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Based on the effects and aftermath of the World Trade Centre bombings, The Reluctant Fundamentalist (2007) by Mohsin Hamid uses an engaging monologue to tell thought provoking story of a young Pakistani man’s journey to self discovery and addresses the ramifications of the controversial nature of nostalgia inflicted upon characters and nations. The novel explores the notion of nostalgia in various ways. Through the characterization of Erica, Hamid conveys the self-destructive nature of nostalgia. Hamid furthermore uses Erica as an allegory for America; both entangled in a web to recreate the past due to the unpleasant dilemma of the present, and further present a comparison between the two contradictory adoptions of nostalgia in the lives of Changez and Jim. Through the individual approaches of nostalgia, Hamid successfully manages to convey to the reader the hazards of holding on to the past and its traditions and the inevitable change that must be embraced.
We are initially introduced to the dangers of nostalgia through Erica, Changez’s love interest and a symbolic representation of America. Erica is depicted from the get go as a rather emotionally unstable character who’s spiritually disintegrating and left mourning after the death of her former soulmate Chris. Although appearing assertive on the surface, she is slowly deteriorating from within, as Changez describes “i met her eyes, and for the first time I perceived that there was something broken behind them, like a tiny crack in a diamond” (Hamid: 2007, p. 59). As the relationship between the two characters grows stronger, Erica is drawn into a notion of guilt, encrypting her to believe by moving on with her life, she is betraying the memory of Chris. The memory of Chris a...
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...n the grasping of the past. Through the contrasting perceptions of victims, Hamid successfully portrays how neither the country nor characters can resist the changes that occur in the dynamic cycle of life. At one end of the spectrum are America and Erica who’re depicted as candidates of extreme nostalgia; embarking to recreate past memories as a result of the unpleasant predicament of the present. On the opposite end lies Jim, who possesses the ability to embrace and adapt to change in a favorable manner, using his past as a catalyst for future success. Changez on the contrary lies seemingly in the middle – aware of the addictive nature of nostalgia yet unable to withhold its pull and let go of past traditions. Combining all the aspects mentioned Hamid was able to skillfully create a story that depicts the dangers of submerging in the past and its traditions.
In conclusion, the story describes that life changes, and nothing stays the same throughout it. It is in the hands of the people to decide that how they want their life to be. They can make it as beautiful as they want to and they can also make it worse than it has ever been
"Postmemory" describes the relationship that the "generation after" bears to the personal, collective, and cultural trauma of those who came before-to experiences they "remember" only by means of the stories, images, and behaviors among which they grew up. But these experiences were transmitted to them so deeply and affectively as to seem to constitute memories in their own right. (Hirsch 2016)
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
Man must not only remember his past, but also choose to remember it as it really happened—for, to again quote Eliot, “What might have been is an abstraction" (175). Fantasizing about an abstract, idealized past will never give success i...
Perspective allows people to see another person’s point of view. In the essay “The Cabdriver’s Daughter” by Waheeda Samady, she addresses her perception versus society’s opinion of her father. In her eyes, her father is a person capable of displaying kindness and expressing his profound knowledge while for some Americans, he is their preconceived notion of what a terrorist might look like. She challenges people to look past his scars and the color of skin, and “look at what the bombs did not destroy” (19). To her, he is the man that has lived through the Soviet-Afghan War, persevered through poverty, and denied these experiences the power of changing him into a cantankerous person. Samady feels prideful of her father’s grit through his past experiences yet feels sorrowful thinking about the life he could have lived if the war had never happened.
...the future to see that his life is not ruined by acts of immaturity. And, in “Araby”, we encounter another young man facing a crisis of the spirit who attempts to find a very limiting connection between his religious and his physical and emotional passions. In all of these stories, we encounter boys in the cusp of burgeoning manhood. What we are left with, in each, is the understanding that even if they can’t see the light at the end of the tunnel, we can. These stories bind all of us together in their universal messages…youth is something we get over, eventually, and in our own ways, but we cannot help get over it.
