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Mythology in the world
Mythology and its impact
Mythology and its impact
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A Crash Course in Norse Mythology Mythology was used by the ancient worlds to tell their civilizations past and explain the unexplainable. The highly known and studied mythologies include Greek, Roman and Egyptian. However, there is another mythology that is lesser known in terms of popularity, Norse mythology, it is known to date back just as far and even farther in some cases than the more popular mythologies. Even though it is not widely known about, it still contains a vast and detailed history. The beginning of the ninth century AD to the eleventh was known as the “Viking age”; during this time Iceland was settled by Scandinavians and CeltsCeltics. Some of the settlers were Christian while most were Pagan; together they created a culture …show more content…
rich with stories and tradition that we refer to as Norse. Their stories were all oral, passed down through the generations; it wasn’t until 1000 AD they began to write down these stories and myths. Icelandic scholar Snorri Sturluson composed what was originally called the Codex Regius in the thirteenth century AD, but is known nowadays as the Poetic Edda. The Poetic Edda is a compilation of all Norse myths and stories, most of which were written in poem form. Each of the poems are called an Eddaic verse. (O’Donoghue). These verses contain a vast and complex past of the world before ours full of gods, giants and creatures beyond our imagination. Every culture throughout history has their own creation story, usually involving a great flood. In the Poetic Edda, the creation story is described in different ways in multiple poems, the first being “Voluspa”. In this poem, the god Odin awakens the soothslayer, or deceased witch, Volva (Crawford) and wants to know how the universe and cosmos were created. This story not only tells the immemorial past, but also what is to come in the future. Volva’s first memory is of giants; she was raised by giants and mentions 9 giantesses in the nine realms. She describes Yggdrasill the world tree, the foundation of which all 9 realms rest upon and what holds the universe together, as just a small sapling tree. (O’Donoghue). Volva then describes the pre-primeval emptiness, the only creature alive was Ymir the frost giant. He existed before the Earth, when there was only the great void, the grinning gap. The poems then jumps to the Sons of Burr, “…Odin and his brothers created Earth, it was they who made Midgard.” (Crawford). But this leaves Odin with more questions than answers, he wants to know what created Ymir and what composed Ymir’s creators. The creation myth “Vafthuthnismal”, tells the story of Odin seeking more answers of the world before his, he goes to ask the giant Vathrudnir. The giant replies to Odin, “The Earth was made from Ymir’s flesh; the rocks were made from his bones. The sky made from the skull of that ice-cold giant, the sea was made from his blood.” (Crawford). It is occurrences such as this that makes Norse mythology different from that of other cultures; the stories and myths do not coincide with each other. Odin presses for more knowledge of where Ymir came from, Vathrudnir describes Elivagar, hailstorm-waves, (Lindow) that dripped acid. This acid formed together to create Ymir the frost giant. In “Voluspa”, Volva mentions the 9 realms; these realms are: Asgard, Vanaheim, Alfheim, Midgard, Jotunheim, Svartalfheim, Nidavellir, Nilfheim, and Muspelheim.
Asgard is home to the gods and goddess; the gods are called Aesir and the goddess, Asynjur. It is ruled by Odin and his wife Frigg. Within Asgard’s gates is the dining hall for fallen warriors, Valhalla. The realm Vanaheim is home to the Vanir gods. These gods are the older branch of gods; they are masters of magic and are seen as prophets. It is unknown where Vanaheim is located or what it looks like. Next, Alfheim lies next to Asgard in heaven. It is home to the beautiful light elves. They are seen as guardian angles to the humans of Midgard. Midgard is referred to as Earth, it is connected to Asgard by Bifrost, the rainbow bridge. Jotunheim is the home of the giants, who are the sworn enemies of the Aseir. It is separated from Asgard by the never freezing river, Iving. Svartalfheim is home to the dark elves. The dark elves hate the sun so Svartalfheim is located underground. Dark elves are believed to be the cause of nightmares in Norse mythology. Nidavellir is home to the dwarfs. They live under rocks, in caves or underground. The Dwarfs are masters of craftsmanship and have constructed great weapons such as Thor’s hammer and Odin’s spear. Nilfheim is the north of the grinning gap, it was the first of the 9 realms. It is protected by ancient dragon, Nidhug. Underneath Nilfheim is Helheim, home to the goddess Hel. Finally, Muspelheim is the land of fire to the far south, and home to the fire giants and demons. It is ruled by the giant Surt and he too is the sworn enemy of the Aesir.
