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Media stereotypes of white men
Misrepresentation in advertising
Misrepresentation in advertising
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One of the Huggies Diapers commercials recently seen on national television uses an unusual approach to convince the target market that Huggies are superior to all other diapers; these diapers are cutting-edge for their fashion and capacity to establish social dominance. The commercial implies in forty-three seconds that these diapers create exclusive and amazing living conditions for those fortunate children who wear them, particularly if the wearer is a male, white toddler. The marketing scheme utilizes the concepts of wealth and privilege as the requisites for determining not only diaper effectiveness but also present and perhaps future recognition, authority, social status, and success. The commercial suggests that children who wear these couture diapers are living in the lap of luxury: well-groomed and fashionably dressed, out on the town, acknowledged, capable, and secure, confident even with excrement in their pants. The absurd objective that these diapers claim to achieve does not offer credible evidence to diaper buyers to purchase these diapers for the purpose that diapers are intended.
Set to music reminiscent of a half-time show at a sports event, the commercial opens with a scene of two female Caucasian supermodel prototypes wearing dazzling jewelry, and stylish apparel and accessories, while conversing and dining alfresco. The women suddenly react with amazement to what now comes into view: a blond, blue-eyed, white male toddler. Swaggering down the expansive brick-paved sidewalk, he is dressed in a classic “preppie” outfit: button-down collar shirt and jeans. Only, his jeans are actually just a blue denim printed plastic disposable diaper, complete with facsimiles of back pockets. As the toddler struts, ...
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Beyond the unrealistic opportunities that these diapers suggest will manifest, the presentation of an innocent and very young child as a chauvinistic, self-absorbed snob in the making is a crude and offensive strategy to sell diapers. To represent toddlers as obsessed with appearance, status, and power is an abysmal projection of an adult neurosis. If this commercial is designed to convince diaper buyers to buy these diapers, there is nothing in the content to inspire confidence in the brand. These diapers are not for toddlers;, they are made for wealthy, white, male supremacists .
Works Cited
Huggies Little Movers Jeans Diapers. YouTube. YouTube, 2011. Web. 11 Feb. 2012.
Lewis, David. “The Use of Color in Advertising.” N.p., 4 Dec. 2011. Web. 20 Feb. 2012.
The advertisement opens with Dean Winters in a black business suit with a butterfly band-aid on his upper right cheek, just below his eye. Winters is in the back seat of an SUV. He is holding a purple and yellow sippy cup, which has two handles on either side of it. In his lap is a gallon size bag of Cheerios, which he is consuming with his left hand. On his left is a grey sun blocker; most mothers have to protect their children from the sun while they are in the car. On Winter’s left, a clothes hanger has a pink and green cloth ball tied to a purple string. Winters has crumbs covering not only him but also his car seat. Behind his car seat is a yellow blanket. As soon as the commercial opens, Winters is screaming "Mommy! Mommy! Mommy! Mommy! Mommy! Mommy! Mommy!" Three seconds into screaming, he looks directly at the viewer with a sly...
As a child, I always dreamed of growing up. I was eager to have the freedom to make decisions for myself, as well as coming and going as I pleased. I would often fantasize about being old enough to get a job, so that I could buy my own things whether it be toys in my mere ages or purchasing a car once I became of age. Growing up and growing old is inevitable. Although now that I am older, I most certainly wish I was a carefree child again. Contrary to belief most children that become pre-teens, then teenagers & later young adults don’t consider our parents regards for us growing up. We never correlate to how they feel about their children growing up right before their eyes until we become wise adults. This commercial’s catchphrase , "What's between us, connects us," insinuates connections to the window, precisely the glass that was being cleansed by Windex. In the opening scene of the advertisement, the affectionate father first glances
In the 1997 article Listening to Khakis, published in the New Yorker, Malcolm Gladwell effectively paints a vivid picture of the thought and science that goes into advertising campaigns. Gladwell begins his paper by focusing on the Dockers’ advertising campaign for their line of adult male khaki pants, which he labels as extremely successful. This campaign was the first line of successful fashion advertisements aimed directly toward adult males (Gladwell, 1997). This campaign was cunningly simple and showed only males wearing the pants being advertised with the background noise filled with men having a casual conversation (Gladwell, 1997). This tactic was used because studies showed that Dockers’ target market felt an absence in adult male friendships. (Gladwell, 1997). The simplicity of the advertisements was accentuated as to not to deter possible customers by creating a fashion based ad because, based on Gladwell’s multiple interviews of advertising experts, males shy away from being viewed as fashion forward or “trying to hard” (Gladwell, 1997).
It is certain that the Old Navy store is full of clothes and accessories for all shapes, sizes and genders. Its presupposition, however, is that all shapes, sizes and genders will be of one primary inclination: that of the infant. In front of me as I peruse the Old Navy is a pink purse with metallic flecks infused into its plasticine construction. I find this purse in the "Woman's" section, next to the display rack full of puffy-sleeved t-shirts, whimsically cut blouses, flare pants and lo-rider blue-jeans embroidered with alarmingly cute curlicues. All this is, appropriately enough for a consumer juggernaut like Old Navy, sized to fit the adult woman.
The commercial starts out with piano music in the back ground, and no words. A young girl and a man are sitting together on a bus. They open some extra gum, and as they chew it the man makes the little girl a tiny paper crane out of the silver gum wrapper. The commercial continues on showing that the man, who is the little girls father, continues to make her the paper cranes throughout her lifetime. Which she happy accepts. This includes, birthdays, game days, her date nights, and even simply rainy days. He even makes her a paper crane when she is about fully grown, and is crying one night, just to show he is there for her. She accepts it, and lays her head on his shoulder. Then the commercial moves on to the girl hugging her mother as the father packs her things into the back of a car. As he puts one of her boxes in the car, another little pink box falls off the top of everything else onto the ground. The father looks to see what h...
