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My last duchess robert browning essay
My last duchess robert browning essay
The Role Of Women Victorian Era
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My Last Duchess (1842), by Robert Browning uses a renaissance context to comment on the Victorian period and convey societal issues of the time. Through the use of a temporal setting and by writing in a different context, Browning criticises society in the time of the Victorian era and addresses crucial ideas, surrounding men, women, pride and jealousy and challenges these conventions of society.
The notion of the objectification of women and regarding women as possessions not people is a key idea presented in My Last Duchess. In the poem, the Duke’s objectification of his dead wife is a vehicle which the notion is displayed. The use of the Duke’s directive dialogue, “Will’t you please sit and look at her”, highlights how he treats his wife, through her painting, as a
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The egotistical dialogue, “E’en then would be some stooping”, shows the Duke’s belief that he does not have to explain himself to his wife, as that would be beneath him. This displays the arrogant nature of the Duke, implying he is above women and is superior, accentuating his insensitivity and pride, as he perceives his wife to be below him. The use of personal pronouns, “I” highlights the high opinion the Duke has of himself and extends the arrogance of the Duke and communicates to the audience the egotistical nature of the aristocracy, implying they are focused only on themselves. Additionally, “my gift of a nine-hundred year old name”, highlights the arrogance of the aristocracy, as it demonstrates the Duke’s belief that the wealth and aristocracy he has given his wife is a gift which she should treasure. The use of the word “gift” suggests that wealth is of great importance and privilege, conveying the pride and arrogance of the aristocracy, as they place themselves above the
The death of the female beloved is the only way deemed possible by the insecure, possessive male to seize her undivided attention. This beloved woman represents the "reflector and guarantor of male identity. Hence, the male anxiety about the woman's independence for her liberty puts his masculine self-estimation at risk" (Maxwell 29). The jealous and controlling males in Robert Browning's "Porphyria's Lover" and "My Last Duchess" possess a fervent desire to fix and monopolize their unconstrained female beloveds. Due to a fear of death, both speakers attempt to achieve control and deny object loss; by turning their lovers (once subjects) into objects, they ultimately attain the role of masterful subject.
The purpose of this essay is to analyze and compare and contrast the two paired poems “My Last Duchess” by Robert Browning and “My Ex-Husband” by Gabriel Spera to find the similarities presented within the pairs. Despite the monumental time difference between “My Last Duchess” and “My Ex-Husband”, throughout both poems you will see that somebody is wronged by someone they thought was a respectable person and this all comes about by viewing a painting on the wall or picture on a shelf.
Robert Browning’s “My Last Duchess” is a haunting poem that tells the story of a seemingly perfect wife who dies, and then is immortalized in a picture by her kind and loving husband. This seems to be the perfect family that a tragic accident has destroyed. Upon further investigation and dissection of the poem, we discover the imperfections and this perfect “dream family” is shown for what it really was, a relationship without trust.
Ferrara is a powerful duke, who likes exercising his authority over everyone around him, especially his wife (the Duchess). He thinks that the time he spends with her is equal to the time he spends observing a piece of art. In fact, he even considers the duchess as one of his a valuable possession. Even when he looks at his dead wife’s painting he talks as if she herself is standing there as a mere object, “Looking as if she were alive. I call/ That piece a wonder, now; Frà Pandolf's hands/ Worked busily a day, and there she stands” (Browning 2-4). She is like a piece of art to him, a valuable object which he wants to manipulate. He considers her to be inferior and disapproves her behaviour and attitudes which he does not like. When describing what he likes about her he only talks about her breasts. Her presence, personality, behaviour nothing matters to him, “Sir, 't was all one! My favour at her breast,/ The dropping of the daylight in the West,” (Browning 25-26). The duchess was a pleasant woman, thanked anyone and smiled at everyone which the Duke did ...
