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Symbolism in robert frost
Significance and nature of Robert Frost's poetry
Significance and nature of Robert Frost's poetry
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Robert Frost’s “New Hampshire” is not only is one of his longest poems but it also shows many different ideas that Frost may have had during his time in New Hampshire. The ideas presented in this poem range from poem styles to differences between states, advantages of being in New Hampshire, and even glimpses into the life of Robert Frost.
The differences between the states Frost describes is obvious in this poem. Frost “[switches] back and forth between people the speaker has met and the conclusions he has drawn about them,” (Fagan) and each of people are described as being from a different state, representing that state. Frost first describes meeting “a lady from the South who said/…/‘None of my family ever worked, or had/A thing to sell,’” (Frost). Frost later goes on to describe how he feels about her lifestyle. Feeling that “[people] may work…” if they have the means or the will, he says “…having anything to sell is what/Is the disgrace in man or state or nation?” (Frost). He then meets “a traveler from Arkansas/Who boasted of his state as beautiful/For diamonds and apples,” Frost’s remark, “‘I see the porter's made your bed,’” shows that he believes that Arkansas must be galvanized state and that this traveler must be wealthy, part of the upper class of Arkansas. Next, Frost meets “a Californian who would/Talk California—a state so blessed,/He said, in climate, none bad ever died there/A natural death, and Vigilance Committees /Had had to organize to stock the graveyards/And vindicate the state's humanity,” by this, the Californian means that normally all bad people were executed and buried to protect the state’s humanity. Frost murmurs “‘Just the way Stefansson runs on,’…” referring to how Stefansson was forced...
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...en revealing glimpses from his life. “New Hampshire” is the product of Robert Frost’s longings to take on the “‘plain New Hampshire farmer’ persona,” even though he is actually educated as a city writer, (Fagan).
Works Cited
Frost, Robert. New Hampshire. American Poems. Gunnar Bengtsson, 20 Feb. 2003.
Web. 8 Apr. 2012.
768>. Copyright © 2000-2012
Fagan, Deirdre. "'New Hampshire'." Critical Companion to Robert Frost: A Literary Reference to
His Life and Work, Critical Companion. New York: Facts On File, Inc., 2007. Bloom's
Literary Reference Online. Facts On File, Inc.
http://www.fofweb.com/activelink2.asp?ItemID=WE54&SID=5&iPin=
CCRF224&SingleRecord=True (accessed April 8, 2012).
Meyers, Jeffrey. Robert Frost: A Biography. Apr 10, 1996 . N.p.: Houghton
Mifflin, 1996. Print.
Selected Poems by Robert Frost, New York: Barnes and Noble, 2001 3.Graham, Judith, ed. Current Biography Yearbook Vol. 1962, New York: The H.W Wilson Company, 1993 4.Kesey, Ken. One Flew Over the Cuckoo's Nest, New York: Penguin Group, 1962 5.Weir, Peter. Dead Poets Society, 1989
Pritchard, William H. Frost: A Literary Life Reconsidered. Amherst: The University of Massachusetts Press, 1985. 43.
The persona begins to think about how he cannot take both paths and be the same “traveler”
The nature of an ideology is completely personal; one’s interpretation may vary greatly from another’s interpretation. This is demonstrated in the two poems, “America” by Claude McKay and “Let America be America Again” by Langston Hughes. Both of these poems emerge from the Harlem Renaissance of the 1920s, and though these two poems each describe an ideological viewpoint of America as a place and a concept, the two speakers view the subject differently from one another. Both poets employ similar sound devices, yet the tones and themes vary between the two works.
Lentricchia, Frank. Robert Frost: Modern Poetics and the Landscape of Self. Durham: Duke University Press. 1975. 103-107.
Walt Whitman is arguably America’s most influential poet in history. Born Walter Whitman in May 31st, 1819 to Walter Whitman and Louisa van Velsor, he was immediately nicknamed ‘Walt’ to distinguish him from his father. He came to life in West Hills on the famous Long Island, the second of nine children that grew up in Brooklyn. He came to be fondly known as ‘the Bard of Democracy’, mainly because that was a main message in his work. He is also celebrated as ‘the father of the free verse’. He was a liberal thinker and was vehemently against slavery, although later on he was against the abolitionists because, according to him, they were anti-democracy. He managed to marry transcendentalism with realism in his works. His occupation was a printer school teacher and editor.