Advertising (marketing) in America is long past its zenith. There may have been a time when people actually paid attention to all of the flash, the glitz, and the hype, but most consumers (especially those in Generation X) are savvy and somewhat skeptical. The public is less impressed and views these types of marketing attempts as desperate, and even pathetic. Marlboro Friday (977) may stand out as a monumental day in the minds of advertisers, but there is another moment that stands out in the minds of consumers; the night a woman disrobed during half-time show at the Super Bowl. It was as if time stood still as a nation witnessed advertising shorn of its pretense. This one event exposed the true state of marketing in America. It seems every attempt to hoodwink and capture the attention of the population has already been tried; there is nowhere new to go. Stooping to nudity to try and capture the attention of the public confirms what the consumer already knows; it doesn’t matter how firms try and “clothe” their products; underneath they are all the same.
Through the illustrations of the using of different P&G goods worldwide in a daily basis, the commercial is able to persuade the audience that it is a leading global company that makes little but crucial things. By suggesting hard working, failures, and the support of mom can make an irreplaceable difference to one’s life, P&G added value to its brands. Although everyone has different background and experiences, the mother-child relationship is one of the purest and most natural relationships in the universe. This commercial breaks the barriers and impresses extensive customers by bonding this common emotion with
Berkman, Herald W. and Gilson, Christopher. Advertising: Concepts and Strategies, 2nd ed.. (New York: Random House, 1987). 244.
Labrecque, L. I., & Milne, G. R. (2012). Exciting red and competent blue: the importance of color in marketing. Journal of the Academy of Marketing Science, 40(5), 711-727.
There are fashionable furniture and decorations in the room, all of them in gender-neutral colors. The family is well-dressed in soft blues and white. Every face in the ad is adorned with a tremendous smile. The caption in the upper-left corner describes “dad” as cool and a best friend, bike fixer, swim coach, tent builder, and hug giver rolled into one. Or two. The family includes a young daughter and son who appear Hispanic, and their two Caucasian fathers, approximately in their thirties. This stylish clothing advertisement not only sells JCPenney’s clothes, but also challenges the conventional roles and ideas that have been imposed on the American
Across America in homes, schools, and businesses, sits advertisers' mass marketing tool, the television, usurping freedoms from children and their parents and changing American culture. Virtually an entire nation has surrendered itself wholesale to a medium for selling. Advertisers, within the constraints of the law, use their thirty-second commercials to target America's youth to be the decision-makers, convincing their parents to buy the advertised toys, foods, drinks, clothes, and other products. Inherent in this targeting, especially of the very young, are the advertisers; fostering the youth's loyalty to brands, creating among the children a loss of individuality and self-sufficiency, denying them the ability to explore and create but instead often encouraging poor health habits. The children demanding advertiser's products are influencing economic hardships in many families today. These children, targeted by advertisers, are so vulnerable to trickery, are so mentally and emotionally unable to understand reality because they lack the cognitive reasoning skills needed to be skeptical of advertisements. Children spend thousands of hours captivated by various advertising tactics and do not understand their subtleties.
It isn’t every day that you see black and white advertisements. And because of how rare they are that is what captivates us. The color psychology behind the ad is also very clever. “Gray conforms - it is conventional, dependable and practical. It is a color of maturity and responsibility. White is color at its most complete and pure, the color of perfection. The color meaning of white is purity, innocence, wholeness and completion. Black is the color of the hidden, the secretive and the unknown, creating an air of mystery. Blue is peaceful, tranquil, and causes the body to produce calming chemicals. Blue is trust, dependable and strength. Blue relates to one-to-one communication. Yellow is an attention getter. It is an optimistic color, and signifies clarity and warmth. It is the color which resonates with the left or logic side of the brain stimulating our mental faculties and creating mental agility and perception.” (2) Color psychology relates to persuasion and is one of the most interesting/important aspects of
As a little girl I loved watching television shows on Saturday mornings. I’d get upset when a show would proceed to commercial. That is until I watched the shiny new toy being played with by the girl my age and of course the cool new one that came into the happy meal, then I’d forget. After seeing the appealing commercial I’d run to my mom and try to slickly mention it. “You know McDonalds has a new Monster’s Inc. toy in their happy meal. Isn’t that great? “Now I realize that back then I was targeted by big companies to beg my parents for things that I didn’t need or that wasn’t good for me in order to make money. Advertising today is affecting the health of today’s children because they eat the unhealthy foods advertised to them on: television, the internet, and even at school. Therefore, an impassioned discussion of possible solutions has been brewing.
Most men would say looking at a woman’s breast sends a rush of adrenaline though their bodies boosting their sex drive. How about a woman who is nursing an infant ? Not so appealing to the sex drive is it. When I look at this advertisement depicting a woman holding her baby tucked tightly to her breast thoughts of nurture, love, and sacrifice are all I see. This simple but meaningful photo of a baby holding a cookie could be one of the most inspiring things a pregnant woman sees during the last trimester before her baby is delivered. This advertisement which is geared to sell Oreo cookies has delivered as message that reaches much farther than its designer ever intended it to it could change the world.
The use of color is only one of the many techniques advertising companies can use to embellish their product. Sometimes they may...