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More handpicked essays just for you.
Women portrayal in movies
Film and gender roles
Portrayal of women in movies
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All About Eve tells the story of an aging starlet and the mysterious young girl who takes advantage of her in order to rise to the top of the theatre world. Beneath the surface of the plot and of Eve’s obsession with Margo Channing lies serious queer undertones. For Eve, there is a thin line between wanting to be Margo and wanting to be in a relationship with Margo. Eve takes care of every aspect of Margo’s life, eventually escalating her behavior to trying to seduce Bill, Margo’s lover, and taking Margo’s role in her upcoming Broadway play. The meaning subtly underlying Eve’s meticulous takeover Margo's life is that if Eve cannot have Margo, she will become her. Eve’s behavior is queer in this way, and in the very same breath is wholly unjustifiable,
Lust or Love: An Essay Analyzing the Relationship of Romeo and Juliet in Romeo and Juliet
“From forth the fatal loins of these two foes a pair of star crossed lovers take their life” (I prologue 5-6). Romeo and Juliet is known by many as a love story, but what if it’s not a love story but a story of obsession and desperation. Romeo is from the Montague family, and Juliet is from the Capulet family. The two families have been feuding for many, many years. In this story, Romeo and Juliet become obsessed with the feeling of being in love. They will go to extremes to be together, such extremes as death.
Released in 1994, 14 years into the AIDS epidemic, the film had a phenomenal response around the world and in Australia. Travelling from Sydney, the three main characters, played by Hugo Weaving, Guy Peirce and Terrance Stamp, travel to Alice Springs for a cabaret show hosted by Mitzi’s wife. The audience is positioned to sympathise with the main characters during their hardships, and good times. The movie confronts different types of masculinity in an extreme environment. The film presents the stereotypical behavior of gay men that is evident in our society.
Throughout a lifetime, one can run through many different personalities that transform constantly due to experience and growing maturity, whether he or she becomes the quiet, brooding type, or tries out being the wild, party maniac. Richard Yates examines acting and role-playing—recurring themes throughout the ages—in his fictional novel Revolutionary Road. Frank and April Wheeler, a young couple living miserably in suburbia, experience relationship difficulties as their desire to escape grows. Despite their search for something different, the couple’s lack of communication causes their planned move to Europe to fall through. Frank and April Wheeler play roles not only in their individual searches for identity, but also in their search for a healthy couple identity; however, the more the Wheelers hide behind their desired roles, the more they lose sense of their true selves as individuals and as a pair.
Measure for Measure also speaks to the commodification of sex by highlighting female virginity, those who are and those who aren't. In this play, female virginity functions as a...
In Mary Shelley’s Frankenstein, one of the main themes surrounds the idea of defining obsession and classic obsessive behaviors. Obsession itself is a force of devastation for one’s social, personal, mental, and physical life. At one point, obsession must be a passion, of which has amazing side effects. The synonym, passion, may resemble obsession in the beginning, though the main difference between the two is that obsession consumes the life that it holds. In the end, obsession ruins us.
Despite what many people think, Romeo and Juliet is not a love story; rather a story of desperation and obsession. People have been reading Shakespeare for hundreds of years and several people have mistaken it for a love story, due to the fact that Romeo loves Juliet so much he is willing to kill himself when he finds her supposedly dead; she does the same when she wakes up to find him dead. But in fact, Romeo is more taken aback by her beauty than he is in love with her. Juliet is intrigued by the fact someone could love her because her parents are very unsupportive of her. When the two find each other, they immediately become obsessed, mistaking this for love at first sight.
We are all human. The fact that we are all human implies, by definition, that we are imperfect. We see humanism in all Shakespearean characters. He does not label them but rather gives them each strengths, weaknesses, and flaws. He transforms these figures into complex personalities, allowing them full freedom to falter and fail through their own actions. Othello is characterised by the conflict between passion and reason, and the alienation of those not included in Venetian society. "I think my wife be honest and think she is not. I think thou art just and think thou art not. I'll have some proof" illuminates the complex nature of the tragedy of Othello through the evident conflict between passion and reason.
