In Nella Larsen’s Passing, the final scene of Part Two: Re-Encounter highlights Clare’s confession of her selfish nature and Irene’s ignorance of her own flaws, emphasizing the introspective view that both causes suffering for Clare and allows her to remain more perceptive of her own actions and their consequences. As Clare asserts that “children aren’t everything,” the work identifies her self-satisfying nature that positions herself above even her family, implicitly illustrating her newfound love for the African-American community in New York and her fierce determination to preserve her new life (Larsen 64). As the quote initially characterizes Clare’s self-serving aspect, it also remains reminiscent of Edna’s mindset in The Awakening, as her comment that “[she] wouldn’t give [her]self” for her children …show more content…
depicts her increasingly individualistic nature (Chopin 47). From the similarity in both affirmations, Clare’s statement highlights her independence that allows her to take risks in order to satisfy her own desires and obtain the best qualities of life, suggesting that Clare’s degree of control and conscious realization of her own actions far exceed Irene’s desired control and constant self-awareness.
Clare further extends her self-reflection as she comments on her terrible nature, confessing to Irene that, in order to satisfy her own desires, she would “do anything, hurt anybody, throw away anything,” portraying her harshly selfish mindset that causes inherent danger to those around her (Larsen 65). This depth in understanding herself characterizes Clare’s rule over her life, as Clare makes all of her decisions based on her own desires and wants, contrasting with Irene, who desires control in her own life and maintains a semblance of it, but cannot truly achieve full authority due to her deference to a need for stability. Additionally, the novel identifies this factor from Irene’s perspective, as she describes Clare’s countenance as one that had “a beseeching earnestness that made Irene vaguely uncomfortable” (Larsen
65). Irene’s nervous nature towards Clare’s honesty and confession reflects on her own inability to realize her twisted mindset that, throughout the novel, constantly victimizes herself and emphasizes her own merits while neglecting her flaws and disparaging other’s qualities, illustrating Irene’s artificial control over her life through a change in perspective rather than a change in action. Furthermore, the novel reveals Irene’s denial of her deficiencies and Clare’s harsh introspective analysis of herself when Clare cries “with no effort at restraint, and for no reason that Irene could discover,” characterizing Clare’s hatred of her selfishness and highlighting Irene’s continued ignorance as she fails to acknowledge the merits of self-evaluation (Larsen 65). Though Clare’s understanding of herself causes her pain, it ultimately reveals her flaws and mistakes to her and allows her to retain a larger degree of control and freedom over her future actions, which she demonstrates with her plan in case Jack discovers her true race. Meanwhile, Irene, in ignoring her flaws, can only exercise a lesser amount of artificial authority over her life, as she cannot solve any problems with her own faults as the cause. These aspects largely underscore the work’s theme that one must recognize and accept one’s own flaws before fully establishing peace and happiness in life. From Passing’s evocative and emotional scene at the end of Irene’s re-encounter with Clare, the novel characterizes Clare’s self-reflective analysis and Irene’s contrasting ignorance to emphasize the necessity of introspective examination and recognition of inadequacies to eliminate future regrets and mistakes.
Additionally, Edna’s sacrifice helped her established an identity for herself. “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself, I can’t make it more clear; it’s only something which I am beginning to comprehend, which is revealing itself to me” (Chopin 57). She realizes how much she valued herself and how she would handle herself. As well as, this emphasizes on the meaning of The Awakening, of how women are able to define themselves as something more than a
1) Double Consciousness- Double consciousness applies to how Clare Kendry views herself. She is trying to fit in to the white community by acting white and going along with her husband’s resentment of black people, but at the same time she wants to be a part of the black community again. He husband states “I don’t dislike them. I hate them. And so does Nig for all she is trying to turn into one” (page 69). This is possibly the best representation of Clare. She wants to be part of the black community, but she also acts like or really does hate that it is a part of her, which is why she has tried so hard to become white. She even at one point states “I do think that colored people- we- are too silly about things” (page 62) in reference to the fuss being made
Kate Chopin’s “The Awakening” is wrought with symbolism, foreshadowing and careful diction choices. Many of the passages throughout the novel embody Edna’s awakening sense of self-reliance, independence and sexuality. These are sy...
...oroform, a sensation-deadening stupor, the ecstasy of pain, and an awakening—mark Edna’s self-discovery throughout The Awakening. Still, in the end, Edna follows through with what she told Madame Ratignolle she would and would not be willing to do: “I would give up my life for my children; but I wouldn’t give myself” (69). She gives up her life because she is unwilling to give up her self—her desires, her cravings, and her passions to do what she wants selfishly and without regard for any other being’s wishes. She cannot escape motherhood, nor can she ever hope to find her idealized lover. Thus, she leaves these dissatisfactions behind her as she enjoys her final moments of empowerment and solitude wrapped in the folds of the sea, the hum of bees, and the smell of pinks’ musk.