September 11, 2001 will be replayed and remembered in the minds of this American generation as one of the greatest tragedies on domestic soil. In one day, the world was dramatically altered; but in the days that followed, no group of Americans was affected more intensely nor uniquely than Arab-Americans. Once in a Promised Land, the 2007 novel by Laila Halaby, depicts the real world aftermath which assaulted one fictional Arab couple. Halaby's work accurately portrays the circumstances Arab-Americans found themselves in after the 9/11 attacks, highlighting several themes relating to patriotism, fear, and shame through her accessible characters and narrative stylings.
Jim perceive the past with nostalgia, through nature, symbols, and Antonia. As the narrator in My Antonia, Jim presents a loving and affectionate mood towards his family, the immigrants and nature, which convinces the reader that this novel is a romance, one between Jim and life. Jim sees through the lens of nostalgia; the eyes that can see to the past through all of the components discussed. Life is memory, so live every second of every memory to its highest potential.
It is fitting to discuss the recollection of the past in an age advancing to an unknown futurity and whose memories are increasingly banished to the realm of the nostalgic or, even worse, obsolete. Thomas Pynchon and William Faulkner, in wildly contrasting ways, explore the means by which we, as individuals and communities, remember, recycle, and renovate the past. Retrospection is an inevitability in their works, for the past is inescapable and defines, if not dominates, the present.
A man begins to cry. Not because of sorrow or joy, but because he’s terrified. The man who once enjoyed viewing the firework show that symbolized the freedom of his nation now cowers, because of the hardships he endured to maintain the freedom of his nation. Like many war veterans, the man suffers from PTSD. Billy Pilgrim, a WWII veteran, also suffers from PTSD. While Kurt Vonnegut wrote his novel Slaughterhouse-five before PTSD became an official diagnosis, the protagonist of his story, Billy Pilgrim, displays the disease’s symptoms. Vonnegut uses Billy Pilgrim’s non-linear voyage through time as symbol to reflect his theme of the destructiveness during and after war.
Since September 11, 2001, the Western world’s view of the Middle East, specifically countries like Iraq or Afghanistan, has shifted drastically. Whenever the media portrays the Middle East, they manage to spin a story negatively or violently. Due to these extrinsic influences, the youngest generation of Americans has never known an America that did not express at least some hatred toward certain parts of the Eastern world. Novels like The Kite Runner by Khaled Hosseini strive to encourage a healthy interest in Afghanistan and the Middle East while breaking the stereotypes that westerners have come to accept as fact about the culture and religion of Afghanistan. Hosseini manages to conjure a universal story line with relatable characters that introduce the world to the everyday people of postcolonial Afghanistan. On a grander scale, in The Kite Runner Khaled Hosseini utilizes his own life experiences alongside his firsthand account of the contemporary history of Afghanistan to craft a novel that breaks down these negative stereotypes and offers a significant contribution to Afghan American literature.
This is an odd little book, but a very important one nonetheless. The story it tells is something like an extended parablethe style is plain, the characters are nearly stick figures, the story itself is contrived. And yet ... and yet, the story is powerful, distressing, even heartbreaking because the historical trend it describes is powerful, distressing, even heartbreaking.
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
The Reluctant Fundamentalist is a taut and engaging piece of fiction, exploring the growing chasm between the East and the West. Mohsin Hamid has used a rather unique narrative mode- the dramatic monologue –and used it skillfully to weave an account of a young Pakistani’s class aspirations and inner struggle in corporate America. Throughout the novel, Hamid maintains a tense atmosphere, an atmosphere of imminent danger and radical violence. What results from the two devices is an allegorical reconstruction of post-9/11 tensions, and an inflective young man’s infatuation and disenchantment with America.
This essay will discuss the central themes of the book The Kite Runner, by Khaled Hosseini. Because the story is told at a time before the War on Terror, it brings the reader back to an Afghanistan the average American never knew existed and presents the current socio-economic reality of a United States one may choose to ignore. The description of Afghanistan before its many "occupations" is a tragedy in itself. The Author portrays a country on the cusp of greatness, which of course makes the inevitable future occupations all the more tragic. When Amir returns to Afghanistan after nearly twenty years, his shock is palpable. He has come back to an entirely different country, and only fragments remain from his past.