Nick Carraway as an Unreliable Narrator in The Great Gatsby

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F. Scott Fitzgerald’s The Great Gatsby is a story of lost love, mystery, and an exciting tale from the “Roaring Twenties”. While considered a notable piece of literature in American history, perhaps the plot is not all it seems. This is because the narrator, Nick Carraway, is an unreliable one, based on his continuity errors, general racism, biased judgement, contradictory nature, and assumptions of others, all which blind his ability to effectively convey the true story to the reader. First off, Nick Carraway’s ability to keep continuity in line is revealed when he tells the reader things he could not have possibly seen, based on the account of how he was sitting, looking, or even what his own sobriety level. For example, Carraway tells us that during the confrontation with Gatsby, “Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby” (Fitzgerald 129). He said that Tom was looking for similar visages, but yet in the very next sentence says they were looking at Gatsby. Unless he turned to look at Tom without telling the reader, there’s no way he could have looked at Tom too. Also, after drunkenly conversing with Owl Eyes, Nick suddenly jumps in narration to “lying half asleep in the…Pennsylvania Station...waiting for the four o’clock train” (Fitzgerald 38). Nick makes no attempt at all to explain how he might of got there, how he left Owl Eyes, and after that never explains how he got home. Along with his continuity, one can tack on racism, ignorance, and biased judgement to the laundry list of narration flaws Nick has. In Chapter 4, Nick describes the drivers as “...three modish negroes, two bucks and a girl” (Fitzgerald 69). Even in today’s age, referring to someone as a “buck” is v... ... middle of paper ... ...ncompetent to tell the story correctly and with as little bias as humanly possible. To further solidify this argument, at the beginning of Chapter 4, Nick wakes up, drunk again, of course, on Gatsby’s front lawn the night after the part that takes place in Chapter 3. (Fitzgerald 61). Again, his drunkenness impairs our ability to believe his account of the story, as alcohol clouds judgement and separates his conscience from his actions, making him subject to random and unrealistic narration. To put the nail in this part of the coffin, after waking up from Gatsby’s party, he obsessively “wrote down the names of those who came to Gatsby’s house that summer” (Fitzgerald 61). This compulsivity and obsessiveness further hint at the possibility that Nick might have a few screws loose upstairs . Works Cited Fitzgerald, Scott. The Great Gatsby. New York: Scribner, 2004.

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