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Now and then character analysis
Common themes in stories
Now and then character analysis
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In the poem, My Papa’s Waltz by Theodore Roethke, the father is a bad one. The first, second and third line of this poem is “The whiskey on your breath could make a small boy dizzy; but I hung on like death” (494 Roethke). At this point in time, the narrator is stating that the father is very intoxicated. A father should never be around his child drunk, it is extremely irresponsible and it does not set a good example for his child. The father could be an angry drunk and put his child’s life at risk. This is something you should never do. Through out the poem, the narrator explains how sloppy the father was. In the poem Do Not Go Gentle into That Good Night by Dylan Thomas, the tone is similar to the tone in My Papa’s Waltz. Both tones appear
The second stanza is only two lines, “My father told us this, one night,/and then continued eating dinner.” This stanza breaks up the chronology of the poem, pushing the previous stanza into the past, and making it disjointed, almost like another poem in itself. The result of the father continuing eating after he tells the story shows how dead he is inside, the recalling of the story no longer affecting him in the same way it does the reader and his own family. It is implied that he is the only one able to eat after telling the story. This short stanza foreshadows the father’s personality change.
... This line implies that the drinking will never end and that no one can stop him from drinking no matter what you do. This poem is a poem that has beautiful imagery that consistently connects the reader to what’s going on in the actual poem like these lines from “Country Western Singer”, “And the blood I taste, the blood I swallow / Is as far away from wine / as 5:10 is for the one who dies at 5:09” (37-40). These lines have to do with the final push of the alcoholic and the fact that they lost the battle against alcoholism and did in fact pass away.
The poem takes the reader back in time for a moment to a small kitchen and a young boy at bedtime. The dishes have been cleared and placed on the counter or in the sink. The family is seated around the table. The father having a glass of whiskey to relax after a very hard day working in the family owned twenty-five-acre greenhouse complex. He is asked to take his small son to bed. The poem begins, “The whiskey on your breath could make a small boy dizzy” (Roethke line 1) enlists the imagery of what the young boy was smelling as he most likely climbed aboard his fathers’ large work boots for the evening waltz to bed. It is obvious this is an evening ritual, one that is cherished. The boy is aware of his fathers’ waltzing abilities and he concedes that he is up for the challenge. The irony of the statement, “I hung on like death” (Roethke line 3) is a private one, yet deeply describes his yearning for one more waltz with his father who passed away when Theodore was only fifteen years ...
“My Papa’s Waltz” by Theodore Roethke is a poem that illustrates the love and bonding between a father and child through structure, figurative language, imagery, symbolism, and diction. The poem begins with lines making it seem negative, violent, and maybe even hate. However it was really his use of figurative language to show them bonding and having fun. In the first quatrain it says the father has whiskey breath, enough to make a child dizzy, so the child hangs on like “death”, because it was hard for him to waltz. At a first glance this may seem negative because of the whiskey and the author's choice of words like death. Although it is not negative. The father may have had a whiskey breath but it doesn't state he was drunk, and him hanging on like death may sound horrific, but he has to hold on to him so he is inescapable as death because it is
In the poem “My Papa’s Waltz” by Theodore Roethke, the speaker is reflecting on a childhood experience involving his father. Some people assume that this poem is about a happy relationship between a father and son while other people assume that this poem emphasizes hidden messages of parental abuse. In my
The first poem, "My Papa's Waltz," by Theodore Roethke (Page 18) presents a clear picture of the young man's father, from line one. "Whiskey" on the father's breath is one of many clues in appearance that mold a rough image of this uneducated, blue-collar worker, possibly a European immigrant, as indicated by the "Waltz" in the title (Line 1). These traits are not necessarily related. They merely exist at once in the father's character. Additional signs of roughness are his hand, "battered on one knuckle"(11), and "a palm caked hard by dirt"(14). This is a man who has probably known only grueling labor. His few escapes likely consist of a drink or two when he gets home from a tough day and maybe something good on the radio. This idea of the father as an unrefined oaf is further reinforced by his actions. His missed steps injure the child's ear, while the father and son's "romping" causes the pans to slide "from the kitchen shelf"(6). As he "beat[s] time"(13) on the child's head we see very clearly that he is quite brutish and careless with the child, and oblivious to his environment. All these factors make the boy's mother very uncomfortable. We can see the disapproval in her countenance, which "could not unfrown itself"(8). She is obviously upset but, strangely, does nothing to interfere with the horseplay that grieves her. This suggests that the waltz is enjoyable for not only one, but both parties. One might wonder why it is that the boy so delights in these moments. This is obviously a crude, boorish man. He probably doesn't flush. He may even smell bad. Are these reasons to love one's father less? Certainly not in the eyes of a small boy. This young man's father may not be the most sensitive or perceptive man around, but he still seems to be a hero in the eyes of his son. Finally, the son recalls these words: "Then you waltzed me off to bed/ Still clinging to your shirt"(16). After reading this poem, it is clear just how unconditional a child's love is.
