As I sat in front of my computer downloading my favorite song from Napster, I started to think about how hard it must have been to write a song so sublime with the way the words flow from one another, and how talented one must be to do so. I started to think how hard people work on their music for themselves and their fans, and how their fans don’t realize what they are doing every time they download a song off the internet. What they don’t realize is that it is messing over the people who worked so hard pouring out their heart and soul into their music for everyone to enjoy. They are the people who are responsible for the music, not the people who work at Napster, or any of the other shafting music networks, who are embezzling from the people we all admire for the way they can flow out those heartwarming words. These words move us to the point that we want to cry, and sometimes do. These words we listen to when we want to go off into our own little world, and think about an extraordinary moment we once had that makes our sorrows disappear. These words remind us of a passed loved one who was once forgotten, and never to be again. They are the people who put their heart and soul into their music; these are people we use so selfishly and don’t even realize how much blood sweat and tears they shed just to put out quality words. They are the people we take for granted, and they are the people who sometimes take us, their fans, for granted as well, they are the artists themselves. File sharing is what it is thought as, but I don’t see it that way. I see it as theft, music theft; most commonly know as shafting. Every day people use shafting and think nothing of it. People sit in front of their computers and go to their favorite website and download file after file with out thinking how or where it comes from. They think it is just there for the taking and it is. Shafting is a trend that has just begun, but only time will tell how far it will go.
Shafting has gone further then anyone would have ever imagined, one man and his website Napster are responsible for all of this; Napster has not only changed the music industry forever; it has also changed American culture forever.
Singers and songwriters need to make a living somehow. They know that downloading music is a way to get their voice heard, but they also know that it is significantly hurting the business. "When your product is being regularly stolen, there comes a time when you have to take appropriate action," said RIAA president Cary Sherman (RIAA 1). There are a lot of people involved in the music scheme when it comes to who needs to get paid by the revenue. From the sale of one CD, singers get one small fraction of the cost, another fraction goes to song writers, musicians also get some of the profit along with retailers, engineers, technicians, warehouse working, and ever...
In America, there is currently a lawsuit pending that threatens to change the face of the music industry. The lawsuit is against Napster it has been brought by the Recording Industry Association of America (RIAA) as well as other major music labels.
We have all watched over the last year and a half as the controversy over the digital music provider Napster has clogged our television screens and lined our floors in the forms of newspaper articles. We are also well aware of the implications and revenue losses that the service either directly or indirectly causes. What I am going to investigate more in-depth in this article is, more specifically, the effect that Napster has on the operations of record stores worldwide. I am going to try to describe the most profound effects that Napster has on this industry.
Along with the development of a file format (MP3) to store digital audio recordings, came one of the new millennium’s most continuous debates – peer-to-peer piracy – file sharing. Internet companies such as Napster and Grokster became involved in notable legal cases in regards to copyright laws in cyberspace. These two cases are similar in nature, yet decidedly different. In order to understand the differences and similarities, one should have an understanding of each case as well as the court’s ruling.
Before the 1990’s, if people want to listen to music, they just visit a music store and pick up a CD and then put it into a stereo equipment. However, the development of MP3 file format gradually changed the way people listen to music. This format lets everyone download music easily and it can be converted to CD as well. But, there is still a problem: searching MP3 files on the internet is maddening and people seldom can find the music they want. Therefore, the birth of Napster solved this problem, creating a virtual music community in which music fans could use the Web as a “swap meet” for music files. More importantly, Napster is easy to use and it’s free, which expands the range of audience in age. Bandwidth also contributed to Napster’s success. The greater the bandwidth, the faster the file can be transferred. So, Napster really changed the way people listen to music, discover music and interact with music.
The Napster Controversy From the writings of Burke I get the understanding that he believes that representation is done through the idea of symbols; symbol making, symbol using and symbol misusing. He believes that we use language, that we use it best in a nonverbal way in which we all can understand. And that language verbal or not is the essential key to all representations through any lens or idea. He also believed that we invented the idea of anything to be negative and that we are what makes things negative.
which gives artists the exclusive rights to their music from the moment of its creation until,
Throughout time, people have resorted to stealing in order to obtain items instead of buying them. It became a problem so consequences were made. Even dating back to the Ten Commandments there were laws against stealing. Recently, theft has become a problem over the internet. Musicians and music companies have lost millions in revenue. Websites such as Napster, The Pirate Bay, and Pandora have made it extremely easy for people, specifically teens, to illegally download and or listen to music for free. Pirating music has become a problem especially because “91 percent of all new music was downloaded illegally over the Internet instead of purchased,” says Logan Lynn from Huffington Post (Lynn). Many, such as the RIAA claim that music piracy is “an ongoing and evolving challenge,” (Who) while others suggest that it is “keeping the music industry alive,” (Issacson).
