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After twenty years of literary analysis
After twenty years of literary analysis
Literary analysis ftee
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In Arthur Schnitzler’s Fräulein Else, the story is told through Else’s point of view. Not only does Schnitzler allow the readers to see how the characters interact with one another through dialogue, he also incorporates Else’s thoughts and reactions to everything she experiences. Through the use of the stream of consciousness and describing her escapes to fantasy, Schnitzler is able to vividly convey to the reader the internal turmoil and conflicting emotions that throw Else into a void of hysteria.
Else first receives a telegram from her mother informing her that her father needs money in order to escape jail and embarrassment after being found out of embezzlement. Because there were no family members to turn to, Else is asked to approach Herr von Dorsday, a wealthy family acquaintance, to ask him to lend money. However, with the telegram comes with the suggestion of selling her innocence. “Oh Heavens, won’t he give me the money? I mustn’t look so frightened. Everything is at stake. I must say something intelligent and convincing” (43). This quote illustrates Else’s compliance to her mother’s message in addition to her reluctance to go through with her actions. In addition, Else contemplates, “How would you like it, Father if I sold myself by auction this evening?” (23-24). Here her inner conflict of personal needs versus family needs is emphasized in the sense that Else does not want to sacrifice herself for her father. Had Schnitzler not allowed us to read into Else’s stream of conscious, we wouldn’t have identified the source of her hysteric thoughts. Because she has something holding her back from behaving the way she wishes to, Else is forced into a situation where she gains no benefit as an individual.
As Else comes into i...
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...ler perfectly portrays a mental breakdown of thought and reason in addition to a wide range of emotion.
Schnitzler’s stream of consciousness style of writing is extremely effective in conveying the onslaughts of hysteric thoughts. Not only does it help that he intertwines Else’s thoughts with the dialogue she partakes in, but he also contrasts her thoughts with each word or action she says or performs. This technique allows the readers to see the different internal conflicts she feels and how her thoughts fall deeper and deeper into hysteria the more she forces herself to comply with her family’s matters. Overall, Fräulein Else is an impressive, vivid depiction of the loss of innocence and confusion present in an inexperienced, young maiden Schnitzler presents through his writing.
Works Cited
Schnitzler, Arthur. Fräulein Else. London: Pushkin Press, 2012. Print.
Derricotte’s conclusive paragraph begins with, “My mother helps me. She sends me signs: her African violet bloomed for the first time on my windowsill three years after her death, on the first day of her death month…I love my mother now in ways I could not have loved her when she was alive, fierce, terrifying, unpredictable, mad, shame-inducing, self-involved, relentless, and determined by any means necessary” (53). The timing of her love for her mother became insignificant. It wasn’t about when she finally reached the point of loving her mother but the mere fact that she loved her. The utilization of descriptive writing and the emotional implementation in “Beginning Dialogues” are a couple of ways Derricotte enraptures her readers in this short story. Regardless of a painful past or a traumatic childhood she allows herself to see that love truly conquers
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Both the protagonists, Jane and Mrs De Winter in Rebecca are characterised as naïve females who have encountered traumatic and demoralising events in their early years. Through the subsequence events of the plot, these females undertake a bildungsroman journey to adjust to high class society. The heroine in Rebecca has been constantly haunted by the ghost and ‘femme fatale’ figure of Maximillian’s deceased wife (Rebecca) and is unable to live up to society’s expectations. In contrast, Jane can appear to be left demoralised by her extended family, her Aunt and cousins, where she was abused, from a very young age, for standing up for herself. However, her punishment can be seen as a blessing because the time spent in the ‘red-room’ was the
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Trudi Montag was growing up during the World Wars in Burgdorf, Germany. She lived with her father, Leo, and helped him run their pay library. When she was young her mother, Gertrude, went insane, and died at the asylum. Trudi could remember how her mother used to run away, and after her father carried her home, he would lock her up in the attic, to try to prevent her from escaping again. She always did escape, and Trudi usually found her outside, hiding under the stairs. Trudi would spend time with her mother in the attic, or under the stairs. In the attic, the two would play with the paper dolls Leo gave his wife, and Gertrude would teach Trudi how to escape from the attic. Under the stairs, Gertrude told Trudi of her affair with her husband’s friend, Emil, and how she fell off his motorcycle one day, and skinned her knee. Her knee healed, but the stones could be felt beneath her skin if she let someone try to feel for them. That very same day Leo got shot in the knee in the First World War, and had to come home, and would forever walk with a limp. Gertrude blamed herself for her husband’s injury, just as Trudi blamed herself for her mother’s death.
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