When people visit museums, they are presumably touring the attraction for the sense of enjoyment and entertainment. These buildings of historical valuables have become a destination for those who wish to fulfill their curiosity of knowing what has been rescued and refurbished from the past, and individuals who simply want to pass time. There are a number of items and antiquities which are admired on a daily basis, but is the work and selection process taken into consideration as well? The art may be appreciated but the question of why the pieces were chosen never arises. Artifacts selected to be showcased within museums are representations of the evolution of mankind, and the ever-changing mindset and behaviors acquired from generation to generation. …show more content…
Every culture seems to share a different perspective on humanity and with art being a form of self-expression, the artist may tend to integrate their lifestyle within their work. This factor may grant viewers a look into the creator’s mind first handedly and provide them with a feeling of improved understanding. “The museum’s extensive collection encompass a vast range of cultural material- including more than 800,000 works of extraordinary aesthetic, religious, and historical significance,” stated in the excerpt from the website of the National Museum of the American Indian. Along with visual aids, the “National Museum of the American Indian actively strives to find new approaches to the study and representation of the history, materials, and cultures,” thus obliging peoples to further their education among such topics. For example, someone conducting research on a certain aspect of people and their interpretation of life, having access to such an large collection can be capable of supplying them with the appropriate information. Another scenario to take into concern is the possibility of an individual struggling with the importance of cultural identity and relying on the history of their ancestors to direct them in …show more content…
For instance, a piece featured at the St. Louis Art Museum depicts the Titanic tragedy while signifying the importance of coming together in the times of need. Many works hold a greater meaning behind them than what is just painted on a canvas, and being knowledgeable of the ownership history may allow historians and inquisitive people alike, to respect its journey continually. The Metropolitan Museum has created a “useful source in arriving at the truth and ensuring justice,” for items that were “unlawfully confiscated and never restituted.” (Source F) Art gaining restoration can lead to the appreciation of the story behind it from both the artist as well as viewers. Although restoring archival pieces tends to be appreciated, certain circumstances can have a negative outcome. With the intentions of recreating the past at Colonial Williamsburg, the museum received an extensive essay which attacked the efforts. Critiques stated that it was “the replacement of reality with selective fantasy,” simply meaning that the architecture avoided historical “unpleasantness like slavery, disease, and class oppression.” (Source
Everyone has an ethnic background, whether it is Chinese or European, we all come from somewhere. Barbara Ehrenreich has come to the conclusion in her article “Cultural Baggage” that the race and religion of our ancestors should not be what defines us. While she agrees that everyone has different roots, she shows the reader that you do not have to be defined by your roots and that the traditions do not have to be followed.
Imagine that one piece of history that is taken from a town. This piece of history tells l people how this town was built and all the important people that were apart of the community. “Returning Antiquities to Their Countries of Origin” by Joyce Mortimer can many people about how objects are getting taken from Museums. They should be returned immediately. There are so many artifacts out there that could be so important to people, and if someone can just imagine what it would feel to have one of the most important object taken from a museum and to be never returned again. Many people enjoy seeing these objects so why are they being taken?
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
In order to study and understand American Indian art, one must also be familiar with their customs and beliefs. Many of the artworks have fabulous stories behind them that were crucial in forming the Native American culture. For these people, culture and art go hand in hand and is therefore impossible to know one without the other. The same is true for almost any other kind of artwork. In order to really appreciate a work of art one must have background knowledge of the society who formed and shaped it.