Robert Frost wrote poetry about nature and it is that nature that he used as symbols for life lessons. Many critics have been fascinated by the way that Frost could get so many meanings of life out of nature itself. Frost‘s poetry appeals to almost everyone because of his uncanny ability to tie in with many things that one is too familiar with and for many, that is life in itself. “Perhaps that is what keeps Robert Frost so alive today, even people who have never set foot in Vermont, in writing about New England, Frost is writing about everywhere” (294).
This paper is about “After Apple Picking,” by Robert Frost, from the perspectives of Carl Phillips and Priscilla Paton. I would like to focus more on Carl Phillips discussion of “After Apple Picking” as his article has more focus on an actual argument on what “After Apple Picking” is about compared to Paton’s article which is more about how Frost went about writing his poems though his usage of metaphors and vague colloquialisms . Neither article was solely about “After Apple Picking,” but both had a few good observations and comments about the poem. Phillips main observation, and argument, was that “After Apple Picking” was about restlessness and ambition. “It’s a poem of restlessness, the restlessness of an ambition that spurs us towards greater achievement.” (Phillips 134).
Robert Frost, a poet that mastered the imagery of nature through his words. Such vivid details compressed in a few stanzas explains the brilliancy of his writing. He was born on March 26, 1874, in San Francisco. By the 1920s, he was the most celebrated poet in America; with his fame and honor increasing as well. His poems created themes like nature, communication, everyday life, isolation of the individual, duty, rationality versus imagination, and rural life versus urban life. The most controversial theme of this poems is nature and if his poems have a dark side in them. Readers can easily be guided to the fact that his poems are centered on nature; however, it is not. Frost himself says, "I am not a nature poet. There is almost a person in
Kemp, John C. Robert Frost and New England: The Poet as Regionalist. Princeton, NJ: Princeton UP, 1979. Print.
Next, in the poem “Birches” he thoroughly describes many periods of the time he had as a child growing up. Line after line it’s evident that Robert Frost’s childhood was somewhat lonely, which allowed him to be very creative and make do with what he had. He wrote, “Some boy too far from town to learn baseball, / Whose only play was what he found himself” (Frost 25-26). These lines show that Frost didn’t spend much time with friends. He had to conjure up ideas and di...
...uses his poetry to celebrate, compare, and contrast the beauty of nature and rural living. Throughout Frost’s poetry he draws upon the beauty of nature to build up vast amounts of scenery. To contrast from nature, Frost also uses the integration of industrialized rural life. Frost uses nature to build the beauty in his poetry, but also uses it to say things that cannot be said with words alone. Heller once wisely spoke: “Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.”
“Frost, Robert.” Gale Contextual Encyclopedia of American Literature. Vol 2. Detroit: Gale, 2009. 569-573. Gale Virtual Reference Library. Web. 9 March 2014.
Perhaps one of the most well-known poems in modern America is a work by Robert Frost, The Road Not Taken. This poem consists of four stanzas that depict the story of the narrator traveling through the woods early in the morning and coming upon a fork in the path, where he milled about for a while before deciding upon one of the two paths, wishing he could take both, but knowing otherwise, seeing himself telling of this experience in the future.
Robert Frost and his wife decided in 1912 to sell their farm house in New Hampshire and move to England, where Frost wrote his first two books of poems. Frost was originally from San Francisco where he grew up and spent most of his childhood. Although a lot of his writing have natural parts in them, Frost doesn’t consider himself as a nature poet. “I’ve only written two poems without people in ‘em. Does that make me a nature poet? Well, I don 't think so” (Frost Interview). This shows Frost 's opinion about him being considered a nature poet. Most people consider Frost as a nature poet, but looking deeper into his work then just reading it, one can argue that he is not. When looking at Frost 's work we see that although a lot of it involves nature in it, it also involves a person, a person that is admiring, working, or using nature. When analyzing his writing, Frost uses nature to show deeper in depth lesson...