Throughout various mediums, queer and gender portrayals are not shown in the best light. Majority of media show clear negative connotations of homosexuals and queens while constantly being a target of discrimination and ridicule. Though as time went on many writers decided to speak up and gain awareness for queer and gender biases by incorporating messages of societal discrimination in their plays. Much of their ideals were that of how sexual/gender identity portrayal, lifestyle stigma, and preconceived notions of the homosexual community. These ideals were combined in what is called gender studies and queer literary theory. Some of these concepts and ideas of queer and gender theory can be seen throughout the play
Jealousy is a powerful emotion that can blind oneself from identifying the truth. Shakespeare heavily emphasizes this theme throughout the drama Othello, especially through the actions of characters. In the play the heinous antagonist, Iago, uses each character’s jealousy to deceive that person and manipulate the truth. His false promises and deceitfulness bring to the demise of many of the main characters in the play, including the protagonist, Othello. Othello could not have been deceived if it were not for his powerful jealousy. Therefore, Shakespeare is telling us that jealousy is an ugly trait that can hide the truth, which in turn causes many problems between characters in the play.
Tragedy unfolds as a quest for revenge results in deceptive alliances, unsuspecting betrayal, and unrestrained jealousy. William Shakespeare’s Othello, the Moor of Venice, depicts the tragic downfall Othello, a decorated and well respected military leader, at the hands of his trusted companion Iago. Iago, spurned after being passed over for promotion, blazes a path a revenge that entangles everyone around him, and ultimately himself. All of the elements and themes employed by Shakespeare in Othello over four centuries ago, are still admissible in modern times. By delving into the world of human nature, Shakespeare’s Othello, the Moor of Venice reveals jealousy, honor, and perception versus reality, as universal truths that are not only relevant
Evelyn remains a disconnected personality and expresses little emotion throughout her presentation of Adam to which she calls a “sculpture”, a “base material” , and “my creation” which were confronting terms which shocked the audience as they too were manipulated by Evelyn and were not expecting this conclusion, for their love to be an experiment for artistic purposes because “art must be created. Whatever the cost”. This scene is especially confronting to the audience and Adam because Labute structured the play to lull the audience to a sense of belief and security in the relationships only to cause them pain and discomfort when the truth is revealed. This truth makes moments which were previously humorous into sinister lines such as “What’d she do, give you a haircut and a blow job and now you’re her puppy?!” the audience develops a hatred towards Evelyn for her lack of remorse as she justifies her action as “following in a long tradition of artists who believe that there is no such concept as religion or government… only
One of the most intriguing aspects of the treatment of love in As You Like It concerns the issue of gender. And this issue, for obvious reasons, has generated a special interest in recent times. The principal reason for such a thematic concern in the play is the cross dressing and role playing. The central love interest between Rosalind and Orlando calls into question the conventional wisdom about men's and women's gender roles and challenges our preconceptions about these roles in courtship, erotic love, and beyond.
“Year after year, twenty-something women come to New York City in search of the two L's: labels and love” is the very catchy line that opens the film with Fergie’s ‘Labels or Love’ as the soundtrack and The Big Apple as its introductory shot. The scaling deduced from the bird’s eye-view-point of New York City, showing its Metropolitan atmosphere with skyscrapers and the famous Brooklyn Bridge; to the urbanites of the City; then to the lead actors of the film. A fifteen year-old girl watches the film, mesmerizing the ecstatic city while admiring the skinny white bodies of the ladies. And last but never forgotten, she gets carried away with the funky upbeat rhythm of the song emphasizing “Gucci, Fendi, [and] Prada . . .” That is the introduction of Sex and the City and the focus of its cinematography. With its elements, the movie can honestly influence teenage girls. Yet as much as critics such as Maya Gordon of Psychology of Women Quarterly say how media contributes to the sexual objectification and values women “based on their appearance,” this film should be an exemption.
The text of Boy Gets Girl makes a statement about sexual assault, inspires an inward reflection, and acts as an expression of awareness rather than offering a direct and tangible solution to the issue. Responding to the world around us with a play covering the topics of stalking and sexual harassment is vital in encouraging people to speak up about what they experience and is especially important in the university atmosphere. Using Gilman’s alarming text as a foundation and fulfilling her goals, Theatre UCF created the world of the play onstage in a way that made the audience face the truth about Tony’s behavior, no matter how uncomfortable. Boy Gets Girl unmistakably goes beyond the impact of a tweet or hashtag and simulates the emotional effects of stalking and sexual harassment right before the audience’s