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
The National Cowboy and Western Heritage Museum of art exhibits a wide range of collection which covers a period of five century. Looking at an art explores new ideas that enable and inspire to be more creative and develop critical thinking skills. The museum collection offers vivid surprising evidence of cultures from the past. The visit was an educational, cultural and entertaining experience to me. This was a meaningful training to me. A
As I look at the painting of The Adoration of The Shepherds, two artists, Andrea Mantegna and El Greco, showed it different ways with same subjects. First, the title of the paintings is about Jesus's birth. Andrea mantegna artist had lived from ca 1430 to 1506. He established his reputation when he was 20 years old. This painting is the evident of his highly individual style. He worked it during ca 1451 to 1453. He painted it in horizontal format with 153/4x217/8(40x55.6). He used tempera on a canvas that transferred from a wood. In difference, El Greco(Spain 141-1641) worked it with oil color on canvas by vertical format. The size is 125 5/8x707/8(319x180cm). In Greco's painting, the objects are full on the canvas that big two angels and others are placed on top of the middle place, and the people are placed in triangle position based on the landscape. The landscape is very detail. The people I find it that Holy Maria is standing in the middle and the mountain is placed behind of Maria among the landscape things.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
The Tampa Museum of Art was not always the same museum that we see today. It went through multiple stages throughout the years. The works vary, creating a large spectrum from the old to the new. The social angles change with the exhibits in the museum, combining to create the diversity we see today. Visiting this museum in person helped me to appreciate it even more than I would have thought possible. Observing and analyzing the other visitors helped me to understand the museum’s impact on the community more than I would have been able to just by reading about it. This museum is much different from others than I have visited.
The museum I attended was “National Museum of the American Indian” (The George Gustav Heye Center.) This historical center offered a superlative perspective of the social legacy of the Native Americas. There were displays that present famous items chose for their aesthetic quality and power as emblems of Native beliefs. My experience in this museum was very quiet and lonely, but I made the best out of it. When first entering the museum, I was lost as to how I would be able to connect any of the information to this class. It took me a while to get an understanding of how the information I collected could be relevant to this class. The concepts and theories I will be using to analyze my museum visit is race and ethnicity, commodification, theory of domination, and hegemony. The authors I will be using are Stephen Steinberg, Vine Deloria, Jr., Charles Fruehling Springwood, C Richard King, Harry Kitano, Nathan Glazer and Ronald Takaki.
The first art that interested me was the art of Indonesia which in this exhibit depicted the culture, history and art of Indonesian people. For instance, Bali a small island in the Indonesia valued most of its art based on the rich resources they occupied such as most art was composed of gold, diamond and sapphires which people of Bali believed that it will resemble their higher standards in the society. Art of Bali amazed me the most when it came to their “King’s crown” and “Queen’s crown” which was completely “fashioned in pure gold with diamonds, rubies, and sapphires” (Bali). The king’s crown was much simpler compare to queen’s crown which contained many varied of gold decorative that looked like gold flowers, and all of its designs such as rubies or sapphires were perfectly horizontally lined to each other that sort of depicted as a shiny necklace. The Bali’s art that I observed was very interesting know about the society they lived in those centuries with representation of their upscale society (Bali).
...due to the external forces such as other settlers e.g. the Navajos, new settlers along with the Spanish conquerors entered their world. As a result the Pueblo Indians were imposed by these external forces especially through military power that changed their ways completely; having minimal cultural practices of their ancestors before them. The museum may seem like it’s very limited to what’s on exhibit mostly because not all of the building is in use. However the few exhibits they have is substantial in sparking an interest or even beginning to understand the cultures of Native Americans.
New museology is the modernisation of museums. New museums are made to be more interactive and more interesting for the visitors. Displays in the museums are no longer covered in glass and people are encouraged to look more closely and interact with displays. The museums are brighter are the displays...
...troversy as all countries have lost, to a great or lesser extent, treasures of national renown and significance over time. Wars, theft, treasure seeking, changing boundaries and migration have all in some way contributed to this diaspora of art. There is clear evidence that the historic placing of objects in locations remote from their origin has on occasion afforded protection and preservation, The Elgin Marbles in The British Museum being a case in point. However, given the overarching principle of self determination it is difficult to argue that serendipitous historic placement is sufficient reason for items of true national heritage to be kept indefinitely. A world-wide system of touring exhibitions and cultural exchange, with context being provided by the originating society may provide the natural progression to the accessible widening of people’s experiences.
The subject of art conservation and restoration has long been debated in the art world. Experts and historians have never agreed that all art must be salvaged at any cost. This paper will examine what art conservation and restoration is, what is involved in these endeavors, and what has been done over the centuries to many of history’s cherished art pieces.