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The aboriginal culture in australia
Aboriginal history and culture
The aboriginal culture in australia
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Ngarlu Dreaming Story centres on the taboo relationship between a Jungarrayi man and a Napangardi woman; a union forbidden under the Warlpiri skin group system. Through concepts such as kinship, animism and, indignity, the dreaming story vividly provides a commentary on beliefs central to Indigenous customs and traditions. Kinship acts as a focal component of the story, as it reinforces the authority Aboriginal Customary Law has in governing the way Indigenous Australians interact with one another. Ngarlu Dreaming Story alludes to, in particular, the moiety system that exist across specific areas. Moiety system is a form of skin grouping, employed to divide Indigenous society into categories that relate one another through the kinship system.
In the rough and tropical island of Papua New Guinea, lived an exceptional aggregation of individuals called, The Gebusi. In the 1980's, The Gebusi tribe was anything besides up to date and acculturated. The Gebusi had their own particular singular and special customs and conventions that they rehearsed and accompanied. The Gebusi tribe took part in custom homosexuality, divination or witchcraft was exceedingly respected and polished, and they partook in particular sister-trade relational unions. By 1998-99, The Gebusi tribe had made another lifestyle. The Gebusi had gotten accustomed with new social convictions, modernization due to “western ways” that had changed their lives until the end of time especially changing their ways and view on gender roles and sexuality.
The book Monique and the Mango Rains is written on the backdrop of one of the poorest countries in the world where people are uneducated but they have their own culture and customs which they follow ardently. However the practices somehow match with the current world of hypocrite people but unknowingly they are present in the small village Nampossela of Mali where author interacted with Monique the central character of the
Selkies are Celtic fairy-tale creatures that are half-seal and half human. Stories about these mythical creatures originate from the Orkney Islands of Scotland. A selkie becomes human once it takes off seal skin. Most stories that revolve around selkies are usually about a selkie falling in love with a human man who takes away their seal skin in which the selkie ends up marrying. Even though there are male selkies, most selkies in stories portray a woman. The film The secret of Roan Inish is a good example of displaying socio-cultural and political anxiety or conflict portraying a human hybrid. The film was directed by John Sayles starring Jeni Courtney as Fiona Coneelly and Susan Lynch as Nula the selkie wife. The film reveals the treatment of seals as if they close like if they are a part of the family and it represents an absent of a mother maternal figure. In this essay, the film The Secret of Roan Inish will be used in reference to the socio-cultural and political anxiety. The essay will look at the gender relationships, including the human-animal companionship.
The film illuminates the life of the Wampanoag language and cultural meanings. How there had been threats posed to both since the times of European colonization, when the Wampanoag people had put up little resistance. The film is not a recap of the Wampanoag
“The Sambia: Ritual, Sexuality, and Change in Papua New Guinea” is a book written by Gilbert Herdt. It is based on a case study Herdt did during the 1970’s of the culture of the Sambia people. His study took place in Eastern Highlands Province of Papua New Guinea. He didn’t know much about their language, however through out his time there he was able to learn their language and customs. As he settled into their village, he mostly slept in the clubhouse with the other Nilangu villagers; however, eventually they built a house for him to stay at. Herdt had a great interest in gaining new knowledge about the Sambia culture.
In Embattled Dreams, author Kevin Starr explains the decade that begins with World War II and ends with the growth of states that were part of the war, concentrating on the United States specifically California. The book speaks about the changes that the war brought into California and how it was a catalyst for major changes in the state’s economy and society. It focuses on the development of California. Many books show the major events that changed a country, but there were smaller stories within the country that demonstrated to the development as well. The author wants to show readers that California contributed much to the war cause, building machinery and such, but this book emphasizes the effects these jobs had on society. Kevin Starr
An important theme in Potiki is the enduring idea that creating and sharing stories as a central part of being human is important. It is a significant theme because the novel is heavily imbued with Maori culture, in which the stories and spoken teachings are given prominence, and also because it is a popular belief that people need narratives to give meaning, structure and value to their lives. This theme is displayed resolutely and poignantly in Potiki’s plot, characters, setting and symbolism, as the people of a small rural New Zealand community rediscover themselves through stories spoken and found in Maori carvings. The idea that humans need narratives is the core theme in Potiki, and it is used also to link other themes and aspects of the novel; it is in this way that we know the idea of storytelling is an intrinsic part of the novel’s structure.
We live in a country that was established by the European immigrants in the 18th century. In that time period they were not seen as immigrants but as pioneers who established the United States. Now in the present, the word immigrant has a negative connotation and are not welcomed in the United States. In the book, The Short Sweet Dream of Eduardo Gutierrez, by Jimmy Breslin, we follow a young Mexican immigrant on his journey to the United States and see what he had to face with American society and labor. We travel with him from a small village named San Matίas in Mexico until his death in Williamsburg, New York. Not only did he suffer a brutal death, falling into cement, but also had to face discrimination in his neighborhood, by other Hispanic communities, and injustices at work. Immigrants do not only face exploitation in New York, but it has also been demonstrated that in the Midwest, Mexican immigrants face similar discrimination and labor abuse in the meat packing industry.
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
• AW’s work is deeply rooted in oral tradition; in the passing on of stories from generation to generation in the language of the people. To AW the language had a great importance. She uses the “Slave language”, which by others is seen as “not correct language”, but this is because of the effect she wants the reader to understand.
There are many cultural aspects of the poem. In the poem, “the secrets of your dreaming” refers to the Aboriginal belief called the Dreamtime. The three lines, “while waters of tears carry ancient stories down your jagged crevasses”. In these lines, “Ancient stories” and “down your jagged crevasses” refers to the Aboriginals rituals of ancestral spirits that take place near cracks in the stone walls of Uluru, such as crevasses. The first line in the poem, “Isolated rock” refers
Blind, deaf or mute, every single human being dreams. People over the age of ten often dream four to six times per night. As we all know from experience dreams can take us to familiar or unfamiliar places ranging anywhere from your own home to other realms. Dream interpretations vary from person to person. Some believe dreams are meaningful while others believe they are meaningless. Sigmund Freud, Carl Jung, Alfred Adler, Calvin Hall, Frederick Perls, Allan Hobson and Robert McCarley were all dream theorists who proposed different ideas as to why dreams exist and how they can be interpreted.
Everyone dreams, this is a common phenomenon that all humans share; but why people dream, and what people dream about, can be different for each person. The big question is what does a dream mean, and why did I dream it. There are so many different theories of what makes a person dream; some say to organize the brain, to sort of clean it up and out, it may be due to strong emotions or trauma, or dreams can help figure out and solve problems you may be having.
Where do dreams come from? What actually are dreams? Do they mean something that is related in our real lives? All these questions can be answered by learning about the history of dreams in various cultures throughout time.
Strauch and Meier call attention to a number of different approaches to this problem: (a) typological description, (b) enumeration, (c) describing dream interactions, and (d) portraying dream situations, themes, and motives.