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Antigone's character development
Sophocles oedipus the king characters
Tragedy of antigone
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When Oedipus arrives at colonus, he is immediately told to leave, but he stays because he must die on thy land in order for it to be blessed. When Oedipus arrives outside of Colonus, he is told to leave right away, but he refuses and convinces the chorus to let him stay until anything further is heard from the king. When the king comes out, and realized who Oedipus is, and what his body can do if he dies and is buried on their land, he lets him stay. When Oedipus learns of how his two sons are fighting for the throne, he becomes mad, and places a curse on them that they will kill each other. On Polynices arrival, “He tells of how his brother, Eteocles… turned against him… he plans to regain the throne by force” (Oedipus at Colonus 2). When …show more content…
When antigone buried Polyneices the first time, the guards unburied him, unable to catch Antigone. But when Antigone comes back a second time to re-bury Polynices, she was caught and went willingly forward to face her punishment. Talking to the Chorus, Creon states, “She showed herself capable of insolence then, going beyond the laws put before her” (Sophocles 492-494). This quote in scene two shows that Antigone knew what she was getting herself into when she went to bury her brother, Polynices. It also shows how Antigone will face her punishment head-on, not caring what happens to herself, as she thinks her life is miserable …show more content…
When Creon goes to release Antigone he finds her hanged, and his son mourning her. and when he goes to complain about what Haemon is doing, Haemon swings his sword at Creon, but misses. And when he misses, he kills himself, and dies with Antigone is his arms. And when a messenger informs Creon’s wife of what had happened, she commits suicide. So, after Creon returns home, he finds his wife dead as well. After realising everything Tiresias has said had come true, Creon states, “I have just held my child in my arms, poor thing, and here is another corpse before me. Alas for the poor mother, alas for the child” (Sophocles 1306-1307). This particular quote in the exodus shows that everything Tiresias had said, came true, and that Creon’s life as he knows it, is destroyed. It also shows that Creon should’ve freed her sooner, because now he has been punished for everything he’d done
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
Antigone’s firm belief that her brother Polyneices should have a proper burial is established by her conviction in that the law of the gods is above all else. This law proclaims that all men be mourned and honored by family and friends through means of a suitable burial. Antigone’s need to put honor upon Polyneices’ soul is so grand that she ignores the advice of everyone around her, including her sister Ismene, who tries to pull her away from performing this criminal act because it will disobey the law set by King Creon, and lead to her demise. However, Antigone does not care about the repercussions because even though “[s...
Following the unlawful burial of Polynices, Antigone openly admits to Creon the knowledge of the following punishment by carrying out such a defying act. "I knew it naturally, It was plain enough." Antigone pg.138. With the intention of gratifying the laws of the gods, Antigone holds neither guilt nor regret as she feels that she has brought justice to the eternal rest of her brother.
Oedipus the King: Reason and Passion In the play, Oedipus the King, there are dual parts of reason and passion. Oedipus primarily acts with both reason and passion at different stages in the play. There are several points in the play where Oedipus acts with reason. The first such point occurs when he is asked by his followers to help save Thebes. He acts with reason when he immediately decides to heed to their demands and find help for them.
In the Greek tragety Oedipus the King Tiresias speaks the truth when he tells Oedipus, "you are your own worst enemy." He is too determined to find out who he is, that shouldn't be so important to himself. He also, is too proud to listen to the gods. He thinks he can get out of following through on his fate. So, it is he that dooms himself.
The play "Oedipus Rex" is a very full and lively one to say the least. Everything a reader could ask for is included in this play. There is excitement, suspense, happiness, sorrow, and much more. Truth is the main theme of the play. Oedipus cannot accept the truth as it comes to him or even where it comes from. He is blinded in his own life, trying to ignore the truth of his life. Oedipus will find out that truth is rock solid. The story is mainly about a young man named Oedipus who is trying to find out more knowledge than he can handle. The story starts off by telling us that Oedipus has seen his moira, his fate, and finds out that in the future he will end up killing his father and marrying his mother. Thinking that his mother and father were Polybos and Merope, the only parents he knew, he ran away from home and went far away so he could change his fate and not end up harming his family. Oedipus will later find out that he cannot change fate because he has no control over it, only the God's can control what happens. Oedipus is a very healthy person with a strong willed mind who will never give up until he gets what he wants. Unfortunately, in this story these will not be good trait to have.
In the play Oedipus Rex by Sophocles, Oedipus is depicted as a morally ambiguous character; neither purely evil or purely good. Oedipus runs from his fate initially to prevent himself from pursuing what he believed was his fate; however, he is lead straight towards his real fate. He kills his biological father as he is headed to Thebes, where he takes the throne. Once he has taken the throne, he begins to try and save his city from the plague by looking for the murder of king Laius. However, what he does not know is that the prophet has told him who has slew the king; therefore, he presents his ignorance as a leader. Not only does his ignorance create the flawed character inside himself, but it also causes him to run from his fate. The significance of Oedipus being a morally ambiguous character is that he cannot run from his fate
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
Through the character of Oedipus, Sophocles shows the futility and consequences of defying the divine order. Oedipus served Thebes as a great ruler, loved by his subjects; but it is his one tragic flaw, hubris, which dooms his existence, regardless of the character attributes that make him such a beloved king.
In the play Oedipus the King, by Sophocles, two themes appear; one that humans have little control of their lives because fate always catches up with them and the theme that when someone makes a mistake, they will have to pay for it.
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
Sophocles demonstrates in the play Oedipus the King that a human being, not a God, ultimately determines destiny. That is, people get what they deserve. In this play, one poorly-made judgment results in tragic and inescapable density. Oedipus fights and kills Laius without knowing Laius is his father. Then, Oedipus's pitiless murdering causes several subsequent tragedies such as the incestuous marriage of Oedipus gets into the flight with Laius. However, Oedipus's characteristics after Laius's death imply that Oedipus could avoid the fight as well as the murder of his father, but did not. Ultimately, Oedipus gets what he deserves due to his own characteristics that lead him to murder Laius: impatience, delusion, and arrogance.
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.
Aristotle, in his work 'The Poetics', tried to define the tragedy. Aristotle said that the hero, or at least the main character in a tragedy must be essentially good, but must bring upon himself his fall, due to a fatal flaw. Were the character not noble, many reason, an audience would not care about the person, and would not really notice his fall - from the street to the gutter is not a long way. In today's society this, of course, has been shown not to be true. Modern playwrights have proven that an audience certainly can care about less prolific heroes, but in classical literature this rule stands, and all heroes of tragedy were noble, and tried to do good, but failed. Oedipus follows these rules in that he was a good, understanding and just person while anger and pride were his tragic flaws.