(Højbjerg). The biggest difference in Norse mythology compared to other mythologies is the separation of gods into Aesir and Vanir. As I explained earlier, the Vanir gods are the older gods, skilled in magic and able to tell the future; the Aesir are the younger gods with mindsets of war and conquering. There are numerous gods and goddess in the world of the Norse, and to name them all would be a challenge in itself. But there are a few that appear in almost every story. Odin is the god of war, poetry, wisdom, and death; he is also the chief of the Aesir god. He is married to the goddess Frigg and has many children which include Loki, Thor and Balder.(Lindow). Balder, son to Odin, is the god of light, joy, purity, beauty, innocence, and reconciliation. Many of the stories of Balder surround his death. Balder had been dreaming of his death, so the goddess Frigg asked an oath from every,” every creature, object and force in nature (snakes, metals, diseases, poisons, fire, etc.) that they would never harm Balder.” (Norse gods and Goddesses). His envious brother Loki asked Frigg if there was anything that could harm Balder, and she thought of only a small mistletoe tree that was too small to ask for an oath. Loki then tricks Balder’s blind, twin brother Hod, into throwing the mistletoe at Balder;” guided by Loki's aim [the mistletoe]. Pierced through the heart, Balder fell dead.” In the end Hod was put to death by the god Vali. and Balder and his wife Nanna, who died of a broken heart, were dressed in crimson cloth, and after ignitinglighting their pyre, were shipped out to sea. Thor is the god of thunder and son of Odin. He is a praised warrior but also sworn enemy of the giants, which includes his adopted brother, Loki the trickster. Njord is not only the god of wind and sea, but also the Chief of the Vanir gods. He is married to the goddess Skadi and has two children Frey and Freya. Frey and Freya are the god and goddess of fertility. Afterlife in Norse mythology leads to either Valhalla or to Helheim. If you die in battle, the beautiful winged Valkyries come down and lift you off to Asgard, to join Odin and all other fallen warriors in the great dining hall, Valhalla. You will spend the rest of time enjoying the company of gods. (Boisclair). On the other hand, if you are wicked or die of old age or disease, you will spend your eternity in Helheim, in the company of the goddess Hel. (Bane). Compared to other mythologies, the Norse have a much more intricate depth to it. But with the popularity of the Thor and The Avengers movies, which include Thor, Loki, Odin and Bifrost, there has been an arising popularity in Norse mythology and we can hope that with this popularity, Norse mythology will become a more studied and known ancient mythology.
Upon first encountering one another, the vikings and the natives of Scotland often experienced violent confrontation. However, through the passage of time they contributed in shaping each other in equal and sometimes opposite measure. There are several hypotheses that describe the details of the first viking-indigenous interactions.1 Out of the many propositions, two theories appear most often. The first asserts that the vikings set up an earldom and thenceforth ruled over the native Scottish population. Sometimes this earldom is portrayed as peaceful, at other times more violent. The second proposition asserts that a genocide took place in which the vikings eliminated and replaced the native people.2 The evidence for either model is contradictory and variably justifiable. The best explanation therefore is a syntheses of both hypotheses. Namely, that both earldom and genocide took place in different circumstances. Bands of viking ships were often federations, and as such individual rulers within the federation must have had some measure of latitude. In some areas viking captains completely exterminated the indigenous people they found. In other instances, the leaders simply subjugated the people they encountered. In areas where the local population were left alive they influenced the Scandinavian settlers in terms of religion and material culture to different degrees. Conversely, the viking presence in Scotland forced the native inhabitants to become more militant and politically united.3 Furthermore, the natives eventually adopted parts of Scandinavian language, material culture, and custom as well.
Leif Erikson’s grandfather, Thorvald Asvaldsson slaughtered a man in Jæren, Norway in 960 CE. This was the age of the Vikings, but Thorvald was still banished from the land (Mandia, n.d.). So he brought his ten year old son Erik, later to be named as Erik the Red because of his scarlet hair, to Drangar in northwestern Iceland on a farm with rather appalling soil (Where is Vinland?, n.d.).
The Anglo-Saxon Chronicle proves to be an invaluable source for deciphering the group of individuals most commonly referred to as ‘The Vikings’. Much of our knowledge pertaining to these Scandinavian seafarers can be attributed to this historic manuscript, which was collectively written by multiple anonymous scribes. It is important to note that this piece of literature, when compared alongside other historical sources, is not immune from certain biases, whether through inaccurate dating or the omission of certain details and events (Encyclopædia Britannica, The Anglo-Saxon Chronicle). That being said, the Anglo-Saxon Chronicle is still regarded as one of the most significant sources for the understanding
There was a lot more to the Vikings than their reputation would suggest. For example, Vikings had their own beliefs and religion. Before the Vikings resettled in other countries, they had their own religious beliefs and worshipped many different gods. The stories they told are known as ?Norse Myths?. The majority of them are about competitions between the gods and giants. The god of thunder, Thor, who was also ...
