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The relationship between music and religion
The relationship between music and religion
The relationship between music and religion
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There have always been stories and songs to depict the bond between a mother and her child. Every religion, culture, and nation has some form of tradition to express the connection between the two such as the sculpture of the Pieta depicting the bond between the Virgin Mary and her son Jesus; and also the song “Danny Boy”, which can be interpreted as a lament of a mother to her son joining the army. During the Renaissance era one of the greatest sculptures known as The Pieta was created by a young man named Michelangelo Buonarroti. The name “Pieta” is the Italian word for pity. The Renaissance period was a time for cultural growth, an advancement where artists attempted to create a more naturalistic approach to their work. Michelangelo’s Pieta is an example of how the Renaissance period balances the ideals of classical beauty with naturalism (Wikipedia, 2011).
In 1498 the French cardinal Jean Billheres commissioned the Pieta to be constructed from marble as his funeral stone. Although the Pieta was constructed many times before, none compared to that of Michelangelo’s. There were many deliberate changes made. The first difference is the proportion of Mary compared to Jesus. Some believe this is because it is difficult to depict a woman holding the body of a grown man, but Michelangelo’s details in the statue are flawless leading to the possibility that this is no mistake. It is a scene similar to that of Mary holding a baby Jesus in her arms, and maybe there is some symbolism used here. Also, he may have wanted to show how feeble Jesus became during his time of captive. The artist made Mary look at least thirty years younger than what her real age would have been during Christ’s crucifixion. When he was criticized fo...
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... a musical composition, the style, tempo and dynamics can describe a lot about the tune, just the same way does the visual elements of a painting or sculpture. These Principles of Design are a clue into the artists world and reasoning behind their creations.
Works Cited
H2g2. (August 31, 2011). The Legend and History of the song ‘Danny Boy.’ Retrieved on
November 12th, 2011 from http://h2g2.com/dna/h2g2/A3826136
Robinson, M. (n.d.). Danny Boy-the mystery solved! Retrieved on November 12th, 2011 from
http://www.standingstones.com/dannyboy.html.
St. Peters Basilica.org (n.d.). Chapel of the Pieta. Retrieved on November 8th, 2011 from
http://saintpetersbasilica.org/Altars/Pieta/Pieta.htm
Wikipedia. (2011). Pieta (Michelangelo). Retrieved on November 8th, 2011 from
http://en.wikipedia.org/wiki/piet%C3%AO_(Michelangelo)
Both sculptures represent Mary holding the dead body of Jesus. According to our textbook, “This figure group represented a challenge for sculptors, because the body of the adult Christ had to be positioned across his mother’s lap,” (139). Both of the sculptures were created through carving. This is a “subtractive process in which a block of material is cut away to reveal the desired form,” (Carving).
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
During the Italian Renaissance Raphael was one of the most influential artists. He painted many brilliant pieces, mastering the use of depth, perspective, and the use of shadow and light. Throughout his life, Raphael used the Madonna as a reoccurring subject in his work. One example of this subject is the Madonna of the Candelabra. This dark shadowy portrayal exemplifies the pure and humanistic ideals of the Madonna that made Raphael’s versions so well known and loved throughout the ages. The timeless beauty and grace that he captured and the realistic qualities of his work are unparalleled.
The proliferation of graphic scores emerging in Europe and America from the mid-1950s has had a profound impact on musical thought, broadening links between performers and composers, audiences and art forms. Exploration of notational methods based on graphics flourished rapidly and diversely during the fifties and sixties, primarily as a trend amongst young radicals. So many composers producing scores of this kind used a personal vocabulary of symbols – often creating different notation systems for each work – that the effectiveness of their approaches in realising a sonic concept can be assessed only on a case-by-case basis. But the significance of early graphic scores does not depend entirely on how they sound; rather it lies in their capacity to accommodate or even to generate new forms, techniques and mediums, and to challenge notions of what constitutes a musical composition. In addition, these works demonstrate that notation can extend beyond instructional functionality to allow for prominent interpretive and aleatoric elements, and can harbour an intrinsic aesthetic value of its own, apparent before a single note is sounded.
The next sculpture that Michelangelo made was for a French cardinal, Jean Villiers de Fezencac. The cardinal wanted a sculpture of Virgin Mary and Jesus. Michelangelo signed a contract to be paid 450 ducats if he completed the sculpture in one year. Gladly, he finished the sculpture successfully. The sculpture was called the Pieta and consisted of the siting Virgin Mary with the dead body of her son Jesus across her lap (McNeese 35).
Piero della Francesca presented an iconic image of the Renaissance in Italy in his own way, highlighting the two most important idols of the Catholic church, Jesus Christ and the Virgin Mary. Through oil paint, he connected sacred biblical meanings into his own masterpiece. He devoted Christ to portray him in a scene of blessing with his surroundings and other holy figures. The Madonna and Child with Two Angels (Senigallia Madonna), is a piece created with such emphasized meaning and such divinity of the holy, Jesus Christ and his mother the Virgin Mary.
