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Grapes of wrath poverty essay
Religious themes in grapes of wrath
A literary analysis essay about an intercalary chapter of The Grapes of Wrath
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Observations on The Grapes of Wrath
As you approach your home, you realize the empty barn and the crooked house sagging close to the barren ground. A closer view unveils an empty, dried up well, an emaciated cat limping past the caved in porch, a tree with "leaves tattered and scraggly as a molting chicken" (23), a stack of rotting untouched lumber and cracked, jagged window panes reflecting the desolate land abroad. This description portrays the Joad family's home suffering from abandonment when they leave their country home life for better opportunities in the west. Steinbeck portrays the plight of the migrant Joad family from Oklahoma to California in search of a better life during the Great Depression in The Grapes of Wrath.
As the strong-headed, independent and protagonistic Tom Joad heads toward the country to finally reunite with his family after serving four years in prison, he meets the preaching character, Jim Casy (ironically having the same initials as Jesus Christ). They both unfortunately observe how the horrific effects of a dust bowl during the depression impact the average hard working family. The Joad family prepares for the difficult journey across the country to the "promised" land where ignorance leads the Joad family to search for the American dream in the long lost land of California. Problems transpire contiguously as Grama and Grampa Joad die, their vehicle breaks down, money becomes a non-existant necessity, Tom gets into trouble after killing Casy's murderer, and the sickly, whiny daughter, Rose of Sharon, gives birth to a dead baby because of malnutrition. Grama and Grampa Joad cannot endure the difficult journey in the beginning, hence, at their old age, rot away ...
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...s "disciple" by representing Jim when he killed his murderer. His belief in transcendentalism (holiness and divinity of every man) is expressed through Jim Casy because Casy represents all good that Steinbeck wishes will exist in mankind, preaching and trying to solve problems. If Steinbeck could change society, he would make people more like Jim Casy.
The main antagonist in the novel is the government; obviously, the Joad family doesn't overcome this obstacle, but somehow learn to live with the difficulties transposed upon them. As a result, Steinbeck does not see an immediate answer to the problems that the government and rich people put upon the ordinary man, or the ending to his novel would present somewhat of a solution rather than a settlement. He hopes to educate and persuade the reader about the evils of "some rich bastard" (48) and the "damn govamen" (63).
Fundamental to our understanding of El Médico de su Honra, and of any other play is the notion that it was for performance and not intended for reading. Therefore, the action, text and spectacle all work together in producing an overall effect upon the audience. Calderón is described as a `craftsman' of drama and is famous for the dramatic devices which appeal to the various senses in order to convey the play's message with greater profundity. However, the seventeenth century playwright was limited by the facilities available to him. The rudimentary nature of their theatres affected the way in which a play was staged and therefore its interpretation. Public theatres were situated in courtyards, or `corrales', surrounded on three sides by private dwellings. A basic, but nevertheless important point is that theatres were generally exposed to the elements. By necessity, plays were performed during daylight hours and inevitably this would affect the presentation of the play. Atmosphere and mood were of paramount importance in a play, and this is of particular significance in El Médico de su Honra, where darkness is crucial both to the plot and the underlying themes.
Along with Jim Casy and Uncle John, Tom Joad secures redemption by leaving to protect his family, promising to continue Casy’s legacy, and developing into a stronger character who aspires to restore justice to the migrants, despite his previous nonchalant attitude toward his crime. Initially, Tom Joad has no inclination for absolution, remarking, “I’d do what I done again...I killed a guy in a fight, knocked his head to plumb to squash” (Steinbeck 35). His words indicate his feelings about his crime, and reveal his apathetic and uncaring persona. However, Tom’s attitude shifts when he kills another man shortly after Casy’s death, and “did not sleep. The nerves of his wounded face came back to life...to shake him” (Steinbeck 528). This foreshadows
it is unmistakable that life situations inspired Juan Rulfo to write this story. He like no other person had a greater understanding of how to portray the theme of family especially missing a father as a role model, death, survival and revenge. Moreover, through the use of local Mexican language it furthermore developed the society in which peasants had to live during the post-revolution. Additionally Juan Rulfo tries to add all five senses in the story forming magical realism and a vivid picture that the readers can understand. Overall, the readers learn a lot about peasant’s approach to life after revolution that the main drive was
Throughout the novel, The Grapes of Wrath there are intercalary chapters. The purpose of these chapters are to give the readers insight and background on the setting, time, place and even history of the novel. They help blend the themes, symbols, motifs of the novel, such as the saving power of family and fellowship, man’s inhumanity to man, and even the multiplying effects of selfishness. These chapters show the social and economic crisis flooding the nation at the time, and the plight of the American farmer becoming difficult. The contrast between these chapters helps readers look at not just the storyline of the Joad family, but farmers during the time and also the condition of America during the Dust Bowl. Steinbeck uses these chapters to show that the story is not only limited to the Joad family,
Soto’s “Black Hair” is a perfect example of a poem that is effective through close analysis of certain concrete images which hold the key to the foundation of the poem and its underlying themes. In this poem, the universal themes of family and culture are hidden under the figure of Hector Moreno, the image of the narrator’s hair, as well as the extended baseball metaphor about culture. Although the title may seem ordinary at first glance, the challenge that the poem presents through its connection of concrete images and themes is very intriguing, and the themes are made clear through the effective use of certain poetic elements.