The worms in the Earth, Ymirs flesh, were turned onto dwarves, and the dark elves. The dwarves lived in Nidavellir, and the dark elves lived in Svartalfheim. There were also some nice creatures, and they were the elves, who lived in Alfheim. Odin took Ymirs skull and made it the sky, and places four dwarves in each corner of the sky. Nordri, Sudri, Austri, and Vestri; North, South, East, and West.
As seen in Fig.3, the Runestone of King Harald Bluetooth, demonstrates the infusion of European culture (that of Christianity and Church having sole authority) and the Nordic culture especially the Norse art which was commonly used by the Vikings. It is since, this infusion of Viking and European culture that was allowed to happened that it contributed greatly to the decline of the Viking Age in the mid 11th Century, as the Vikings began to assimilate more into the European culture and moral practices and values, through intermarriage and producing children therefore diluting the Viking culture and religion, leading to the end of the Viking Age as many
Mythology is defined as a collection of interrelated stories of a given culture. Myths are intended to explain and describe the mysteries of nature and give understanding about the world that surrounds us. Each culture has their own mythology that reflects their values and beliefs. Myths were also generated to tell the story of the first people to inhabit the earth. The Egyptian mythology elevated these people to the level of Gods and Goddesses by giving them supernatural and special powers. These myths of creation were passed from one generation to the next, either orally or by hieroglyphs painted in sacred temples, pyramids, and sanctuaries.
The Vikings have garnered attention over the years not only for their raiding and trading, but also for the Paganist gods and religion. Similar to many other ancient civilizations, the Vikings leave behind many myths containing tales of their gods and their beliefs. Marvel’s 2011 film Thor serves as an introduction to Norse gods and mythology, but it does fall flat in term of accuracy and detail in certain areas. Despite various large and small-scale changes to its overall plot and characters, Thor has been well-adapted to portray Norse myths as best as possible within an existing Marvel franchise.
In Neil Gaiman’s novel American Gods he used stories from Norse Mythology to create a modern day story. Gaiman used stories like the Norse pantheon and Ragnarok. In the story of Ragnarok; a battle between the gods and demons causes the world to end. Neil Gaiman’s novel uses the general myth genre because it’s a story about early history that explains natural and social phenomenon which includes supernatural beings and events. The novel also follows the monomyth template because it involves a hero that goes on a adventure which ends with a victory and changes the hero’s life.
Based on a 1987 Norwegian film, "Pathfinder" stars Karl Urban as Ghost, a young Viking who was raised by a tribe of Native Americans after being left behind by his Viking father after a raid on the new world. Years later, a new set of Vikings set foot on their land, and Ghost feels obliged to defend his foster people.
Life is full of dualities: freedom and captivity, love and loss, good and evil. For this reason, all the best stories have dualities. Norse mythology is full of these two-sided concepts that give the tales a rich complexity and meaning. One of the most prevalent themes in these stories is the relationship between savagery and beauty. When thinking of the Old Norse world and legends, the word savage often comes to mind, and for good reason: the tales and the culture that bore them contain much brutality and viciousness.
Mythology is an essential part of all cultures. Through myth, ancient cultures attempted to explain the world and make sense of their daily lives. Myth helps us to live in the minds and time period of people who lived many centuries ago with no technology, no running water, and a basic education. Greek myth is possibly the most commonly recognized myth simply because it is likely the most developed and best recorded. Modern Greek myth originated around 1000 B.C. in the writings of the famous Greek poet Homer in the Odyssey and the Illiad. Although early Greek myths are often vague and contain many primitive elements regarding their understanding of death, sacrifice, and fate, later myths show Greek culture developed and changed over time.
The origin of the title “Viking” continues to be debated. Some believe it is from the Old Norse noun “...
The years of 1975 to 1999 were very eventful for America. Times were filled with many different emotions, from hardship and loss to bright, cheerful days, many historical events occurred.
...sions of the mythology, it is easy to tell what the cultures held in high regard. The Greeks were a civil people; their chief deity was a god of law, justice, and morals. The Norse, on the other hand, were a people of war. Their chief god was a god of war and death, and the only way to Valhalla was to die honorably in battle. Examining these mythologies is an excellent way to show the similarities and differences of the two cultures.