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Role of environment in childs development
Role of environment in childs development
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Does one enter the world evil or does one become malicious gradually because of life experiences? Mary Shelley’s novel Frankenstein is a fiction story about the scientist Victor Frankenstein and his destructive creation of a monster that ruins his life. The monster that Victor creates is born good but corrupted by the world. As the world, in fear, continually rejects the monster, he quickly transitions from a being who was good to an evil one. Reading the novel, the science of human behavior comes into question. In the novel Frankenstein, the author Mary Shelley uses the monster’s constant rejection from society to show that a person’s traits are effected more by his environment than by his nature. The idea of nature vs. nurture comes into …show more content…
As we know, he already had begun to see himself as an outcast from early on. But, if the world had not run in fear of him, he might not have questioned his differences. He talks o the bible and compares himself by stating, “Many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me.”(Frankenstein VII, Ch.VII Pg. 90 Para. 2) The creature begins to see himself in a negative light as he looks upon the De Lacey family, his protectors, in a high regard. He gains insight on human history, the war filled, bloody and revengeful civilization. After learning about war and revenge, it was not surprising to see him transition to a malicious being later on. His true corruption finally comes from his harsh social treatment. He goes into the cottage hoping to be accepted by the family he so strongly admires Everything changes after he reveals himself to the cottagers and they react with fear and rejection. According to the article, Revisiting Nature Vs. Nurture: Implications for the Teaching/Learning Process, author and psychologist Fred French states, “The importance of family, community and schooling as factors affecting the teaching/learning process are critical to intellectual growth and capacity, particularly during childhood and in the early adult years”. If all someone knows is hate and …show more content…
The Nature-nurture Controversy. New York: King's Crown, 1949. Print.) The importance of nurturing a human being is that all circumstances has such an immense impact on what the child will become. In the case of the monster in Frankenstein, his rejection from Victor is the center of the events that take place in the novel. Every event that the monster experienced was negative. As we already know, the more the monster had learned, the more he disliked the world. For instance, his first experience with love was the book, Sorrows of Werther, a negative story about it. If a child's understanding and encounters of humanity are all detrimental, how can they be expected to be anything but evil? The monster was not inherently evil, his harsh social treatment lead him to become that way. He was never accepted by mankind not because of his hideousness but because he never was taught to
Moreover, the Monster learns history and social systems from Felix’s instructions to Safie, and becomes a rational, deep thinking being. All these actions of the Monster apparently show that nurture outweighs the nature of the Monster. Also, the story of the De Lacey family draws the significance of how nurturing determines one’s personality and characteristics. “The patriarchal lives of my protectors caused these impressions to take a firm hold on my mind; perhaps, if my first introduction to humanity had been made by a young soldier, burning for glory and slaughter, I should have been imbued with different sensations.
Frankenstein by Mary Shelley introduces the change from good to evil with the attention that guardians give a child. William Crisman, in his critique of Mary Shelley’s work, identifies the “sibling rivalry” between Victor and the rest of his family. Crisman remarks that Victor feels as if he is the most important person in his parents’ lives, since he was Alphonse’s and Caroline’s only child. The Frankensteins adopt Elizabeth and Victor sarcastically remarks that he has a happy childhood. This prompts Victor starts to read essays about alchemy and study natural science. Anne Mellor, another critic of Frankenstein, proposes that Frankenstein’s creature was born a good person and society’s reaction to him caused him to turn evil. Victor’s makes the creature in his own perception of beauty, and his perception of beauty was made during a time in his life when he had secluded himself from his family and friends. He perceived the monster as “Beautiful!”, but Victor unknowingly expressed the evil in himself, caused by secluding himself from everybody, onto the creature (60). In this way, the creature is Victor’s evil mirrored onto a body. The expression of Victor onto the monster makes the townspeople repulsed by the creature. The theory of the “alter ego” coincides with Crisman’s idea of sibling rivalry (Mellor). Mary Shelley conveys that through Crisman’s idea of sibling rivalry, Victor isolates himself from society. Mellor describes the isolation during his creation of his creature leads to him giving the creature false beauty that causes Victor to abandon him and society to reject him.
Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.
“I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I was, have made me what I am” (Shelley 92). Frankenstein’s Creature presents these lines as it transitions from a being that merely observes its surroundings to something that gains knowledge from the occurrences around it. The Creature learns about humanity from “the perfect forms of [his] cottagers” (90). Mary Shelley’s Frankenstein offers compelling insights into the everlasting nature versus nurture argument. Her husband, Percy Bysshe Shelley wrote, “Treat a person ill, and he will become wicked.” Shelley believes that the nurture of someone, or something, in the Creature’s case, forms them into who they become and what actions they take. While this is true for Frankenstein’s Creature, the same cannot be said about Victor Frankenstein.
In Mary Shelley’s novel Frankenstein the protagonist Victor Frankenstein creates a monster. The monster in the novel is deprived of a normal life due to his appearance. Like the creature, some serial killers today are killers due to the same rejection. In the novel Frankenstein, Mary Shelley warns that a childhood of abuse and neglect will often result in evil actions.
Throughout most of her novel, Frankenstein, Mary Shelley establishes a them stating no one can be born evil but the life a person lives turns them evil. The creature becomes a monster everyone believes him to be after continuous rejection and abuse. This is the reason why readers become more sympathetic towards Frankenstein's creation than any other character in the novel.
...ime, such as reading, speaking, and how to find shelter. More importantly however, he learns something that affects his entirety of his short life: how humans truly are. Frankenstein learns that humans can be kind and moral, but more often are cruel, brutish, unfair, and unsympathetic. He learns that he will never be accepted, and learning this drives him to do rather evil human-ish acts. Even as he does these bad things though, he still experiences regret, longing for companionship, and the drive to do good things and be a good person. This inner conflict is present in all humans, as we struggle to do the right thing and avoid temptations and violence. This struggle is what causes the creature to truly be human, encompassing all of humanity’s aspects, including both the good and bad.
The question “What makes us who we are?” has perplexed many scholars, scientists, and theorists over the years. This is a question that we still may have not found an answer to. There are theories that people are born “good”, “evil”, and as “blank slates”, but it is hard to prove any of these theories consistently. There have been countless cases of people who have grown up in “good” homes with loving parents, yet their destiny was to inflict destruction on others. On the other hand, there have been just as many cases of people who grew up on the streets without the guidance of a parental figure, but they chose to make a bad situation into a good one by growing up to do something worthwhile for mankind. For this reason, it is nearly impossible to determine what makes a human being choose the way he/she behaves. Mary Shelley (1797-1851) published a novel in 1818 to voice her opinions about determining personality and the consequences and repercussions of alienation. Shelley uses the ideas of Jean-Jacques Rousseau to make her point. Rousseau proposed the idea that man is essentially "good" in the beginning of life, but civilization and education can corrupt and warp a human mind and soul. In Mary Shelley’s Frankenstein; or, The Modern Prometheus (hereafter referred to as Frankenstein), Victor Frankenstein’s creature with human characteristics shows us that people are born with loving, caring, and moral feelings, but the creature demonstrates how the influence of society can change one’s outlook of others and life itself by his reactions to adversity at “birth”, and his actions after being alienated and rejected by humans several times.
In the words of the 17th century English Philosopher John Locke – "All events and learning after birth are experienced in the mind as though drawn on a blank slate.” In Frankenstein, Victor’s creation was abandoned and left to determine his way on his own from its inception – leaving the creation not as a child, but as a monster. Because of his hubris in assuming he could be like God and create life from nothing, Victor became a creator rather than a parent. (Halberstam 14). When the monster escaped and explored the world on his own, he was never accepted by humanity because he was never taught how to be human by his parent. "... I, then a monster, a blot upon the earth, from which all men fled and whom all men disowned." (Shelley 85), Even though starting life innocent and pure – a “blank slate” - the monster becomes evil through experiencing hatred from the humans it longed to be like. Just as in Frankenstein, Nina Sayer in Black Swan goes through a transformation from a pure and innoce...