Clare longs to be part of the black community again and throughout the book tries to integrate herself back into it while remaining part of white society. Although her mother is black, Clare has managed to pass as a white woman and gain the privileges that being a person of white skin color attains in her society. However whenever Clare is amongst black people, she has a sense of freedom she does not feel when within the white community. She feels a sense of community with them and feels integrated rather than isolated. When Clare visits Irene she mentions, “For I am lonely, so lonely… cannot help to be with you again, as I have never longed for anything before; you can’t know how in this pale life of mine I am all the time seeing the bright pictures of that other that I o...
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
The childhood of Frances Piper consists of inadequate love, loss of innocence and lack of concern, ultimately leading to her disastrous life. As a six year old child, she encounters several traumatic events, explicitly the death of her loved ones and the loss of her innocence. Over the course of one week, there have been three deaths, two funerals and two burials in the Piper family. “Frances was crying so hard now that Mercedes got worried. ‘I want my Mumma to come ba-a-a-a-ack.’”( McDonald 174). As a young child, there is nothing more upsetting than losing a mother. A family is meant to comfort each other to fulfill the loss of a loved one; however, this is not the case in the Piper family. Mercedes, only a year older than Frances, tries to console her even though she herself is worried. The loss of motherly love and affection has a tremendous impact on her future since now her sole guardian, James, expresses no responsibility towards her. Instead, he molests Frances on the night of Kathleen’s funeral to lessen the grief of his lost daughter. As a result “These disturbing experiences plague Frances with overwhelming feelings of low self worth and guilt that haunt h...
Tragic mulatto characters such as Clare transport unforeseen horrors when they make the selfish decision to reinsert themselves back into the world they so desperately desired to flee. Larsen makes this point clear through the diction she uses when describing the self-esteem destruction Irene undergoes once Clare has reinserted herself into Irene's life, and the situations Irene finds herself as a direct result of Clare. Prior to Clare’s reentrance into her life Irene is a self-assured, independent, and confident woman; however, she soon turns self-conscious, dependent, and hesitant. Upon viewing Clare at the hotel Irene is struck by Clare’s ...
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)
Her transformation and journey to self-discovery truly begins on the family’s annual summer stay at Grand Isle. “At a very early period she had apprehended instinctively the dual life- that outward existence which conforms, the inward life which questions. That summer at Grand Isle she began to loosen a little of the mantle of reserve that had always enveloped her” (Chopin 26). From that point onward, Edna gains a deeper sense of desire for self-awareness and the benefits that come from such an odyssey. She suddenly feels trapped in her marriage, without being in a passionately romantic relationship, but rather a contractual marriage. Edna questions her ongoing relationship with Leonce; she ponders what the underlying cause of her marriage was to begin with; a forbidden romance, an act of rebellion against her father, or a genuine attraction of love and not lust? While Edna internally questions, she begins to entertain thoughts of other men in her life, eventually leading to sensuous feelings and thoughts related to sexual fantasy imagined through a relationship with Robert Lebrun. Concurrently, Edna wavers the ideas so clearly expected by the society- she analyzes and examines; why must women assimilate to rigid societal standards while men have no such
As the novel The Awakening opens, the reader sees Edna Pontellier as one who might seem to be a happy married woman living a secure, fulfilled life. It is quickly revealed, though, that she is deeply oppressed by a male dominated society, evident through her marriage to Leonce. Edna lives a controlled life in which there is no outlet for her to develop herself as the individual who she is. Her marriage to Leonce was more an act of rebellion from her parents than an act of love for Leonce. She cares for him and is fond of him, but had no real love for him. Edna’s inability to awaken the person inside her is also shown through her role as a “mother-woman”. She loves and cares for her children a great deal, but does not fit into the Creole mother-society in which other women baby and over protect their children.
The letter is highly regarded as a symbol of Clare, and is described accordingly. Irene describes the letter with “She was wholly unable to comprehend such an attitude towards danger as she was sure the letter’s contents would reveal; and she disliked the idea of opening and reading it” (pg 9). This description shows Irene’s acute awareness of the dangerous life Clare is leading, and her complete disdain of her choices. It also broadcasts Irene’s nature of ignoring the unpleasant, or her own desires with the line “disliked the idea of opening and reading it”. She would rather be ignorant of its contents than face them. Later, she finally reads the content of the letter and afterwards is described as having “Brilliant red patches flamed in Irene Redfield’s warm olive cheeks” (pg 11). This line proves that Irene has the capacity to be sexually attracted to Clare due to the letter making her blush deeply, considering the letter is an inanimate embodiment of Clare. Irene’s attraction to Clare brings on more complexity to the relationship, and furthers Irene’s