“Life isn’t fair, it’s just fairer than death.” (Goldman 358) That was said by William Goldman at the end of his novel The Princess Bride. The Princess Bride is a book about a girl named Buttercup who learns throughout the book, about the difficulties of life. Buttercup learns about love, adventure, and truthfulness of life, and people. Buttercup lived in a farm in Florin opposite from the land of Guilder. Her family owned a boy she called “Farm boy.” Buttercup teased Farm boy and told him what to do. One day, the Count and Countess of Florin show up at Buttercups families farm, and asks for their cows milk, which was said to be the best milk around. The Countess takes an interest in Westly, the farm boy, and Buttercup realizes her love for him. When Buttercup admitted to her love for Westly, he told her he was moving to America to build a future for the both of them. Soon, Buttercup got a call that informed her of Westly’s death, she was petrified. Later in the book, the Prince of Florin decided he needed a princess because his father, the king, was very ill. Soon, he would become king, and there must be a queen. Prince Humperdinck went to Buttercups farm to gather her so she could become his wife. Buttercup did so and the marriage was soon to be. One day, when Buttercup had been living in the Princes castle, she decided to go for a ride on her horse. Buttercup was kidnapped by three men, Inigo, Vizzini, and Fezzik. They were planning on taking Buttercup to Guilder to kill her so there could be a war between Florin and Guilder. The group was followed by a “man in black” who turned out to be Westly Buttercups love. Westly defeated each man and planned on taking Buttercup to...
Women are seen as an object like in the poem “My last Duchess” by Robert Browning. The main character is a man who is talking to someone about his previous wife. Off the first few lines the reader can see he likes to show off the power and money he has. Then he says there is a curtain in front of her picture; which means
The Duchess, after she puts her wedding-ring upon Antonio's finger, sets out to convince him that they have the right to become husband and wife. She tells him that his lower status should not stop her from marrying him. Being a Duchess, she argues, she has the power to "raise [him] higher" (line 319). When Antonio objects to such an "ambition" she even offers him her riches. Thus the Duc...
I read a critical article on Robert Browning’s “My Last Duchess”. I confess it was harder to find something in the NCLC’s than I would’ve thought. There was a considerable accumulation of critiques on Browning’s work, but very little on “My Last Duchess”.
The theme of “My Last Duchess” is power, it is based on the Duke’s political and social power applied by the speaker. In this
The overarching irony in Browning's "My Last Duchess" is that it really is not about the duchess, but instead about the controlling, jealous, and arrogant nature of the duke. In his monologue describing a painting of his former wife, the duke introduces us to his dark and sinister qualities. By giving us the Duke of Ferrara as an example, Robert Browning subtly condemns the nobility for their poor character.
This exemplifies the Duke’s hatred and jealousy as a result of the Duchess not giving him special attention. When he talks about the statue of Neptune taming the horse, he is referring to himself by using the curtain over his late wife. This way his jealousy can be contained since the curtain will only be drawn by him and no one else. In this diabolical way, the Duke does feel immense jealousy, and he can have the love he always wanted. Robert James Reese states in his essay, “The Power of the Duke in My Last Duchess”, “The Duke felt that his wife was too appreciative of the attention that other men paid her.”
Robert Browning, the poet, uses iambic pentameter throughout the poem. He breaks up the pattern so that every two lines rhyme. Aside from being a dramatic monologue, the poem is also considered lyric poetry because it is a poem that evokes emotion but does not tell a story. The poem is being told in the speaker's point-of-view about his first duchess, also as revealed in the title, The Last Duchess. The setting is important because the duke's attitude correlates to how men treated women at that time. The theme of the poem appears to be the duke's possessive love and his reflections on his life with the duchess, which ultimately brings about murder and his lack of conscience or remorse.
The Speaker in ‘My Last Duchess’ is conversing with the servant of a count whose daughter he is proposing to marry. He treats t...
In "My Last Duchess", by Robert Browning, the character of Duke is portrayed as having controlling, jealous, and arrogant traits. These traits are not all mentioned verbally, but mainly through his actions. In the beginning of the poem the painting of the Dukes wife is introduced to us: "That's my last Duchess painted on the wall,/ looking as of she were still alive" (1-2). These lines leave us with the suspicion that the Duchess is no longer alive, but at this point were are not totally sure. In this essay I will discuss the Dukes controlling, jealous and arrogant traits he possesses through out the poem.
Throughout "My Last Duchess," Browning uses diction to further increase the haunting effect of his dramatic monologue. His precise and scattered word choice is meant to make the reader recognize the underlying haughtiness in his speech to the Count's emissary. The Duke refers to his former wife's portraits "depth" and "passion" in order to place a cloudiness over the realism of the painting. This, along with the "faint" and "half-flush" appearance that "dies along her throat," brings about an overcast appearance to the poem. The Duke's "trifling" lack of "countenance" is evident in his jealousy of