After his creation, Frankenstein’s monster is left in isolation, cursed to endure people’s hatred towards him. This revulsion met by onlookers is merely based on the creature’s hideous looks. The monster is not actually a monster at all. He displays more humanity than many other characters in Frankenstein. The ultimate irony is that the prejudicial belief is what caused the reanimated human to become a monster. In the nature versus nurture debate, proponents of the nature theory believe that a person is unchanging and that one’s experiences do not affect that person’s behavior. If this were true, the monster would not change as a result of his interactions with humans. It is undeniable that the creature does immoral things, but when Frankenstein’s monster saves a little girl from drowning, Mary Shelley takes a clear stance that the creature was naturally noble but became monstrous as a result of interactions with humans.
The philosophical root of Frankenstein seems to be the empiricist theory first promoted by John Locke in An Essay Concerning Human Understanding. In that essay, the mind is concieved as beginning as a blank slate or tabula rasa, upon which the various impressions gained by the outside world shape the personality. According to this strict empiricism, the mind contains no innate basis for the basic prerequisites for human socialization: a social code and/or morality with empathetic roots. As a result of the monster's isolation, he is unable to sympathize with human beings and loses respect for other intelligent life. Even though the monster has good intentions, his beneficence is subverted by the negative and anti-social reactions he receives from the people he encounters.
Mary Shelley’s novel Frankenstein centers around a creator who rejects his own creation. The plot thickens as Victor Frankenstein turns his back on his creation out of fear and regret. The monster is cast out alone to figure out the world and as a result of a life with no love, he turns evil. Shelley seems to urge the reader to try a relate with this monster and avoid just seeing him as an evil being beyond repentance. There is no doubt that the monster is in fact evil; however, the monster’s evilness stems from rejection from his creator.
Man by nature, judges people and things by their appearance. If a person is pleasant looking then they will be given more of a chance to express their internal self. If they are ugly, or cosmetically deformed, they usually aren't given much of a chance to show who they really are. Grotesquely ugly people are sometimes thought of as monsters, and are ostracized. Many cosmetically inferior people are afraid to go out into society. Mankind seems to be fearful of the unfamiliar and unknown. People are afraid of what they do not understand. Deformaty is something that most people can not comprehend.
Victor Frankenstein is originally a happy character that loves to learn and read a large variety of books. He was a fiery individual who sought to understand all knowledge; regardless of how practical the information was. Evidence of this is when his father tells him not to worry about fictional writers like Cornelius Agrippa. Yet, Frankenstein states, “But here were books, and here were men who had penetrated deeper and knew more. I took their word for all that they averred, and I became their disciple” (21). Frankenstein embodies the movement in science to understand everything, and that is not necessarily a good thing (Storment 2). Frankenstein only understands that this train of thought is bad when he reaches the pinnacle of knowledge and produces the creature. The fruits of Frankenstein’s labor end up costing him the lives of his friends and family, as well as his own sanity. The feeling of guilt thrives in Frankenstein because he knows his work was the direct cause of the chaos in his life. In Frankenstein’s case, his goal of total enlightenment led to his pitiful demise. Frankenstein’s creature was not originally a monster. He is born with good intentions and is a gentle- although atrocious looking- being until he learns of the sins of the human race. The ultimate factor in the creature’s progression from harmless to
Frankenstein, a novel written by Mary Shelley that tells the tale of Dr. Frankenstein’s monster, and Wuthering Heights, a book authored by Emily Brontë that tells the story of a character named Heathcliff, both include the concept of nature vs. nurture. The pair of works include death, a passion-driven villain, and madness, which are all elements present in Gothic literature. The two novels both exhibit the prevailing theme of nature vs. nurture through the usage of these Gothic elements.