Richard Simmons, the lead singer of the rock band KISS, has been cited (should “as” be here? Not sure.) speaking out in a distasteful and informal manner against illegal file sharing with the following quote: “It’s only their (you should define who “they” are before this. Seems a little out of context. It seems like you are still addressing file sharing, which is what you introduce the quote as being about, but in reality, he is addressing the people who allow it, whoever they may be) fault for letting foxes get into the henhouse and then wondering why there’s no eggs or chickens. Every little college kid, every freshly-scrubbed little kid’s face should have been sued off the face of the earth. They should have taken their houses and cars and nipped it right there in the beginning”(Source). In his statement, Richard encapsulates the indignation many musicians feel towards people who steal music through file sharing (also known as music piracy). This anger is warranted by the morally accepted viewpoint that stealing is unethical. Music piracy is not measly pilfering, either. “As a consequence of global and U.S.-based piracy of sound recordings, the U.S. economy loses $12.5 billion in total output annually”(Source). However, what if the unhappiness that Richard and other artists feel from illegal file sharing also caused millions of people to be happy? Would the wrongs (that) stealing music caused be morally justified by the prodigious quantity of pleasure generated by music piracy? This is a question similar to one that the founder of a philosophy known as utilitarianism, Jeremy Bentham, asked himself. Through the question, Bentham concluded that “[t]he highest principle of morality is to maximize happiness, the overall balance of...
The story really begins with Napster and its free software that allowed users to swap music across the Internet for free using peer-to-peer networks. While Shawn Fanning was attending Northeastern University in Boston, he wanted an easier method of finding music than by searching IRC or Lycos. John Fanning of Hull, Massachusetts, who is Shawn's uncle, struck an agreement which gave Shawn 30% control of the company, with the rest going to his uncle. Napster began to build an office and executive team in San Mateo, California, in September of 1999. Napster was the first of the massively popular peer-to-peer file sharing systems, although it was not fully peer-to-peer since it used central servers to maintain lists of connected systems and the files they provideddirectories, effectivelywhile actual transactions were conducted directly between machines. Although there were already media which facilitated the sharing of files across the Internet, such as IRC, Hotline, and USENET, Napster specialized exclusively in music in the form of MP3 files and presented a user-friendly interface. The result was a system whose popularity generated an enormous selection of music to download. Napster became the launching pad for the explosive growth of the MP3 format and the proliferation of unlicensed copyrights.
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...
The Internet has led to financially devastating consequences for the music industry (Stafford). The industry is struggling to generate enough revenue because of new technology (How the Internet Changed Music). When music changes hands without money being involved, royalties can’t be paid. Since royalties can’t be paid, so much has been done recently to try to prevent illegal downloading. The availability of music for free has cost the industry $2.5 billion in economic loss (Writer).
Napster is a company that developed the so-called peer-to-peer technology that lets people search and retrieve music files directly from one another's personal computers. When Napster first came out, millions of internet users worldwide were illegally downloading and distributing copyrighted music, videos, images, and software for free. After being vilified by the entertainment industry, which claims that Napster and any similar programs could make piracy of almost any digital work unstoppable, and many court battles, Napster was ordered by court to be shutdown in 2000. The technology has been praised as a revolutionary development for the Internet—unaware of the problems that would arise from such practices. However, the termination of Napster was not enough, months later, dozens of new, like programs were being developed and used. And since Napster, not much has been done to stop these latest downloading programs.
Moreover, hackers came up with new ways to remove the digital copyrights so the same as before one downloads music and distributes them around. The industry gets its revenue from selling this content, whether it’s online or in stores, this funds new projects and allows for better products in the future. The public should be aware of this, downloading the content for free, and not buying it will decrease revenue for the companies, stopping them from undertaking future projects. “Production companies should lower the price on their products, I can’t buy music for at least 20$ per album and DVDs for 30$, I only make 200$ per month,” said George Issa, a music fan who spends most of his nights downloading music from the internet, “when there is an album or movie that I really like, I try to buy it legally, I don’t think I am doing anything wrong, they are wrong making money off our backs,” he added.
Now let’s flash forward back to present day when all that doesn’t happen anymore. Instead of saving of our money and begging our parents to take us to the store to buy a newly released album, we simply get on our computer, go to a website and download the album for free. It doesn’t matter what website it is, whether it is Limewire, Frostwire, or Pirate Bay, people will be happy with their free album. There are still some kids to this day who enjoy going to the store and buying and listening to an album the old-fashioned way but we have to wonder how bad things will get as more and more people are getting equipped with the Internet and the use of downloading music. While the internet might be making life easier for all, the growing use of downloading music on the Internet is growing into a detrimental and illegal problem.