as he went back to confront his mother/wife, she had already hung herself. As for being a hero, he done many heroic things throughout his life. For example, when he arrived at the city where he met his mother and father, there
Comparative Character Analysis of Classical Vs. Modern Tragic Protagonists. A hero/ heroine is described as the principal male/ female character in a literary or dramatic work or the central figure in an event, period, or movement. The classic tragic hero was defined by Aristotle in the fourth century as, “someone who is highly renowned and prosperous” (LATWP, 639), suggesting that there is a “natural right ordering and proportion of traits within the human being that if violated, produces calamity” (LATWP, 639). The book goes on to define classical tragedy as one that “involves the inevitable destruction of a noble person by means of character flaw, usually a disproportionate measure of a specific human attribute such as pride, jealousy or indecision” (LATWP, 639).
According to Collins English Dictionary, the definition of hubris is “an excess of ambition, pride”. Hubris is a person like Oedipus in this play who tricks himself. Throughout the story of Oedipus the king, Sophocles developed the story by building up the characteristic of each character from the start to made the story end as a tragedy. The protagonist, Oedipus, shows might and arrogance without acknowledging the truth. Oedipus’ hubris is responsible for the pollution that at the end leads to his downfall. His stubborn mind and blindness made him never thought himself as the murderer of Laius, a husband of his own mother, and are thirsting to find the truth later on.
“Tragedy is an imitation of an action of high importance . . .” states Aristotle in his book Poetics (as cited in Kennedy & Gioia, 2010). Without a doubt, he observed and analyzed countless plays throughout his life and in Poetics, he writes a broad description of what a tragedy should contain (Kennedy & Gioia). Specifically, to Aristotle, tragedies require a “Tragic Hero.” What makes this literary character unique from the other heroes of literature? The most obvious and central difference is that the hero in question always experiences a disastrous reversal of fortune, which follows the recognition of a previously unknown truth (Kennedy & Gioia). He must be “a man not preeminently virtuous or just” (Poetics part XIII, trans. 1909), yet he still must be a “good person” whom the audience grows to respect and because of this, deeply pities and fears for throughout the play (Poetics part XIII). Despite being a person of high estate and influence, surprisingly, the hero in the Greek tragedy is someone we can relate to in his humanness. Furthermore, his fall “from happiness into misery” is “brought upon him not by vice or depravity but by some error of judgment” (Poetics part XIII)—his hamartia. The Oxford English Dictionary translates this Greek word as, “The fault or error, which entails the destruction of the tragic hero” (Oxford English Dictionary, 1989).
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
Hubris is defined by the Webster-Miriam dictionary as “Exaggerated pride or confidence” (Miriam-Webster Dictionary) in Oedipus the King, by Sophocles, In Oedipus The King, by Sophocles, the onslaught of pain assailing the protagonist is a result of his tragic flaw. Sophocles often used a characters’ flaw to alter or influence the outcome or future of the hero. Oedipus' hubris influences him to fulfill the oracle and further intensify his punishment from the Gods.
Before the twentieth century plays were mainly written as either a tragedy or comedy. In a tragic play the tragic hero will often do something that will eventually destroy him. In the book Oedipus the King, Oedipus is the tragic hero. In this tragic play the main character, which is portrayed as Oedipus, will do a good deed that will in turn make him a hero. This hero will reach his height of pride in the story, and in the end the action, which he had committed earlier, will return and destroy this man who was once called a hero.
Many things can describe a tragedy. However, according to definition of a tragedy by Aristotle, there are only five. The play has to have a tragic hero, preferably of noble stature. Second, the tragic hero must have a tragic flaw. Because of that flaw, the hero falls from either power or death. Due to the fall, the tragic hero discovers something. Finally, there must be catharsis in the minds of the audience.
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.