Because of human intention, people have music. So I think music should be related to human intention. The next thing is about human perception. The interesting thing of music 's origin is that there is no clear record to tell the public when and how people have music. The time period, about 60,000 and 30,000 years ago, is an indecisive period and it only came from speculation. So maybe music emerged in different ways in different places, just as now in the world every country or even every city have its own musical cultures. In this perspective, music is really subjective since it is inescapable tied to culture and the experience of the audience. Hence, music is all about personal opinion, which is corresponding to perception. Even though music does have some basic component, everyone has different opinion on music. The definition of music should satisfies the subjective of music. "To be successful, a definition of music must balance these various stories, defining music in terms of its traditions"(Davis 552). The HIP approach solve this difficulty by reserving the subjective of music and balance various musical cultures and traditions in the world. This definition lets the audience judge if they think the sound belongs to music. Therefore, a successful definition of music should be related to human perception since only in this way can balance the various cultures. From the analysis
...t that is what made it truly beautiful because it conveyed a picture. All of the pieces I heard made me think about the music itself, and wonder what the composer was picturing as he wrote.
Though “Danny Boy” is as familiar to the Irish as their orange, green, and white flag, most people do not know the origins of the popular song. The tune so loved has no original owner. Instead, in a truly Irish fashion, it was originally played by traveling musicians throughout the Irish countryside. Instead of one composer, it is possible that the tune had multiple owners who continually refined and revised the tune. Traveling musicians would occasionally get together in order to trade music techniques and songs2, and it is in multiple gatherings like these that the tune to “Danny Boy” known as “Londonderry Air” is said to have been composed. The O’Cahan clan likes to claim that their own Rory Dall O’Cahan3 composed “Londonderry Air” but the tune was not written down until 1855 by Dr. George Patrie4.
Ziegler, Joanna E. “Michelangelo and the Medieval Pietà: The Sculpture of Devotion or the Art
Music is far more than the sum of its parts. It can be thought of in a highly mathematical sense, which leaves one in awe of the seemingly endless combinations of rhythm, tone and intervals that a good musician can produce. Admiring music in this way is a lot like admiring an intricate snowflake, or shapes in the clouds; it's beautiful, but at the same time very scientific, based on patterns. All of the aforementioned qualities of music have one thing in common: they can be defined with numeric, specific values. However, the greatest aspect of music lies elsewhere, and cannot be specifically defined with words. It is the reaction that each individual has when they are confronted with their favorite (or least favorite) kind of music.
The Pieta as a master piece of work is an art sculpture of Michelangelo located within the Vatican City inside St. Peter’s Basilica and where as is described by to Fisher, it is not possible to see it from outside (2007). Made from only one piece of white marble from Carrara, it was created for the period of the years 1498 and 1499 taking two years to its completion. Among the greater variety of works by this artist, it is the first that was worked on bearing the same theme of pain and redemption combined with beauty s the final product. It is also the only one that bears his signature on the diagonal ribbon across Mary’s chest. Pieta ...
Music: the art of organized noise. The blend of pitch and rhythm combined in different mediums and enjoyed by our ears. A very interpretive art, music isn’t very clearly constricted or defined by one definition. With so many varieties of music, it’s difficult to say what aspect is really the most important. Some people think music’s history and the appreciation of music are the most important aspects to take into consideration. Some think complex in rhythms and melodies make the best music. Some people devote their whole lives to studying one genre of music in order to fully understand how that genre works. While all of these aspects of music are important, none of them can truly be compared with each other on a fair playing field. Music of different genres, eras, and geographic backgrounds were written for different purposes, different people, and different settings. Still, there is still one overarching theme that applies to all forms of music new or old: the way the composer presents his or her creation. The performance and presentation of a work of music is like the icing on the top of a cake. The cake may be the best you’ve ever tasted, but if the icing on the outside doesn’t look appealing or doesn’t taste good, chances are you’ll take a different piece of cake with better looking frosting next time. The performance of music is what appeals most to people. With live performance, an artist must “sell” his or her creation. They must put smile on their face and convey to the audience that this is their music and through the music explain why it’s awesome. They must persevere through whatever the stage, the audience, and their surroundings give them and put on a good show. In today’s popular music though, this aspect of showma...
The title of the piece, Madonna of the Clouds, implies setting; however, Mary’s robes blend in with the surrounding cherubs, creating a mass of folds. Donatello shows perspective through subtle changes in the depths of carving – stiacciato relief – a technique that he devised (Britannica). This varying strength of line utilizes shadows to enhance emotion, as seen with the Virgin Mary. The concern that she shows for her son in her arm foreshadows his fateful end. This expression though, is not only demonstrated within the facial features of her profile, but also in the ever-present shadow under her chin, directly above Christ’s head. Stiacciato relief depends on the reflection off of pale materials, like marble, in order to manipulate light to enhance or detract from the forms themselves (Britannica). Donatello controls his medium to work with his audience’s position, casting shadows to be where they are most meaningful. Awareness of his viewers’ angle ceased to allude Donatello as his earlier marble masterpieces, the sculptures at the Or San Michele, employed their alleviated situations to accentuate his subject’s personalities as seen with Saint