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Dracula theme of good vs evil essay
Dracula and its supernatural element
Gothic literature in dracula
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This essay aims to look at the relationship between Gothic and religion and/or occultism in the two texts The Picture of Dorian Grey by Oscar Wilde and Dracula by Bram Stoker. Firstly, it is important to highlight the definition of occultism. The word occult means the study of the supernatural. In the Picture of Dorian Grey, the occult and religion are key factors in the novel. The novel highlights the occult because of the supernatural powers that are given to the painting and the unusual properties the painting has. Dorian Grey himself does not get older, but the painting ages. A key element of the gothic genre is aesthetics which is mentioned in the novel throughout which is another factor to mention. In the novel Dracula, the occult and religion are also key factors. The novel’s main focus is the existence of vampires which is significant to occultism as it is the element of the supernatural. Throughout the novel there are also references to religion from the beginning because the first few chapters of the novel explains that there are religious symbols such as a crucifix and the church and graveyards are also mentioned several times. The setting of Count Dracula’s house is described as a mansion which is a typical scene for a gothic novel.
The Picture of Dorian Grey highlights the key element of aesthetics. Aesthetics is beauty or the appreciation of beauty . In the beginning of the novel, Oscar Wilde talks about the philosophy of aesthetics and he praises beauty. As this is in the beginning, it shows that aesthetics is a key factor in the novel. The novel is very closely linked to aesthetics because Dorian is concerned with youth and a majority of his life is devoted to beauty and this may be potentially why his life ends ...
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... the occult and religion are also key factors. The existence of vampires is significant to occultism as it is the element of the supernatural. There are also references to religion from the start as the first few chapters of the text explains that there are religious symbols such as crucifixes and the church are also mentioned numerous times. The setting of Dracula’s home is described as a mansion which is an archetypal scene for a gothic novel. In both of the novels, it appears that the want to be young and immortal is always linked with evil, for example with Dorian Grey he starts with being a good character and once he becomes obsessed with his youth, he turns evil. With Dracula he is a vampire and is immortal and seeks other people to also become vampires, which shows that the people are being controlled against their own will and shows Dracula to also be evil.
The concerns of Victorian England about the status of faith and manhood have left a deep mark in the literature of the period. The Picture of Dorian Gray and Dracula are good examples of this concern. In both books there is an emphasis in the corruption of the body and of the soul as maladies that haunt the greatness of England. The aristocracy is pointed as the social strata from where this decadence will spread. These books show a population of youth that lacks the guidance of parents and are apparently deprived of fertility as a consequence of the disorientation that reigns among them. This corruption is shown in conjunction with a lack of religious faith and an excess of sin that will result in the transference of England to the forces of evil.
Within The Picture of Dorian Gray, Oscar Wilde depicts two characters that follow the philosophy of Walter Pater. These two characters are Dorian Gray and Henry Wotton. They both embody Pater’s ideal of placing as much enjoyment in one’s short life as possible. While Dorian learns of Pater’s philosophy from Henry he soon exceeds his teacher and becomes invested within the philosophy of living life to the fullest. Dorian exceeds Henry in Pater’s philosophy through his active experimentation and desire for beauty, but Dorian fails to live up to all of Pater’s expectations due to his inability to separate morality for art.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
In chapter 23, Professor Van Helsing mentions that Count Dracula was in life a “wonderful man,” a soldier, and a statesman, (Stoker, 1897/2001, pp.289). Although Stoker in his original book does not clarify how count Dracula became a vampire, there are references in the text that suggest it was the result of necromancy. In chapter 18, Van Helsing reveals that the Count was a student of alchemy, necromancy, and the occult (Stoker, 1897/2001). He further mentions that Dracula attended the “Scholomance,” a mystical school in the mountains, where the students are tutored by the devil himself (Stoker, 1897/2001; pp. 231). This point is taken further by Montague Summers (as quoted in Laycock, 2009, pp.19-20), through his words- “The vampire is believed to be one who has devoted himself during his life to the practice of Black Magic…”. These references in the book and interpretation in the Laycock’s work, lead to the conclusion that the Vampire-Dracula was the result of his deeds and practices during his lifetime. On the other hand, Cullen was the son of a pastor, who hunted monsters like “…witches, werewolves… vampires” (Meyers, 2005, pp. 331). When the pastor grew old, Cullen assumed the mantle of the monster slayer. Unfortunately, during a hunt, he was bitten by an old vampire he was chasing. After his transformation, Cullen, repulsed by what he had become,
I think several elements of the supernatural came into play in the story: the painting which had the capacity to change in showing Dorian's sins and evildoings, the use of mirrors, and direct and indirect references to selling one's soul to the devil.
While studying the diabolical figures in the devil, the idea of presenting Dracula came to mind. Dracula represents the devil in many similar ways. Dracula remains as a character in many diabolical movies and films. For instance, Van Helsing provides a good interpret of how Dracula remains noticed in the past and in present day. Although Dracula’s character obtains different views in every movie and film, he plays an important role in Stephen Sommers Van Helsing movie. In the movie, he acts as many different things. Demonstrating both the kind and evil inside, Dracula portrays his character as a mystery. Different views of Dracula throughout the movie include harsh, strong, powerful, evil, the devil, and unstoppable. The studies of Dracula
Wilde first shows the importance of looks when Basil first sets eyes on Dorian Gray. "I knew that I had come face to face with someone whose mere personality was so fascinating that...it would absorb my whole nature, my whole soul, my very art itself" (7). This was before Basil had even talked to Dorian, and he had already judged what type of personality he had, ...
In conclusion, both novels have the “monster” theme and show us society and its preconceptions and that society judges by appearance. The monster was mild and beautiful inside, but "ugly" and horrible outside and therefore everyone feared him. They never gave him a chance to prove his gentle nature. Dorian was stunning but had an awful inside, yet everyone loved him and spoke well about him. This shows us that anybody could be a wolf in sheep’s clothing. People are more than their appearances; therefore appearance isn’t enough when you’re trying to get to know a person. As Shakespeare said “All that glisters is not gold”.
It was in the early Middle Ages that the first encounter with English Imperialism could be found in Ireland. England and Ireland would come to share a common culture and language with island Gaelic. James Anderson wrote in his article Imperialism and nationalism: The Home Rule struggle and border creating in Ireland, 1885-1925 that “ignoring imperialism has bolstered conventional mainstream accounts of partition and conflict based on ‘internal’ or purely local causes which produce over-simplified stories . . . . ”(page939) What this means is that Historians are not looking at an event from every angle. Suggesting an approach like this is saying that Ireland is responsible for the decisions the English made. Yet neither can it be said the English occupied Ireland just because they could. In Anderson’s interpretation, it was both English imperialism and Ireland’s own internal stimuli that manipulated history. For Anderson this superficial encounter leaves no variables that could determine good or ill intent on the part of the English.
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.
Dorian Gray has a theme of eternal youth, bought at the price of one's soul, and continued through the destruction of others, in common with vampires as well. And, of course, Dorian Gray has to be run in the mind's eye against the backdrop of Oscar Wilde's life, particularly his affair with the young aristocrat, Lord Alfred Douglas, which eventually landed Wilde in jail for sodomy, and pretty much ended his career.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.