The little boy in the poem “My Papa’s waltz”, “hung on like death/such waltzing was not easy” because his dad was not taking good care of him (Roethke). His dad was an alcoholic and when he got home, he was often drunk. He would play with the boy but would end up hurting him. Alcoholics find it hard to control their life, therefore, are not good examples of a good parent. Because his dad was irresponsible, the little boy has a different childhood than those children with responsible parents. Another example of a bad parent is when Jeannette’s mom would throw a tantrum once a week and refuse to go to work. The kids had to get her up and out of the house (Walls 196). Since Jeannette’s mom did not take on full responsibility of a mom, the kids were forced to grow up faster. The children had to get jobs and earn money and good parents should not yet ask that of younger children. It is a rare case that irresponsible parents raise very responsible
Dylan Thomas' poem "Do not go gentle into that good night" is about a son’s bereavement and the acceptance of his father dying. Thomas knows death is inevitable, therefore, he uses persuasion to get his father to "rage, rage against the dying of the light” (Line 3). Villanelle poems require two repeating rhyme schemes. Thomas helps the reader visualize dark and light. : “Wise men… know dark is right” (4). “Wild men… sang the sun in flight/do not go gentle into that good night” (10,12). “Eyes…blaze like meteors” (14).
“Do Not Go Gentle Into That Good Night” is a poem by Dylan Thomas (1242). The poem is addressed to his father, who was dying at the time he wrote this. He asks his father to fight death as hard as he can. He believes that no matter who you are, you shouldn’t give in to death. Whether you are good or bad, young or old, wild or tame, you shouldn’t die without kicking and screaming. This poem was picked because I thought it was beautiful and powerful. The poem conjured up feelings of frustration, anger, and sadness while I was reading it. I thought the poem was brilliantly written and beautiful. It was also somewhat inspirational. Dylan Thomas’s excellent diction invokes images of sunsets and beaches, while his use of metaphors and similes draw
Regardless of the interpretation one possesses, may it be seen as abusive or loving, it is clear that the poem is more "richly ambiguous" than onlookers might have felt in the first reading (McKenna). After analysis of the poem, Bobby Fong compares it to that of a seesaw in saying, "the elements of joy, are balanced against the elements of fear." Although the certainty of tone may never be known, a further look at aspects that contributes to the writing give viewers' good insight in the mind of Theodore Roethke. Readers frequently hold contradictory interpretations of "My Papa's Waltz," depending on what personal experience they filter the reading through. In the end, critics agree that there is a darkness to the poem that is definite, but equally so, an abundance of love that is undeniable.
To be honest, it still is. Yet, my desire to bond with him mattered more to me. Roethke’s narrator in “My Papa’s Waltz” says, “I hung on like death” (l. 3) while waltzing with the child’s father. Whereas, I ask that my father doesn’t invite my siblings because “Just you and me is better” (l. 6) Both children desperately wanted quality time with their fathers because they knew at the end of the night their father would leave them whether it was because the father “waltzed [the child] off to bed” (l. 15) or because he is leaving for a trip (l. 10). “Daddy’s Girl” portrays my youth and natural tendency to desire my father’s
In My Papa’s Waltz, many readers feel like the father is abusing the child, but why? This text is considered abusive because of the word play that the writer uses. People dealing with a situation with a drunken father might convey a dark meaning to this poem, but I feel that the father is enjoying the child and playing with him because in my past, my father would drink and swing me around with my brother. In the text it says, “My mother’s countenance…Could not unfrown itself.” My mother would stand aside and hope that we would not let go. She would appear as if she was mad at my dad, but she was constantly worried about our safety and well-being. The wording in the poem can cause a multitude
The speaker and the whiskey priest describe themselves as sinners, yielding to temptation. The speaker of the poem says, “But I am betrothed unto your enemy”(ln.10), showing the speaker is subdued by the devil. The priest, a drunkard with a child, thinks of himself as a transgressor and a disgrace to the Church. While in the prison, the priest says to the pious woman, “But I’m a bad priest…I know from experience-how much beauty Satan carried down with him when he fell.”(p.130) When he is arrested the priest says to a soldier, “You mustn’t think they are like me…It’s just that I’m a bad priest.”(p.191).
To start off, “Do Not Go Gentle into That Goodnight” has a specific rhythm that draws the reader towards the importance of his message. For
“Do Not Go Gentle into That Good Night” is harsh but lyrical. It's halfway between listening to someone singing a somber ballad and listening to a drill sergeant bellowing out orders. The author uses refrains or repeated lines and several rhyming words to give the poem a song-like quality: night, light, right, bright, flight, sight (1, 3, 4, 7, 10, 13) and day, they, bay, way, gay (2, 5, 8, 11, 14) . Thomas also uses hard consonant sounds to give the poem a desperately passionate feel. He incorporates commas instead of conjunctions in this poem to show that these words are more stressed: "Rage, rage" (3, 9, 15, 19) and Curse, bless" (17). This adds to the feeling of a strong, powerful rhythm. The underlying emotions in this particular poem are extremely intense. At some point in everyone’s life, they will have to deal with the saddening moment right before that final breath of someone they love. Thomas implores his father one last time: “And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray.” (16, 17). As the author’s father is on the verge of death, he wants his father to cry passionately, proclaiming that anything vibrant directed at him by his father, be it a blessing or a curse, so long as it was accompanied by intensity, would be preferable to what he