The Joad’s were facing many conflicts and in the process of losing their house. They heard there was going to be work in California and wanted to take the risk and move out there to find a job to provide. The Dust Bowl and The Great Depression were pretty huge topics in history and the novel about The Grapes of Wrath had some pretty raw details about their journey and similar to both histories. The Joad family pushed each other to have a better life in California and did everything they could to have a job to provide and eat, and mainly survive to live another day. In the novel, the beginning, the Joad family faced and struggled with nature, dust nature, just like the people that experienced this during the Dust Bowl. The people in the Southern plains dealt with a huge dust storm and the Joad family were also faced with this storm but struggled from these dust storms because of no work. No work means you can’t eat and
Lafaye sets the stage of his story by putting New Spain into context Lafaye emphasizes the peculiar nature of New Spain and its intricacies with in that society. Lafaye presents New Spain not as an intermediate between Indian Mexico and modern Mexico, but rather as transitional period that changed the composition of that society. The author cites the myths of Quetzalcoatl and Guadalupe as one of the most complex and original creations to come out of that period. The development of syncretic myth making according Lafaye to offered an answer to the question of the origins of an orphaned people. These new myths also are telling of a search for legitimacy in Mexican
The first part of Don Quixote was published in 1605 to wild success. In 2005, Don Quixote was declared, after a diligent and meticulous review by literary scholars (or so I’ve been assured), to be the novel of the second millennium—the quintessential novel, that is. In the intervening 400 years, critical and mass reception to Cervantes’s work has taken a journey nearly as wild as Quixote’s. What began as a humble work of slapstick humor has become, in most eyes, a complex social and psychological exposé. The critical progression hasn’t, however, been an entirely smooth one: readers struggle to reconcile the loony, farcical Quixote of yore with the virtuous, audacious, and Romantic Quixote of today. Cervantes forces readers to grapple with his multifarious character. He poses the question, “Is Don Quixote mad or simply at odds with society?” Are we meant to take things at face value and commit Quixote to an asylum or ought we—with Dickenson’s counsel that “Much madness is divinest sense / To a discerning eye” in mind—reconsider? Ultimately, the work’s greatness is to found in these questions. Is Don Quixote sporting a helmet or shaving basin on his head? Perhaps, as Sancho suggests, Quixote is wearing a “basihelm”. The “basihelm” approach is a poetic reconciliation between appearance and reality; it’s a syncretic compromise that perfectly captures the interplay between what is perceived and what is. In light of Sancho’s “basihelm”, it may be sensible to see Don Quixote as a “foolhero”. The rich social and psychological topics at the core of the work are an integral part of Don Quixote’s legacy. That legacy has rightfully earned the work its acclaim and its position as the novel of the millennium.
Blanca Varela receives several prestigious awards as a result of her work being considered as surrealistic and radical, a recurring hem with many poets from Peru at the time. It is this unique form of expression that earns her the exposure making her one of the leading voices of Lain America. The style in which she writers offers both a literal message to be read and comprehended easily, as well as, a figurative message which can imply a number of different things. Moreover, she paints specific pictures to help the reader truly conceptualize what she is trying to say. “Secreto de Familia” or “Family Secret” by Blanca Varela demonstrates her use of several meaningful and insightful poetic elements in order to voice an opinion or convey a message she has.
The author connects Antonio’s anxieties about change in his life to the culture in which he lives. Ultima’s intrusion into Antonio’s life marks a crazy time of change for Antonio. Anaya reiterates Antonio’s position on the threshold of change by showing his nerves about beginning school, moving away from his mother, and facing his unusual future. The vaquero lifestyle preferred by his father renews the values of freedom, independence and mobility, all of which are rules in the vaqueros’ love of the llano. The Luna family lifestyle preferred by Antonio’s mother, but emphasizes family and productivity,
...n himself (13-14, 16). Perhaps, as this is the earlier of the two poems, Frost had not yet worked out the conditions and paths one must meet in order to find an inner peace.
Machado De assis begins the novel by introducing the main character, Dom Casmurro, a solitary man who enjoys his own company.He paints a back story as to how the character came to merit his Nickname and shows how others his community view him. The author illustrates the seemingly solitary life of the main character through, the dull structure, the awkward language and the one sided description of the protagonist.
...contrastes. A pesar de que presentan una diferencia de casi sesenta años respecto de sus fechas de publicación, los temas centrales que abordan son prácticamente los mismos: la representación de la pobreza y marginación de los sectores urbanos capitalinos, las luchas por la preservación de las comunidades del Caño, la división de clases y espacios, el anhelo por tener una mejor calidad de vida, la resistencia al sistema capitalista, entre otros. El poema de Julia de Burgos muestra un espacio olvidado por la Historia y la literatura, con el propósito de indagar sobre el mundo social y realizar una crítica a los sistemas que lo oprimen. Más aún, se adentra a una problemática que hoy todavía existe, por tanto, su poema mantiene la misma vigencia y pertinencia que tenía cuando fue escrito. Y aquí radica la importancia, no solo de dicho poema, sino de su obra en general.
Su cine surrealista, original y simbólico abordó varios géneros y subgéneros como son las farsas, sátiras, comedias negras, dramas de corte neorrealista o melodramas. Otra de sus características es que enfocaba sus flechas mas críticas en el catolicismo y la burguesía lo que se ve constantemente reflejado en la obra “El angel exterminador”.
Through all the peril that Aeneas and the Trojans face on their journey to Italy, they still make it because it is fate. In Book 3, after